From Hospital hallways to Campus classrooms: the 50th anniversary of amalgamation, part 2

Posted on June 3, 2024 by Rosalynn

In 1973 the face of nursing education would change in Ontario with the move of Hospital Schools of Nursing into collegiate settings. In celebration of the 50th anniversary of the amalgamation of the Ryerson School of Nursing (now the Daphne Cockwell School of Nursing – DCSN) with the nursing schools from the Hospital for Sick Children, Women’s College Hospital, and The Wellesley Hospital, The TMU Archives, The Wellesley Hospital School of Nursing Alumnae Association (WHSNAA) and The DSCN partnered to create an anniversary exhibition. The physical display, housed in the DCSN administrative offices, features artifacts and photographs that give you a window into the history of the Wellesley Hospital School of Nursing, the WHSNAA, and the DSCN. The online component of the exhibit, consisting of two blogs, will take an in-depth look at the topics introduced in the physical exhibit.

This second blog looks at The Wellesley Hospital School of Nursing Alumnae Association, the Ryerson School of Nursing (1964-2007), Amalgamation: the end of hospital schools of nursing, the Last graduation(s), and the Daphne Cockwell School of Nursing (2008-2024). To view the first blog, visit https://library.torontomu.ca/asc/2024/05/from-hospital-hallways-to-campus-classrooms-the-50th-anniversary-of-amalgamation-part-1/

The Wellesley Hospital School of Nursing Alumnae Association

Wellesley Hospital Alumnae Association metal printing die (RG 946.01.01.06)

The Wellesley Hospital School of Nursing Alumnae Association, originally the Wellesley Hospital Alumnae Association (WHAA), was formed with the guidance of Director of Nursing Elisabeth Flaws in 1915 with the first graduating class of 10 nurses. Its purpose, according to the 1975 constitution, is the promotion of friendship amongst members, upholding the highest standards of the nursing profession, and assisting with nursing education. Shortly after its formation the group became involved in volunteer work in support of Canada in the WWI. Graduates and students made medical dressings including “fluffs” (an iodoform infused cotton gauze roll with adhesive straps to cushion the wound) to send overseas.

Final report from the Navy Knitters charity to all contributors to the cause (RG 946.01.03.01.76)

In 1926 after the death of Elisabeth Flaws, her brother started a scholarship in her name for Wellesley students. The Association oversaw this fund, as well as two others used to assist graduates in furthering their education and to aid current students. They also donated equipment to the hospital and participated in fundraising for the new 1947 wing of the hospital, donating furnishings to the cause. During WWII the Alumnae Association became an auxiliary Red Cross Unit. Members knitted goods, sewed ditty bags, mailed gift boxes to Wellesley Alumnae serving overseas, and supplied boxes of food, toys, and clothing for schools in England, a tradition that lasted until the 1950s. By the end of WWII the association became more of a social organization.

Wellesley Hospital Alumnae Association report on nursery boxes sent to schools in England, 1949 (RG 946.01.03.02.77)

The WHSNAA continued its role of giving and supporting nursing education even after the hospital schools of Nursing were moved to the Ministry of Colleges & Universities in 1973. Two scholarships began being awarded to active members of the Association who wanted to continue their education at the university level. As of 1987 there were 6 awards handed out – the Elisabeth Flaws Memorial Scholarship, the Elsie K. Jones Scholarship, the A. Joyce Bailey Scholarship, the Elsie K. Jones LaVenture memorial bursary, the President’s Bursary, and the Mrs. Herbert A. Bruce Memorial award. Until the hospital closed in 1998, several scholarships and awards were also offered on a rotating basis to registered nurses employed at The Wellesley. The Alumnae Association established an endowment in 2007 for an undergraduate nursing award for students enrolled in the Daphne Cockwell School of Nursing. In 2011 The Wellesley Hospital School of Nursing Alumnae Association gifted its archival collection to the University Archives and established an endowment to support its ongoing care and conservation.

Selection of items from the Wellesley Hospital School of Nursing Alumnae Association collection. Included are uniforms, silver tea set, Limoges china, and portrait of long time Nursing School director Elsie. K. Jones.

In 2021 they funded The Wellesley Hospital School of Nursing Alumnae Association Forum through DCSN. The forum’s objective is the support of on-going learning, scholarship and professional practice of Faculty and students in the school by providing them with an outlet to highlight their work and research. The first forum was held virtually in December 2021 with Dr. Maher El-Masri as the first speaker.

