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From Hospital hallways to Campus classrooms: the 50th anniversary of amalgamation, part 2

In 1973 the face of nursing education would change in Ontario with the move of Hospital Schools of Nursing into collegiate settings. In celebration of the 50th anniversary of the amalgamation of the Ryerson School of Nursing (now the Daphne Cockwell School of Nursing – DCSN) with the nursing schools from the Hospital for Sick Children, Women’s College Hospital, and The Wellesley Hospital, The TMU Archives, The Wellesley Hospital School of Nursing Alumnae Association (WHSNAA) and The DSCN partnered to create an anniversary exhibition. The physical display, housed in the DCSN administrative offices, features artifacts and photographs that give you a window into the history of the Wellesley Hospital School of Nursing, the WHSNAA, and the DSCN. The online component of the exhibit, consisting of two blogs, will take an in-depth look at the topics introduced in the physical exhibit.

This second blog looks at The Wellesley Hospital School of Nursing Alumnae Association, the Ryerson School of Nursing (1964-2007), Amalgamation: the end of hospital schools of nursing, the Last graduation(s), and the Daphne Cockwell School of Nursing (2008-2024). To view the first blog, visit https://library.torontomu.ca/asc/2024/05/from-hospital-hallways-to-campus-classrooms-the-50th-anniversary-of-amalgamation-part-1/

The Wellesley Hospital School of Nursing Alumnae Association

Wellesley Hospital Alumnae Association metal printing die (RG 946.01.01.06)

The Wellesley Hospital School of Nursing Alumnae Association, originally the Wellesley Hospital Alumnae Association (WHAA), was formed with the guidance of Director of Nursing Elisabeth Flaws in 1915 with the first graduating class of 10 nurses. Its purpose, according to the 1975 constitution, is the promotion of friendship amongst members, upholding the highest standards of the nursing profession, and assisting with nursing education.  Shortly after its formation the group became involved in volunteer work in support of Canada in the WWI. Graduates and students made medical dressings including “fluffs” (an iodoform infused cotton gauze roll with adhesive straps to cushion the wound) to send overseas. 

Final report from the Navy Knitters charity to all contributors to the cause (RG 946.01.03.01.76)

In 1926 after the death of Elisabeth Flaws, her brother started a scholarship in her name for Wellesley students. The Association oversaw this fund, as well as two others used to assist graduates in furthering their education and to aid current students. They also donated equipment to the hospital and participated in fundraising for the new 1947 wing of the hospital, donating furnishings to the cause. During WWII the Alumnae Association became an auxiliary Red Cross Unit. Members knitted goods, sewed ditty bags, mailed gift boxes to Wellesley Alumnae serving overseas, and supplied boxes of food, toys, and clothing for schools in England, a tradition that lasted until the 1950s. By the end of WWII the association became more of a social organization.

Wellesley Hospital Alumnae Association report on nursery boxes sent to schools in England, 1949 (RG 946.01.03.02.77)

The WHSNAA continued its role of giving and supporting nursing education even after the hospital schools of Nursing were moved to the Ministry of Colleges & Universities in 1973. Two scholarships began being awarded to active members of the Association who wanted to continue their education at the university level. As of 1987 there were 6 awards handed out – the Elisabeth Flaws Memorial Scholarship, the Elsie K. Jones Scholarship, the A. Joyce Bailey Scholarship, the Elsie K. Jones LaVenture memorial bursary, the President’s Bursary, and the Mrs. Herbert A. Bruce Memorial award. Until the hospital closed in 1998, several scholarships and awards were also offered on a rotating basis to registered nurses employed at The Wellesley. The Alumnae Association established an endowment in 2007 for an undergraduate nursing award for students enrolled in the Daphne Cockwell School of Nursing. In 2011 The Wellesley Hospital School of Nursing Alumnae Association gifted its archival collection to the University Archives and established an endowment to support its ongoing care and conservation.

Selection of items from the Wellesley Hospital School of Nursing Alumnae Association collection. Included are uniforms, silver tea set, Limoges china, and portrait of long time Nursing School director Elsie. K. Jones.

In 2021 they funded The Wellesley Hospital School of Nursing Alumnae Association Forum through DCSN. The forum’s objective is the support of on-going learning, scholarship and professional practice of Faculty and students in the school by providing them with an outlet to highlight their work and research. The first forum was held virtually in December 2021 with Dr. Maher El-Masri as the first speaker.

Photo from the DCSN Wellesley Forum held September 27, 2022. From l-r: Daria Romaniuk, Associate Professor & Associate Director Collaborative Nursing degree program; Maher M. El-Masri, Director DCSN; Linda Cooper, Wellesley class of 1968 & Professor Emerita DCSN; Sue Williams, Wellesley class of 1970 & Professor Emerita DCSN. Photograph courtesy of the DSCN.

To learn more about The Alumnae Association visit this website https://www.torontomu.ca/nursing/undergraduate/student-resources/nursing-alumni-associations/

Ryerson School of Nursing (1964-2007)

The Ryerson School of Nursing started as an experiment. In 1963 “The Ryerson Project” was undertaken by the Registered Nurses Association of Ontario (RNAO), Ryerson Institute of Technology, and the Department of Education to develop a nursing program at Ryerson. The project proposed a five year trial period with the aim that similar courses would be offered at other colleges at the end. Provisional approval was given by the College of Nurses of Ontario and the 3 year diploma course started in the Fall of 1964 with 21 students.

A large classroom was converted into a nursing laboratory with 12 hospital beds and equipment for instruction and practice. Clinical experience was attained at the Doctor’s Hospital and the Queensway General Hospital. In 1968 one semester post-diploma courses began being offered. The first was Psychiatric Nursing (1968-1976), followed by Pediatric Nursing (Fall 1969-1976), and Intensive Care Nursing (Fall 1970-1997).

Story about first graduation from RIT nursing program. Ryerson Rambler magazine, summer 1968 (RG 151.01)

In 1971 The Ryerson Report “Learning to Nurse: The First Five Years of the Ryerson Nursing Program”, authored by Dr. Moyra Allen and Mary Reidy was published by the RNAO. The report looked at the first 5 years of the program, following students through their schooling, graduation, and into the workforce. Also in 1971, Ryerson was given degree granting status which led the School of Nursing to begin planning for a degree program. The amalgamation of hospital school’s of nursing in 1973 resulted in the introduction of a new consolidated curriculum being introduced in the Fall of 1974.

Learning to Nurse by Moyra Allen and Mary Reidy (RG 6.23)
Excerpt from 1974-1975 RPI Full Time Undergraduate course calendar (RG 184.001.001.001)

In Fall 1980, the first class of post-diploma graduate nurses were admitted into the new 2 year degree completion program – earning a Bachelor of Applied Arts – Nursing. The degree had three areas of specialization – psychiatric, medical-surgical, and pediatric and like its diploma predecessor, it was the first of its kind in Canada. In 1983 a part-time option was introduced through Continuing Education. Nursing courses were held at 8 off-campus locations – Scarborough, Newmarket, Mississauga, Toronto West, University Avenue, Durham, Kitchener-Waterloo, and Hamilton.

Student nurses taking notes on catheterization, 1973 (RG 122.10.39.01)
Student nurses looking at x-rays during hospital training (RG 122.10.39.02)

In 1985 a Critical Care Nursing certificate was introduced in partnership with Toronto General Hospital, and it was announced the Diploma program would be phased out – replaced by a 4 year degree. In 1987, in conjunction with Continuing Education, the School of Nursing began offering a certificate in Nursing Management. The program won an award of distinction from the Canadian Association of University Continuing Education. The first class in the new 4 year degree program started in the Fall of 1988 and the final class of diploma students graduated in 1989.

Student nurse working at a patient’s bedside, 1988 (RG 76.14.447)

Through the 1990’s the program continued to evolve. It achieved the highest level of accreditation for a Canadian Nursing School from the Canadian Association of University Schools of Nursing (CAUSN) in 1993. In 1994 the Bachelor of Applied Arts – Nursing was changed to Bachelor of Science – Nursing (BScN). In September 1995 Ryerson’s School of Nursing, along with 9 other universities, partnered with the Provincial Ministry of Health to offer a Nurse Practitioner programme. The course ran 12 months for registered nurses, and 24 months for diploma nurses and was fully funded by the Ministry for its first 5 years.

Special Announcement – CAUSN accreditation (RG 6.37)

The next major addition to the school was in 2001 when it was announced that, in collaboration with George Brown and Centennial Colleges, Ryerson would offer a 4-year collaborative nursing degree. This was the result of government legislation requiring that, as of 2005, a baccalaureate degree requirement for all nurses that wanted to become Registered Nurses. The new program had 3 points of enrollment – Ryerson, George Brown, and Centennial. Ryerson students would spend all four years on campus. George Brown and Centennial students would complete the first 2 years of the program on their campuses, last 2 years at Ryerson and all their practical requirements would be supervised by their College faculty.

Special Announcement – Collaborative Nursing degree program (RG 6.37)

In 2005 the Masters of Nursing degree was introduced and in 2006 a post-Master’s Primary Health Care Nurse Practitioner certificate, an intensive program to prepare nursing professionals to write the Canadian Nurse Practitioner Examination. In 2007 the post-degree programme changed its name to Post-diploma degree programme to allow admission of students from international bridging programmes at Centennial and George Brown Colleges.

Amalgamation: the end of hospital schools of nursing

There had been talk of and suggestions to move schools of nursing out of the hospitals since the early 20th century but it was not actualized until 1973. On January 11, 1973, a joint letter, accompanied by a booklet of guidelines for the transition, from the Minister of Health and the Minister of Colleges and Universities was sent to the Hospital Nursing Schools, Ryerson Polytechnical Institute (RPI) and the Colleges of Applied Arts and Technology (CAAT) in Ontario.  As a result, RPI’s school of nursing would amalgamate with the Women’s College Hospital’s, the Hospital for Sick Children’s and the Wellesley Hospital’s schools of nursing.

Joint letter announcing the move of hospital school’s of nursing into Colleges of Applied Arts and Technology (RG 6.30)

The guidelines for amalgamation mandated the establishment of transition task forces to plan the transition – with members representing all affected schools. The RPI taskforce established 3 main committees with each one addressing different parts of the amalgamation process that would see an additional 375 students, 75 faculty and 18 staff people being added into the RPI nursing program.

The Curriculum and Clinical facilities committee planned the continuity of the existing nursing programs for 1973-1975, and the planning of a new curricular model for the future program that included admission and clinical requirements.   The committee’s outcomes included the maintenance of the 4 separate campuses until the end of the 1974-1975 school year (where Ryerson would pay rent to the respective hospitals for the space) and the adoption of the current RPI diploma structure (6 semester program) be adopted as the basic model for future curricular changes.