Photo from the DCSN Wellesley Forum held September 27, 2022. From l-r: Daria Romaniuk, Associate Professor & Associate Director Collaborative Nursing degree program; Maher M. El-Masri, Director DCSN; Linda Cooper, Wellesley class of 1968 & Professor Emerita DCSN; Sue Williams, Wellesley class of 1970 & Professor Emerita DCSN. Photograph courtesy of the DSCN.

To learn more about The Alumnae Association visit this website https://www.torontomu.ca/nursing/undergraduate/student-resources/nursing-alumni-associations/

Ryerson School of Nursing (1964-2007)

The Ryerson School of Nursing started as an experiment. In 1963 “The Ryerson Project” was undertaken by the Registered Nurses Association of Ontario (RNAO), Ryerson Institute of Technology, and the Department of Education to develop a nursing program at Ryerson. The project proposed a five year trial period with the aim that similar courses would be offered at other colleges at the end. Provisional approval was given by the College of Nurses of Ontario and the 3 year diploma course started in the Fall of 1964 with 21 students.

(RG 6.53)

A large classroom was converted into a nursing laboratory with 12 hospital beds and equipment for instruction and practice. Clinical experience was attained at the Doctor’s Hospital and the Queensway General Hospital. In 1968 one semester post-diploma courses began being offered. The first was Psychiatric Nursing (1968-1976), followed by Pediatric Nursing (Fall 1969-1976), and Intensive Care Nursing (Fall 1970-1997).

Story about first graduation from RIT nursing program. Ryerson Rambler magazine, summer 1968 (RG 151.01)

In 1971 The Ryerson Report “Learning to Nurse: The First Five Years of the Ryerson Nursing Program”, authored by Dr. Moyra Allen and Mary Reidy was published by the RNAO. The report looked at the first 5 years of the program, following students through their schooling, graduation, and into the workforce. Also in 1971, Ryerson was given degree granting status which led the School of Nursing to begin planning for a degree program. The amalgamation of hospital school’s of nursing in 1973 resulted in the introduction of a new consolidated curriculum being introduced in the Fall of 1974.

Learning to Nurse by Moyra Allen and Mary Reidy (RG 6.23)

Excerpt from 1974-1975 RPI Full Time Undergraduate course calendar (RG 184.001.001.001)

In Fall 1980, the first class of post-diploma graduate nurses were admitted into the new 2 year degree completion program – earning a Bachelor of Applied Arts – Nursing. The degree had three areas of specialization – psychiatric, medical-surgical, and pediatric and like its diploma predecessor, it was the first of its kind in Canada. In 1983 a part-time option was introduced through Continuing Education. Nursing courses were held at 8 off-campus locations – Scarborough, Newmarket, Mississauga, Toronto West, University Avenue, Durham, Kitchener-Waterloo, and Hamilton.

Student nurses taking notes on catheterization, 1973 (RG 122.10.39.01)

Student nurses looking at x-rays during hospital training (RG 122.10.39.02)

In 1985 a Critical Care Nursing certificate was introduced in partnership with Toronto General Hospital, and it was announced the Diploma program would be phased out – replaced by a 4 year degree. In 1987, in conjunction with Continuing Education, the School of Nursing began offering a certificate in Nursing Management. The program won an award of distinction from the Canadian Association of University Continuing Education. The first class in the new 4 year degree program started in the Fall of 1988 and the final class of diploma students graduated in 1989.

Student nurse working at a patient’s bedside, 1988 (RG 76.14.447)

Through the 1990’s the program continued to evolve. It achieved the highest level of accreditation for a Canadian Nursing School from the Canadian Association of University Schools of Nursing (CAUSN) in 1993. In 1994 the Bachelor of Applied Arts – Nursing was changed to Bachelor of Science – Nursing (BScN). In September 1995 Ryerson’s School of Nursing, along with 9 other universities, partnered with the Provincial Ministry of Health to offer a Nurse Practitioner programme. The course ran 12 months for registered nurses, and 24 months for diploma nurses and was fully funded by the Ministry for its first 5 years.

Special Announcement – CAUSN accreditation (RG 6.37)

The next major addition to the school was in 2001 when it was announced that, in collaboration with George Brown and Centennial Colleges, Ryerson would offer a 4-year collaborative nursing degree. This was the result of government legislation requiring that, as of 2005, a baccalaureate degree requirement for all nurses that wanted to become Registered Nurses. The new program had 3 points of enrollment – Ryerson, George Brown, and Centennial. Ryerson students would spend all four years on campus. George Brown and Centennial students would complete the first 2 years of the program on their campuses, last 2 years at Ryerson and all their practical requirements would be supervised by their College faculty.

Special Announcement – Collaborative Nursing degree program (RG 6.37)

In 2005 the Masters of Nursing degree was introduced and in 2006 a post-Master’s Primary Health Care Nurse Practitioner certificate, an intensive program to prepare nursing professionals to write the Canadian Nurse Practitioner Examination. In 2007 the post-degree programme changed its name to Post-diploma degree programme to allow admission of students from international bridging programmes at Centennial and George Brown Colleges.

Amalgamation: the end of hospital schools of nursing

There had been talk of and suggestions to move schools of nursing out of the hospitals since the early 20th century but it was not actualized until 1973. On January 11, 1973, a joint letter, accompanied by a booklet of guidelines for the transition, from the Minister of Health and the Minister of Colleges and Universities was sent to the Hospital Nursing Schools, Ryerson Polytechnical Institute (RPI) and the Colleges of Applied Arts and Technology (CAAT) in Ontario. As a result, RPI’s school of nursing would amalgamate with the Women’s College Hospital’s, the Hospital for Sick Children’s and the Wellesley Hospital’s schools of nursing.

Joint letter announcing the move of hospital school’s of nursing into Colleges of Applied Arts and Technology (RG 6.30)

The guidelines for amalgamation mandated the establishment of transition task forces to plan the transition – with members representing all affected schools. The RPI taskforce established 3 main committees with each one addressing different parts of the amalgamation process that would see an additional 375 students, 75 faculty and 18 staff people being added into the RPI nursing program.

Ryerson’s nursing ranks swell” by Valerie Hauch Eyeopener Vol. 7 No. 2 September 13, 1973
“Qualified Nursing Instructors will get tenure” by Len Fortune Eyeopener February 28, 1974

The Curriculum and Clinical facilities committee planned the continuity of the existing nursing programs for 1973-1975, and the planning of a new curricular model for the future program that included admission and clinical requirements. The committee’s outcomes included the maintenance of the 4 separate campuses until the end of the 1974-1975 school year (where Ryerson would pay rent to the respective hospitals for the space) and the adoption of the current RPI diploma structure (6 semester program) be adopted as the basic model for future curricular changes.

Campus map showing the 4 campuses of the RPI Nursing program – Main Campus (RPI), the Gerrard Campus (Hospital for Sick Children), Grosvenor Campus (Women’s College Hospital) and the Wellesley Campus (Wellesley Hospital) (RG 6.30)

The Teacher Student affairs and Internal resources committee was divided into sub-committees because of the wide scope of their terms of reference. They included the student affairs, teacher affairs, internal resources and student services sub-committees. Some of the outcomes from these committees included: the design of a new uniform for 1975-1976 school year; the responsibility for securing housing fall to the students themselves; graduation planning being undertaken by RPI for the 1975 graduating year; the establishment of the hospital school of nursing department heads as assistant chairpersons in the RPI school for the 1973-1975 period; the transfer and relocation of the school of nursing libraries to RPI’s library by 1975; and the transfer of all student records to RPI’s student records department.

Housing handbook, RPI 1976 (RG 564.02.07.01)
Nursing students residence listings
Nursing students residence listings continued

Invitation to carol tea hosted at the Wellesley Campus (RG 6.50)

The Administrative and Finance Committee was also divided into subcommittees. The finance and budget subcommittee looked at financial matters including budget estimates for funding and payroll. The organization subcommittee addressed organization and administrative structuring, support service requirements and space facilities. The personnel subcommittee looked at the transfer of personnel records to RPI’s HR department and other issues related to payroll, pensions, and benefits.

The final report was published in January 1974.