Campus map showing the 4 campuses of the RPI Nursing program – Main Campus (RPI), the Gerrard Campus (Hospital for Sick Children), Grosvenor Campus (Women’s College Hospital) and the Wellesley Campus (Wellesley Hospital) (RG 6.30)

The Teacher Student affairs and Internal resources committee was divided into sub-committees because of the wide scope of their terms of reference. They included the student affairs, teacher affairs, internal resources and student services sub-committees. Some of the outcomes from these committees included: the design of a new uniform for 1975-1976 school year; the responsibility for securing housing fall to the students themselves; graduation planning being undertaken by RPI for the 1975 graduating year; the establishment of the hospital school of nursing department heads as assistant chairpersons in the RPI school for the 1973-1975 period; the transfer and relocation of the school of nursing libraries to RPI’s library by 1975; and the transfer of all student records to RPI’s student records department.

Invitation to carol tea hosted at the Wellesley Campus (RG 6.50)

The Administrative and Finance Committee was also divided into subcommittees. The finance and budget subcommittee looked at financial matters including budget estimates for funding and payroll. The organization subcommittee addressed organization and administrative structuring, support service requirements and space facilities. The personnel subcommittee looked at the transfer of personnel records to RPI’s HR department and other issues related to payroll, pensions, and benefits.

The final report was published in January 1974.

Front cover of final taskforce report (RG 6.30)

Quick facts about The Hospital for Sick Children and Women’s College Hospital Schools of Nursing

Hospital for Sick Children School of Nursing

The oldest school of the three, Sick Children’s Hospital, graduated its first “class” of nurses in 1888 – with one graduate, Josephine Hamilton, receiving her certificate. You can learn more about the Hospital for Sick Children’s School of Nursing Alumnae Association by visiting their website https://hscnursingalumnae.org/

Women’s College Hospital School of Nursing

Women’s College Hospital School of Nursing graduated its first class of 2 nurses in 1918. Their Alumnae Association disbanded in 2019. You can learn more about the school and the alumnae association in on online exhibit titled “Welcome to Our School – The history of the Women’s College Hospital School of Nursing as told by its students” https://www.communitystories.ca/v2/womens-college-nursing_ecole-infirmieres-womens-college/.

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The last graduation(s)

Article on Wellesley graduation 1973, last one to be held before the amalgamation of the nursing schools in Fall 1973. Story published in the “Wellesley World” magazine – a publication of the Wellesley Hospital, August 1973 (RG 946.02.02.03.02)

The last graduation ceremony organized by the individual hospitals was in 1974, with responsibility for the ceremony moving to Ryerson Polytechnical Institute for the 1975 ceremony.

Article authored by Charlotte Broome, Women’s College Hospital Nursing School class of 1969 graduate and former TMU library technician for over 40 years. She was the acting librarian at the WCH School of Nursing library when it transferred to RPI in 1975. Published in the hospital’s “House Call” staff newsletter, Fall 1974. Article Courtesy of the Miss Margaret Robins Archives of Women’s College Hospital https://www.womenscollegehospital.ca/our-history/the-miss-margaret-robins-archives-of-womens-college-hospital/
Hospital for Sick Children “What’s New” staff newsletter, Vol. 7 No. 7 1974. Newsletter courtesy of the SickKids Archives https://www.sickkids.ca/en/learning/support-services/archives/

The final graduation for the Wellesley Hospital’s, Women’s College Hospital’s (WCH) and Hospital for Sick Children’s schools of Nursing was held June 2, 1975 at 7:30 pm at the Ryerson Theatre. 

Invitation to the Wellesley Division graduation (RG 6.50)

The 160 graduating nurses received a specially worded diploma highlighting their hospital affiliation and graduation pins featuring the Ryerson crest with a small hospital crest or logo attached with a small chain.

Wellesley Hospital School of Nursing class of 1975 graduation pin (RG 946.03.04.02.22)

Each school had its own valedictorian speaker – Sheena Elliot for Wellesley, Catherine Messenger for HSC, and Veronica Gee for WCH. Platform guests included the assistant chairmen from each program and members of the Hospital’s Board of Governors.

Nursing student receiving diploma on stage during the June 2, 1975 graduation ceremony (RG 6.46)

The Daphne Cockwell School of Nursing (2008-2024)

The next major change to the Ryerson School of Nursing came in 2008. Jack Cockwell, at the time a member of the University’s Board of Governors, donated $5 million towards the construction of a new building for the Nursing program. The Ryerson School of Nursing became the Daphne Cockwell School of Nursing (DCSN) after the donor’s mother who was a nurse. It would be another first for the school – the first to be named after an actual nurse.

Jack Cockwell next to plaque dedicated to his mother, the Daphne Cockwell Health Science Complex, November 28, 2019. l to r: Tony Staffieri, vice-chair of TMU’s board of governors; Nancy Walton, director of the Daphne Cockwell School of Nursing; Jack Cockwell, director and former President and CEO of Brookfield Asset Management Inc. and member of TMU Board of Governors; Mohamed Lachemi, president and vice-chancellor of TMU; Lisa Barnoff, dean of the Faculty of Community Services. Photo by Gary Beechey. Photograph courtesy of University Advancement – TMU

Also in 2008, the school hosted its first Annual research day – with the theme of “Partnering of Knowledge Exchange”. The conference was open to faculty and students at DCSN and other institutions. The annual research day was held until 2015.

In 2014 the School of Nursing celebrated its 50th anniversary.

50th anniversary pin (RG 6.71)

In the Fall of 2019, the Daphne Cockwell Health Sciences Complex was opened (https://www.torontomu.ca/news-events/news/2019/12/full-house-at-grand-opening-of-the-daphne-cockwell-health-sciences-complex/). The building is home to the DCSN, School of Nutrition, Midwifery program, and School of Occupational and Public Health. It has 8 stories of classroom and administrative space plus an additional 18 storey residence for students.

Daphne Cockwell Health Sciences Complex ribbon cutting. l to r: Deborah Brown, VP, administration and operations; Jen McMillen, vice-provost, students; Michael Benarroch, provost and VP, academic; Charles Falzon, dean of the Faculty of Communication and Design; Ross Romano, Minister of Colleges and Universities; Mohamed Lachemi, president and vice-chancellor; Steven Liss, VP, research and innovation; Lisa Barnoff, dean of the Faculty of Community Services; Bryan Arnold, president and CEO, Eastern Construction; Andrew Frontini, design director, Perkins and Will. Photographer: Alyssa Katherine Faoro. Photograph courtesy of Publications unit – Central Communications, TMU
Students provided tours of the DCC’s key sites, including simulated hospital wards. Photographer: Alyssa Katherine Faoro. Photograph courtesy of Publications unit – Central Communications, TMU

In 2021 the Urban Health Doctoral program was launched (https://www.torontomu.ca/graduate/programs/urban-health-phd/). The interdisciplinary degree is open to applicant’s with a masters degree in nursing, social work, urban development, early childhood studies, occupational and public health, disability studies, midwifery, youth and child care, nutrition, medicine, pharmacy, or dentistry and is administered by DCSN.

From its start as a government experiment in diploma nursing to a school offering 2 undergraduate degrees, 1 professional certificate, and 2 graduate level degrees, the Daphne Cockwell School of Nursing has come a long way and we can’t wait to see what its future holds.

To view the first part of this blog visit https://library.torontomu.ca/asc/2024/05/from-hospital-hallways-to-campus-classrooms-the-50th-anniversary-of-amalgamation-part-1/

1890s Little Magazines: Yellow Nineties 2.0

Do you know the Yellow Nineties 2.0 database? It is an open-access resource dedicated to the study of eight late-Victorian “little magazines” produced between 1889 and 1905. The brief period is known as the “Yellow Nineties” after The Yellow Book, a controversial quarterly publication that embodied the “decadent” culture of the fin de siècle.

Toronto Metropolitan University professor Lorraine Janzen Kooistra spearheaded the Yellow Nineties 2.0 website, a digitization project that has evolved into a world-class online database composed of searchable editions of each publication, a database of textual ornaments found in the issues, peer-reviewed essays on the “little magazine” contributors and much more research on the period and the people who produced these works. The scholarly site is dedicated to the study of The Yellow Book, The Dial, The Pagan Review, The Evergreen, The Savoy, The Pageant, The Green Sheaf and The Venture. Many of the physical publications held at Toronto Metropolitan University Libraries Special Collections were digitized to create online versions for the database.

To celebrate the Yellow Nineties 2.0’s completion, TMU’s Special Collections is hosting an exhibition until the end of April 2024 showcasing the Victorian “little magazines” in our holdings.

Over the years, the “little magazines” held in Special Collections alongside the Yellow Nineties 2.0 database have facilitated interactive student workshops and research creation through TMU’s English department among other partnerships on campus. Explore the Y90s Classroom website to learn more about the research and exhibitions created using these collections.

Student have shared their initial reactions after being introduced to the Yellow Nineties 2.0 and the physical copies held at TMU Special Collections below:

What a treat to hold a piece of art and literary history in your hands! Interacting with the collection online and in person is like night and day – they complement each other. While the online collection is wonderful for facilitating remote research, these magazines truly are art objects and must be appreciated in their proper, corporeal form. Nothing can compare to the opportunity to interact with the item itself. It’s a tremendous privilege to reach into the past and touch the same pages that were lovingly designed, printed, and bound, by literature lovers of the past. While there are no time-machines at TMU, historical literary collections are the next best thing.

Cameron Wheeler, TMU English Department Student

History preserved in time—a glimpse at the lives and creative pursuits of those who lived over a century before us.

It was very interesting to me that quite a large amount of the pages in some of the magazines were white, compared to present-day magazines which cover every single empty space with something. This really allows the reader to focus their attention on the sole thing that the page is presenting to them, whether it be a short story, a poem or a piece of art.

Erik Tahiliani, TMU English Department Student
page from The Evergreen with a poem titled Love Shall Stay
Love Shall Stay by Margaret Armour from The Evergreen, Autumn 1895

To view the current exhibition 1890s Little Magazines: Art for Art’s Sake in Print , visit us on the 4th floor of the TMU Libraries Building. The current exhibition, available until April 30th 2024, features several of the “Little Magazines” held at TMU Special Collections, including The Dial, The Yellow Book, The Evergreen, The Savoy, The Pageant and The Venture.

1890s Little Magazines: Art for Art’s Sake in Print

by Holly Forsythe Paul

After the great success of the Kelmscott Press under the direction of William Morris (1834-1896), artists and bookmakers recognized that there was a niche audience willing to buy expensive books with daring or progressive subject matter as long as they were beautiful. 