Front cover of final taskforce report (RG 6.30)

Quick facts about The Hospital for Sick Children and Women’s College Hospital Schools of Nursing

Hospital for Sick Children School of Nursing

The oldest school of the three, Sick Children’s Hospital, graduated its first “class” of nurses in 1888 – with one graduate, Josephine Hamilton, receiving her certificate. You can learn more about the Hospital for Sick Children’s School of Nursing Alumnae Association by visiting their website https://hscnursingalumnae.org/

Women’s College Hospital School of Nursing

Women’s College Hospital School of Nursing graduated its first class of 2 nurses in 1918. Their Alumnae Association disbanded in 2019. You can learn more about the school and the alumnae association in on online exhibit titled “Welcome to Our School – The history of the Women’s College Hospital School of Nursing as told by its students” https://www.communitystories.ca/v2/womens-college-nursing_ecole-infirmieres-womens-college/.

The last graduation(s)

Article on Wellesley graduation 1973, last one to be held before the amalgamation of the nursing schools in Fall 1973. Story published in the “Wellesley World” magazine – a publication of the Wellesley Hospital, August 1973 (RG 946.02.02.03.02)

The last graduation ceremony organized by the individual hospitals was in 1974, with responsibility for the ceremony moving to Ryerson Polytechnical Institute for the 1975 ceremony.

Article authored by Charlotte Broome, Women’s College Hospital Nursing School class of 1969 graduate and former TMU library technician for over 40 years. She was the acting librarian at the WCH School of Nursing library when it transferred to RPI in 1975. Published in the hospital’s “House Call” staff newsletter, Fall 1974. Article Courtesy of the Miss Margaret Robins Archives of Women’s College Hospital https://www.womenscollegehospital.ca/our-history/the-miss-margaret-robins-archives-of-womens-college-hospital/

Hospital for Sick Children “What’s New” staff newsletter, Vol. 7 No. 7 1974. Newsletter courtesy of the SickKids Archives https://www.sickkids.ca/en/learning/support-services/archives/

The final graduation for the Wellesley Hospital’s, Women’s College Hospital’s (WCH) and Hospital for Sick Children’s schools of Nursing was held June 2, 1975 at 7:30 pm at the Ryerson Theatre.

News Release, RPI Office of Information Services (RG 4.22)

Invitation to the Wellesley Division graduation (RG 6.50)

The 160 graduating nurses received a specially worded diploma highlighting their hospital affiliation and graduation pins featuring the Ryerson crest with a small hospital crest or logo attached with a small chain.

Wellesley Hospital School of Nursing class of 1975 graduation pin (RG 946.03.04.02.22)

Each school had its own valedictorian speaker – Sheena Elliot for Wellesley, Catherine Messenger for HSC, and Veronica Gee for WCH. Platform guests included the assistant chairmen from each program and members of the Hospital’s Board of Governors.

Nursing student receiving diploma on stage during the June 2, 1975 graduation ceremony (RG 6.46)

The Daphne Cockwell School of Nursing (2008-2024)

The next major change to the Ryerson School of Nursing came in 2008. Jack Cockwell, at the time a member of the University’s Board of Governors, donated $5 million towards the construction of a new building for the Nursing program. The Ryerson School of Nursing became the Daphne Cockwell School of Nursing (DCSN) after the donor’s mother who was a nurse. It would be another first for the school – the first to be named after an actual nurse.

Jack Cockwell next to plaque dedicated to his mother, the Daphne Cockwell Health Science Complex, November 28, 2019. l to r: Tony Staffieri, vice-chair of TMU’s board of governors; Nancy Walton, director of the Daphne Cockwell School of Nursing; Jack Cockwell, director and former President and CEO of Brookfield Asset Management Inc. and member of TMU Board of Governors; Mohamed Lachemi, president and vice-chancellor of TMU; Lisa Barnoff, dean of the Faculty of Community Services. Photo by Gary Beechey. Photograph courtesy of University Advancement – TMU

Also in 2008, the school hosted its first Annual research day – with the theme of “Partnering of Knowledge Exchange”. The conference was open to faculty and students at DCSN and other institutions. The annual research day was held until 2015.

DCSN first annual Nursing Research Day program (RG 6.66.01)

In 2014 the School of Nursing celebrated its 50^th anniversary.

50th anniversary event program (RG 6.71)

In the Fall of 2019, the Daphne Cockwell Health Sciences Complex was opened (https://www.torontomu.ca/news-events/news/2019/12/full-house-at-grand-opening-of-the-daphne-cockwell-health-sciences-complex/). The building is home to the DCSN, School of Nutrition, Midwifery program, and School of Occupational and Public Health. It has 8 stories of classroom and administrative space plus an additional 18 storey residence for students.