This change in the notion of the reading public, its taste and, particularly, its morality, liberated artists to make increasingly exotic books and periodicals. The ‘little magazines’ of the 1890s sprang up in this context. Beautifully designed and illustrated, they embody a different set of values from those we associate with Victorian orthodoxy: celebrating gendered, sexual, regional, or social alternatives.

Printing changed in the 1890s, starting with the Pre Raphaelite concept of total book design, and the Arts & Crafts return to artisanal craftsmanship. High-quality volumes could be sold for very high prices and no longer needed a mass audience in order to become financially viable productions. First-rate artists were drawn from the canvas to the page as technological developments gave them more control and the development of a niche, connoisseur audience gave them more thematic flexibility. The “Little Magazines” of the 1890s are among the most prized results: an outburst of sophisticated, beautiful publications by the most talented, avant-garde artists of the Aesthetic Movement.

The current exhibition, available until April 30th 2024, features several of the “Little Magazines” held at TMU Special Collections, including The Dial, The Yellow Book, The Evergreen, The Savoy, The Pageant and The Venture.

The Dial: An Occasional Publication (5 issues, 1889-1897)

Produced by joint editors Charles Ricketts (1866-1931) and Charles Shannon, The Dial featured art and literature, much of it produced by a core bohemian circle who congregated at Ricketts and Shannon’s home. Unlike most Art Nouveau magazines, The Dial prominently features wood engraving and lithography, illustrative techniques in which the artist controls the means of production. Although only five issues were produced by a small group of artists for a niche audience. the artisanal integrity and harmonious design of The Dial had a major impact, influencing a revival in wood engraving and leading to Ricketts’s founding of The Vale Press (1896-1904).

The Yellow Book: An Illustrated Quarterly (13 issues, 1894-1897)


The Yellow Book embodies the “decadent” culture of the fin de siècle. Aubrey Beardsley (1872-1898) proposed a quarterly that would focus equally on art and literature to the publisher John Lane (1854-1925) with Beardsley as art editor & principal artist while Henry Harland (1861-1905) acted as literary editor. Taking the colour yellow as a nod to risqué Continental literature and producing grotesque and suggestive images designed to shock the uninitiated, Beardsley courted controversy and found it. Fearful of Beardsley’s association with Oscar Wilde (1854-1900) when the latter was arrested for “gross indecency,” Lane fired Beardsley. The change from daring to conservative content that starts with the fifth issue highlights Beardsley’s impact on the early volumes.

The Evergreen (4 issues, 1895-1896/7)

Reflecting the diverse concerns of its polymath sponsor, Patrick Geddes (1854-1932), The Evergreen blends interests in ecology and urban renewal with a celebration of the Scottish Renascence and the Celtic revival. 


These conservationist & post-colonial priorities are manifest in the periodical’s appearance, particularly its type. The Evergreen was printed by Edinburgh’s foremost arts-and-crafts printer, Walter Blaikie (1848-1928), and deliberately revives Celtic art in its ornaments. Copies bearing the coloured leather bindings designed by Charles Mackie (1862-1920), with a stylized tree on the upper cover, are especially prized.

The Savoy (8 volumes, 1896)

When Aubrey Beardsley was fired from his role editing The Yellow Book, Leonard Smithers (1861-1907) seized the opportunity to enlist the talented artist. Like The Yellow Book, The Savoy combined art and literature, and adopted the format of the book, with stiff board covers, high-quality paper, and fine illustrations. In its pages, we can trace Beardsley’s departure from the influence of Japanese woodcuts to the rococo style of 18th-century France, with much more fine detail and texture. After two quarterly issues, Smithers retooled The Savoy as a monthly magazine, changing its format, streamlining the contents, and lowering the price. Although it ultimately failed to find an audience, it is a remarkable attempt to extend avant-garde art to a wider public.

The Pageant (2 volumes, 1896 & 1897)

Edited by Charles Shannon (1863-1937) and Gleeson White (1851-1898), The Pageant connects the little magazines to the earlier genre of the Christmas Annual. Like the Ladies’ Annuals that had been a dominant genre in the book market in the 1830s, The Pageant offered reproductions of famous works of art in print. Unlike its predecessors, this avant-garde journal had a distinctly sophisticated & intellectual array of content, including art history, ancient myth, modern western culture, and decadent cosmopolitanism. In this respect, The Pageant connected the Aesthetic movement to a long tradition of European art.

The Venture: An Annual of Art and Literature (2 issues, 1903-1905)

The Venture was published by gallery owner John Baillie (1868-1926) and edited by Laurence Housman (1865-1959) and W. Somerset Maugham (1874-1965). Determined to make The Venture into a “book beautiful”, Baillie enlisted James J. Guthrie (1874-1952) to print the letterpress and wood engravings of the first volume and Bernard Newdigate (1869-1944) to print the letterpress for volume two in collaboration with specialists in etchings, line blocks, lithographs, and photogravures. 
The Venture is beautiful and notable for its high literary quality, but failed to find a large audience. As its title indicates, producing a high-brow annual was always imagined as a risk.

Cover of The Venture with a person using a bow and arrow

2022 Alcuin Awards for Book Design

Since 1984, the Alcuin Society has recognized excellence in book design with a national awards program. The TMU Libraries are happy to showcase the award winners in nine trade book categories for the 2022 publishing period. The books will be on display in the exhibition window outside of the Archives & Special Collections (ASC), 4th Floor of the Library building, from November 7-29, 2023.

Books are judged in the following categories:

  • Children’s picture books
  • Comics (book-length comics with strong visual storytelling and dedication to production values; e.g., graphic novels)
  • Limited editions
  • Pictorial, including exhibition catalogues
  • Poetry
  • Prose: fiction
  • Prose: illustrated
  • Prose: non-fiction
  • Reference, including how-to, DIY, cooking, travel

See The Alcuin Society’s website for a full list of the 35 winners.

Interested in reading these fabulous books? The TMU Libraries have several of the award winners in the collection, including the titles highlighted below:

All of the books are on loan from the Alcuin Society and the Toronto Metropolitan University Libraries are pleased to be one of the Toronto stops for this national touring exhibition. Later, the books will be touring Germany. For a full list of venues, see the Alcuin Society website.

LGBT History Month

Explore the vibrant 2SLGBTQ+  history at TMU! For LGBT History Month we are highlighting key moments and achievements of the 2SLGBTQ+ communities at TMU and more broadly in Toronto.

The Wilde ’82 History Conference was one of the first North American gatherings dedicated to the recovery of LGBT histories. It was held on TMU campus on June 30-July 3 1982. The name of the conference was in commemoration of the 100th anniversary of Oscar Wilde’s famous North American Tour.

In 1986, TMU started offering the first LGBT course called “New Perspectives on Gay and Lesbian Realities.” The course was aimed at members of the LGBT community, allies and families.

 During the 1980s and 1990s, the TMU theatre hosted the Lesbian and Gay Community Appeal’s annual fundraiser called Fruit Cocktail. The show included vaudeville-style acts with cast members dressed in fruit costumes!

In 1992, TMU’s campus community radio station CLKN recorded a program at the Pride parade. Listen CKLN’s Queer Radio pride report.

Did you know the TMU Libraries has copies of the Body Politic, a Canadian monthly queer magazine published from 1971 to 1987? It was one of Canada’s first significant gay publications, and played a prominent role in the development of the LGBT community in Canada. In 1973, the newspaper also spurred the creation of the ArQuives in Toronto in 1973, one of the largest independent 2SLGBTQ+ archives in the world and the only archive in Canada with a mandate to collect at a national level.

cover of Body Politic: A magazine for gay liberation

The Body Politic – issues available online and in Special Collections

Throughout the month of October, visit our LGBT History Month display on the 4th floor of the Library building to view more material from Archives & Special Collections related to TMU queer history, or join us for the Pink Libraries Tour on October 24th and 26th.

Grant Collingwood Fonds

If you’re looking for photographs from the 1940s to 1990s taken in Ontario, there is a wonderful collection at the Archives and Special Collections waiting for you!

The Collingwood collection was donated to the Archives & Special Collections in 2021 by a relative of the photographer. The collection consists of 35 mm and  2 ¼ negatives, prints, and textual records. The volume of the collection is high and it is being processed and it will be added to our database. A part of the collection consists of  acetate based negatives suffering from vinegar syndrome. Vinegar syndrome is a term that refers to the odor of vinegar that is emitted due to hydrolysis of the acetate base of the negatives. The deteriorated negatives require special care and handling practices and due to their condition are not accessible for viewing in the reading room. The Archives and Special Collections is in the process of digitizing the deteriorated negatives before moving them to cold storage to increase accessibility to the collection. 

Harold Grant Collingwood was born on August 4, 1909, in Exeter, South Huron, Huron, Ontario and died at the age of 87 in May 1996. As an avid photographer, he photographed well-known jazz musicians, street views, buildings, events and venues. He was a commissioned photographer who took photographs for numerous companies namely the Mclean Hunter newsletter and Chatelaine magazine. In his portfolio, there are photographs depicting the office culture of the 40s to 90s in Canada. You will be able to find photographs of important events like the Eaton’s main store demolition and buildings like the old City Hall and the new City Hall. As a result of the variety of subjects that Collingwood photographed, this collection can be used for researchers who are interested in Toronto street views, events and even fashion between the years 1940 and 1990. Additionally, since Collingwood was commissioned to photograph events for companies and businesses, it can also be an excellent resource for researching the existing industries and businesses in Canada during that time period. 

Drop by the Archives and Special Collections Department on the 4th floor of the library to see the current exhibition of the Collingwood collection. If you are interested in learning more about this collection you can check our database.

Thinking inside the box: Photography

On a weekly basis Archives and Special Collections gets asked the question “What do you have stored in all those boxes”. In answer to this query, we introduce our “Thinking Inside the Box” exhibit and blog series. The series aims to showcase what we have stored away on shelves and in boxes out of the public eye. “Thinking Inside the Box – Photography” is the first in this series.

Ryerson Library’s Special Collections was founded in 2005 with the donation of the Kodak Canada Corporate Archive and Heritage Collection. Since this time, donations of photography and film-related materials have grown Special Collections exponentially, making up a major part of its holdings. Books, periodicals, photography and developing equipment are just some of the items we house. The camera collection boasts almost 800 cameras ranging in dates from the late 1860s to the early 2000s and include examples of miniature, instamatic, panoramic, and enlarging models.