Daphne Cockwell Health Sciences Complex ribbon cutting. l to r: Deborah Brown, VP, administration and operations; Jen McMillen, vice-provost, students; Michael Benarroch, provost and VP, academic; Charles Falzon, dean of the Faculty of Communication and Design; Ross Romano, Minister of Colleges and Universities; Mohamed Lachemi, president and vice-chancellor; Steven Liss, VP, research and innovation; Lisa Barnoff, dean of the Faculty of Community Services; Bryan Arnold, president and CEO, Eastern Construction; Andrew Frontini, design director, Perkins and Will. Photographer: Alyssa Katherine Faoro. Photograph courtesy of Publications unit – Central Communications, TMU

Students provided tours of the DCC’s key sites, including simulated hospital wards. Photographer: Alyssa Katherine Faoro. Photograph courtesy of Publications unit – Central Communications, TMU

In 2021 the Urban Health Doctoral program was launched (https://www.torontomu.ca/graduate/programs/urban-health-phd/). The interdisciplinary degree is open to applicant’s with a masters degree in nursing, social work, urban development, early childhood studies, occupational and public health, disability studies, midwifery, youth and child care, nutrition, medicine, pharmacy, or dentistry and is administered by DCSN.

Daphne Cockwell School of Nursing first year pinning ceremony, 2023. Photograph courtesy of Daphne Cockwell School of Nursing
Photograph taken during National Nursing week 2024 campus visit by Premier Doug Ford, Deputy Premier and Minister of Health Sylvia Jones, Minister of Colleges and Universities Jill Dunlop, Natalia Kusendova-Bashta, MPP, and Dr. Claudette Holloway , President of the Registered Nurses Association. Visitor’s toured the Practical Nursing Lab at the Daphne Cockwell Health Sciences Complex. Photograph courtesy of the Daphne Cockwell School of Nursing
Daphne Cockwell School of Nursing-William Osler Academic Practice Partnership team, May 15, 2024. Photograph courtesy of the Daphne Cockwell School of Nursing

From its start as a government experiment in diploma nursing to a school offering 2 undergraduate degrees, 1 professional certificate, and 2 graduate level degrees, the Daphne Cockwell School of Nursing has come a long way and we can’t wait to see what its future holds.

To view the first part of this blog visit https://library.torontomu.ca/asc/2024/05/from-hospital-hallways-to-campus-classrooms-the-50th-anniversary-of-amalgamation-part-1/

From Hospital hallways to Campus classrooms: the 50th anniversary of amalgamation, part 1

Posted on May 31, 2024 by Rosalynn

In 1973 the face of nursing education would change in Ontario with the move of hospital schools of nursing into collegiate settings. The Ryerson School of Nursing (now the Daphne Cockwell School of Nursing DCSN) would merge with the schools from the Hospital for Sick Children, Women’s College Hospital, and the The Wellesley Hospital. This was the start of a close relationship between the DCSN and the Wellesley Hospital School of Nursing Alumnae Association (WHSNAA) that continues today.

In 2011, 13 years after the hospital’s closure, the WHSNAA gifted their expansive archival collection to TMU Archives. Along with the physical collection, the Alumnae association established an endowment to help offset the cost for the preservation and care of the materials.

On the left is Linda Cooper, Wellesley ’68 and Professor Emerita, Daphne Cockwell School of Nursing and on the right is Shirley Heard, Wellesley ’62 – Alumnae Association President. Also in the picture is a small part of the collection now housed in the Toronto Metropolitan University Archives. Photo courtesy of University Advancement.

In recognition of the 50th anniversary of the amalgamation and in celebration of the continuing relationship, the three groups, the WHSNAA, the DSCN and the University Archives, have partnered to create an anniversary exhibition. The physical display, housed in the DCSN administrative offices, features artifacts and photographs that give you a window into the history of the Wellesley Hospital School of Nursing, the WHSNAA, and the DSCN. The online component of the exhibit, consisting of two blogs, will take an in-depth look at the topics introduced in the physical exhibit.

This first blog looks at the opening of the Wellesley Hospital, the birth of a nursing school, early nurse training, the evolution of the uniform, and convocation at the Wellesley Hospital School of Nursing.