The exhibit in the Archives and Special Collections reading room features some of this large collection of materials. The exhibits showcase a variety of cameras including: miniature; novelty; movie; flash; Polaroid; twin lens; and varied format. The exhibit also features other camera and developing equipment. The following images showcase a few of the artifacts on display

The exhibit runs until October 31, 2019.

Ryerson 7025 – Student Housing

This year (2018) marks a special Anniversary at the University – a double anniversary. It has been 70 years since the founding of the school and 25 years since it achieved University status.

In conjunction with University wide celebrations, The University Archives has created an exhibit, running June 1 – October 31, looking back at the history of the school. For each month the exhibit is open we will feature in our blog one of the 5 themes of the exhibit: 5 pivotal moments in Ryerson’s history, Student Groups and Clubs, Student Government, Student Housing, and Athletics and Intramurals.

This month marks the start of a new school year and for thousands of Ryerson students the first time living away from home. So it is fitting that for September’s blog we will look at student housing at Ryerson.

When Ryerson first opened in 1948, there was no campus housing for students. Students rented their own apartments, lived in rooming houses or in various YMCA or YWCA facilities. For the 1957-1958 school year Ryerson’s Students’ Adminstrative Council started a housing registry – to help students find accommodations in the city.

Ryerson Housing Registry, 1984

Church Street Annexes

In the late 1950s – early 1960s Ryerson purchased 323 and 333 Church Street for the purpose of providing housing to male students. Between 10 and 12 students lived in each building. After Kerr Hall residence opened in 1960, the students rooming in the Church Street residences were allowed to use Kerr Hall’s amenities.

Kerr Hall – Eric Palin Hall

Kerr Hall, renamed Eric Palin Hall in 1969, was Ryerson’s first residence. An all male dormitory that housed 42 students. Located in the refurbished Working Boys Home at 63 Gould Street (Now Oakham House). It opened in the Fall of 1960. In its first year running it cost students $10 per week to live there. It closed in 1972.

Bond House – O’Keefe House

Bond House opened its doors as a men’s residence in 1964. Home to 33 students on 3 floors, it changed its name to O’Keefe House in 1978. It would eventually become a co-ed residence. O’Keefe House closed its doors at the end of the 2017-2018 school year.

Bond House/O’Keefe House

Neill-Wycik College

The Student Housing group of the Ryerson Students’ Administrative Council joined the Co-op College and applied for incorporation in 1967 under the name “Neill-Wycik” – Neill for A. S. Neill the founder of Summerhill School in the U. K. and Wycik in honour of Mama and Papa Wycik.

The co-operative ran 3 (all male and co-ed) houses in Toronto for Ryerson students. They were located at 707 Spadina Avenue, 310 Jarvis Street, and 325 Church Street. They also rented 2 floors in the Rochdale College co-operative building at 341 Bloor Street West starting in 1968.

325 Church Street (RG 95.1.13.03.01)

The purpose built Neill-Wycik College student residence building opened in November of 1970. It housed 800 students on 22 floors.

Neill-Wycik College (RG 122.10.094)

International Living/Learning Centre

Hotel Ibis, located at 240 Jarvis Street, was purchased by Ryerson Polytechnical Institute in August of 1993. The 11 storey building would be home to 270 co-ed students as well as the new home for the Hospitality and Tourism Management Program at Ryerson.

International Living/Learning Centre (RG 395.40.16)

Pitman Hall

Pitman Hall is located at 160 Mutual Street. It has 14 floors and 565 rooms – with each floor having communal kitchen, lounge, and laundry facilities. The cafeteria is located on the main floor. This residence is co-ed.

Pitman Hall (RG 395.40.16)

HOEM Residence

Opened in the Fall of 2018, Ryerson’s newest residence HOEM is Ryerson’s largest residence with 30 floors and 593 rooms. All suites are fully furnished and include a kitchen, living room, and single, private bedrooms. A co-ed residence that is open to both first and upper year students. HOEM was built and owned by Canadian Student Communities Inc. and is operated in partnership with the University. To learn more about HOEM, visit their web page here.

HOEM Student Residence was built and is owned by Canadian Student Communities Inc. It is operated in partnership with Toronto Metropolitan University

To learn more about Ryerson’s history – please visit the Archives and Special Collections located on the 4th floor of the library in Room LIB404.

Stay tuned for month for the final blog in the series – Student Athletics and Intramurals.

Ryerson 7025 – Student Government

The University and Archives has created an exhibit, running June 1 – October 31, looking back at the history of the school. For each month the exhibit is open we will feature in our blog one of the 5 themes of the exhibit: 5 pivotal moments in Ryerson’s history, Student Groups and Clubs, Student Government, Student Housing, and Athletics and Intramurals.

For August’s post – we will delve into the history of student government on campus.

The Ryerson student union has held many names since the inception of the Ryerson Polytechnical Institute. In 1948, the first iteration of the student assocaition was called the Students’ Administrative Council (SAC).  In 1970, it changed its name to the Students’ Union of Ryerson Polytechnical Institute (SURPI), and between 1989 and 1996 it was know as Ryerson Students’ Union (RSU). In the mid-1990s, the union was renamed the Ryerson Students’ Administrative Council (RYESAC), and in 2006 it became the Ryerson Students’ Union (RSU) as we know it today.

Ryerson’s first Student Administrative Council (RG 95.1 SAC)

Initially, the student council’s budget was set by the Institute’s administration and the treasurer position was filled by an instructor. At the time, the student union’s main goal was to organize social and extracurricular activities for the student body. They organized Homecoming Weekend, Open House, the annual student comedy show called RIOT and The Ryerson Opera Workshop (ROW).

Ryerson Opera Workshop’s Alice in Wonderland (RG 718.03, Photographer: Jerry Davey)

By the 1960s, the student association evolved into an elected self-governing body that administered its own funds and became a platform for student activism. In 1966, Janet Weir, a secretarial science student became the first woman elected as SAC president. Weir organized a student-led protest called “Booxodus” to advocate for a larger book collection in the new library building. On November 20, 1967, students were asked to borrow six books from the library to demonstrate the limited resources available at Ryerson. The protesters borrowed 3,000 books from the library, representing almost a third of the overall holdings. The campaign was successful, and funds were allocated to increase book purchases when the new library would be completed in the 1970s.

Ryerson Library Booxodus (Photo montage from the book Together for Change by Ronald Stagg)

The Continuing Education Students’ Association of Ryerson (CESAR) was founded in 1979 to represent the large proportion of students enrolled in part-time and evening courses. Through the years, CESAR has collaborated with RSU on campaigns such as pedestrianizing Gould Street, eliminating the use of bottled water on campus and stopping tuition hikes. The organization also focuses on issues specific to Continuing Education students, such as daycare service and full financial credit for part-time studies.

Night Student News June 30th 1981 (RG 24.1)

In the early 1990s, the student council lobbied Ryerson to first install recycling bins on campus, and eventually to make them available campus-wide. By the mid-1990s, they organized several student demonstrations in protest of tuition hikes. The president at the time, Victoria Bowman, brought 30 bags of ice to the President’s office as part of a tuition freeze protest.

RyeSAC SoapBox Newsletter Fall 1997 (RG 79.59)

Ryerson’s student government has certainly changed through the years, but it has and will continue to undertake three major roles for the Ryerson community: provide free or affordable services to students, organize social and community-oriented events, and the role of an advocacy group dedicated to improving the condition of students on campus.  

Stay tuned for next month’s blog when we explore the history of student housing at Ryerson!

Ryerson 7025 – Student Groups and Clubs

The University Archives has created an exhibit, running June 1 – October 31 2018, looking back at the history of the school. For each month the exhibit is open, we will feature in our blog one of the 5 themes of the exhibit: 5 pivotal moments in Ryerson’s history, Student Groups and Clubs, Student Government, Student Housing, and Athletics and Intramurals.

For July’s blog – let’s explore the history of Student Groups and Clubs at Ryerson.

In the late 1940s, there were only a handful of student groups and clubs. The “Hi Ho” Riding Club gathered approximately 40 students every Saturday at the Three Gaits Riding Club in the east end of Toronto. More than just horsing around, the afternoon of riding lessons also included a time to socialize with refreshments and dancing.

Ryerson Hi Ho Riding Club (RG 95.1 Clubs – Riding Club)

The Circle K Club at Ryerson was founded in 1952 as part of the Kiwanis community service organization. The club organized creative fundraisers such as dance marathons, car rallies, movie nights and blood drives to provide funding for first-year students with financial difficulties. The RyeHam Amateur Radio Club was established in 1953 to provide a space for Ham Radio enthusiasts to improve their skills. The club’s station VE3RIT was located in the basement of Kerr Hall. RyeHam gathered amateur radio contacts from over 150 countries, and offered a radio messaging service to both international and out-of-town students. The club’s activities included sponsored auctions, antenna-fixing parties and a portable operations set up during student orientation on the Toronto Island. By 1956, the club had 42 members, 12 of whom were licensed amateur radio practitioners.

RyeHam Radio Club (RG 95.1 Clubs – Ryeham)

By the 1960s, there were over 30 student clubs and societies organized by undergraduate students. The Ryerson Ski Club had one of the largest memberships on campus. The purpose of the club was to promote skiing as either pleasure or competitive sport, through the use of guest speakers, films and workshops. A typical club meeting included a slide show from the previous year’s fun weekend on the hills and a demonstration by a certified ski instructor on a synthetic slope.

Ryerson Ski Club at Blue Mountain (RG 4.11.2)

In the 1970s, Ryerson International Student Club (RISC)  was one of the most progressive and largest social groups on campus. It was established to support the interests of international students, which was approximately 1 out of 10 students attending Ryerson at that time. One of the club’s major accomplishments was removing the mandatory attendance of student police at dances. RISC organized debates, tours, dances and had a reception committee to welcome international students to Ryerson and support their arrival to Canada.

Student groups also include religious, political and cultural-based associations. Two of Ryerson’s largest cultural student association are the Chinese Student’s Association and the Caribbean and African Student’s Association.

Ryersonian Newspaper November 19th 1969 (C 001.111.01 Clubs – Cultural)

In the 1980s, the Ryerson Women’s Centre was finally recognized as an official student organization, with the goal to improve the status and condition of women at Ryerson through education and action. The Women’s Centre is the student union’s oldest community service. In 2012, the organization changed its name for The Centre for Women and Trans People. This pioneer student centre led the way for other student equity service groups such as RyePride and the Racialized Student Collective.  

Women’s Centre Promotional Notices (RG 706.02)

Today, the Ryerson Student Union funds and supports over 200 Student Groups, Course Unions, and Graduate Student Associations. Stay tuned for next month’s post where we will look at the evolution of Ryerson’s student unions.