The opening of the Wellesley Hospital, 1911

Founded by Dr. Herbert Bruce (pictured above), the Wellesley Hospital was located in a private home purchased by Bruce from Frederick Nicholls for $65,000. The hospital, located on 4.5 acres of land on the north corner of Homewood and Wellesley Avenues in Toronto, officially opened in June 1911. Bruce began renovations, utilizing architects Stevens and Lee, on the building that included major additions to the structure. Renovations were still being completed when the first patients were admitted in the Fall of 1912 and by December of that year the hospital was operating at 90% capacity. The renovations were completed in early 1913.

Photograph of a large group of people seated and standing in front of a building — Front entrance of hospital at opening ceremony June 1911. In the photograph are (from l-r) Dr. Herbert Bruce; Senator James K. Kerr; Sir Edmund Osler; Dr. J. E. Elliott; Lady Zoe Laurier; Mrs. R. J. MacMillan; Sir Wilfrid Laurier; Dr. R. J. MacMillan; Miss Powell; Dr. F. W. Marlow; Mrs. Anne M. Kerr; Miss Elisabeth Flaws; Sir William Mulock; and Mr. A. E. Dyment (RG 946.01.03.03.03)

Wellesley Hospital wood and metal printing blocks, ca. 1912 (RG 946.02.12.04)

Designed to attract wealthy patients and their surgeons, The Wellesley had 60 private beds (for $3.00 and up per day) and 12 semi-private rooms ($2.00-$2.50 per day). They were open for patients of doctors and surgeons in good standing in Toronto and beyond. There were also 2 house surgeons on staff. Patients were served their meals on Limoges china and ate with silver cutlery and tea service imported from England. $69,000 dollars was spent in the first year alone on furnishings and equipment.

Limoges china used to serve patients in the early days of the hospital (RG 946.02.12.01.01)

Over the next several decades the Hospital grew and evolved. It moved out of its “hospital for the wealthy” persona and would became best known for its role as a community hospital. It became a refuge and support for the St. Jamestown area where it was located. In 1968 the hospital opened its Social Service department and in 1973 the department of Family and Community Medicine moved out into the community with the opening of the St. Jamestown Community Health Clinic. A second location was opened in 1975.

Front entrance of the original hospital circa 1947 (RG 946.01.03.03.06)

The hospital went through various money and operational crises through its 86 year history – with a variety of proposed and actualized amalgamations with other hospitals: Toronto General Hospital 1948-1969; Toronto Central Hospital (1996-1998). The Wellesley Hospital was closed by the Ontario Government at the recommendation of the Ontario Health Services Restructuring Commission in 1998. Its remaining services were taken over by Sunnybrook and St. Michael’s Hospitals.

Significant events in the hospital’s history:

1911 – Hospital opened by then Prime Minister Wilfrid Laurier

1912 – Founding of School of Nursing; First new hospital wing opens in August with first hospital patients admitted in September

1917 – Received designation a public hospital under Ontario Hospital and Charitable Institutions Act

1942 – Officially becomes a public general hospital

1948 – Amalgamation with Toronto General Hospital – becomes Wellesley Division

1959 – Hospital attains independent status once more

1973 – School of Nursing moved from hospital to Ryerson Polytechnical Institute (now Toronto Metropolitan University)

1996 – Merger with Toronto Central Hospital – becoming Wellesley Central Hospital (#7 on map https://www.heritagetoronto.org/explore/st-james-town-history /)

1997 – Proposed merger with Women’s College Hospital

1998 – Wellesley Central Hospital’s operation taken over by St. Michael’s Hospital. The Wellesley Central Hospital closes.

2000 – Former Board members of Wellesley Central Hospital and community activists form Wellesley Central Health Corporation (WCHC). (https://www.wellesleyinstitute.com/wp-content/uploads/2021/10/Our-History-Flip-Sheet.pdf)

2006 – WCHC renamed Wellesley Institute – a non-profit, non-partisan research and policy Institute focused on problems related to population health

The Birth of a Nursing School, 1912

Elisabeth Flaws, first Hospital superintendent and director of the Nursing School (RG 946.03.01.01.07.01)

The Wellesley Hospital School of Nursing was founded in 1912 with Elisabeth Flaws in a dual role – Director of the Nursing School and Hospital Superintendent. The three year program was designed to have Nurse trainees available for service in The Wellesley Hospital after 6 months, this was later changed to 4 months. Dr. Bruce’s goal was to have the 26 paid nursing staff members reduced to 8 by the end of the second year of the school’s existence. The first class of 10 nurses graduated in 1915.

The student nurses were required to live in residence. The first four residences were in converted homes. The first was located at 496 Sherbourne St, and the second at 176 Wellesley Street.

Second nurses residence at 176 Wellesley Street. Hospital Building Bruce Wing is visible in the background (RG946.02.03.08.07) — Second nurses residence located at 176 Wellesley Street. Hospital Bruce wing visible in the background (RG 946.02.03.08.07)

The first purpose built residence was constructed and opened in 1953. The new space had classrooms, a library, a snack bar, and recreation facilities. In 1971 the building was named the “Elsie K. Jones Building” after the long time Nursing Director.

Bedroom in Elsie K. Jones residence (RG 946.03.01.09.06)

Over the next 58 years The Wellesley would graduate 2235 nurses, with the last class graduating in 1975.

Wellesley Hospital School of Nursing crest

Early Nurse Training

When The Wellesley Hospital School of Nursing opened in 1912, The nursing program was a 3 year diploma.

Nurse in surgical scrubs, circa 1920 (RG 946.03.01.08.29)

In the beginning the hospital was not equipped to handle all the training necessary for its nursing students. Starting in 1915 obstetrical training was completed at the Manhattan Maternity Hospital in New York with student nurses being sent in 3 month training rotations. By 1919 this training was completed in-house. The Wellesley contacted Sick Children’s Hospital regarding training in paediatric nursing in 1916 but were denied because of The Wellesley’s status as a private hospital. By 1919 there was an agreement between Sick Children’s and The Wellesley for this training. Starting in 1925 Public Health training was completed in 3 month rotations at the Ottawa Civic Hospital. This training switched to Toronto General Hospital in 1928. Tuberculosis nursing training was completed at the Toronto Hospital for Consumptives, and Psychiatric nursing training was completed at the now defunct Toronto Psychiatric Hospital and the Ontario Hospital (now CAMH) until 1949 when The Wellesley opened its own psychiatric care unit. Nursing students continued to do rotations at CAMH as part of their training.

Student notebook kept by Elsie K. Jones, class of 1925 and long time Director of Nursing at Wellesley, (RG 946. 03.12.02)
Instructions to make Linseed poultices
Instructions to make Linseed poultices
Inventory for a proper surgical dressing tray
Notes about temperature and reasons for temperature change in the human body

1912-1961 Nursing Students Day

Day Duty (7:00am – 7:00pm)

Roll call was at 6:25am with 12 hour shift starting at 7 am. Day duty nurses were allocated 2 hours off per day, usually spent attending lectures and ½ hour each for lunch and supper.

Night Duty (7:00pm – 7:00am)

Night duty nurses received ½ hour off for dinner. They were expected to attend day lectures. When switching from day to night duty, nurses worked until noon and then reported for duty at 7pm.

Each student nurse got a ½ week day off and 5 hours on Sunday. In 1944 the 12 hour shift changed to 8 hour shifts, 6 days per week. In 1958 the work week was changed to 44 hours per week and to 40 hours per week in 1961

Nurse conduct reporting form (RG 946.03.03.04)

In 1923 the Ontario Government registered The Wellesley School of Nursing, making its graduates eligible for Registered Nursing qualification. There were 3 major changes the school’s curriculum. In 1942 theory and practice were correlated; in 1956 the 3 year course was split into a 2 year academic program with a 1 year internship; and in the 1970s the course was cut back to 2 years total schooling and internship – aligning it with the Colleges who offered Nursing programs.

Wellesley Hospital School of Nursing open house poster, 1972 (RG 946.03.13.02)

Wellesley Hospital School of Nursing course calendar circa 1973 (RG 946.03.06)

The Evolution of the Uniform (1912-1973)

The first uniforms worn by student nurses at The Wellesley consisted of a long sleeved and long skirted blue and white striped cotton dress with a detachable clerical style collar (starched upright collar), detachable long cuffs, a bib and an apron. The cap had a drawstring back (this eventually changed to a button closure). The uniform was accompanied by black stockings and black boots or shoes. The collar switched to the Eton style (fold-over collar with front closure) in the early 1920’s and the length of the dresses would slowly shorten over time.

Student nurse Frances Clarke, class of 1919 (RG 946.03.01.08.01)

Nursing cap, 1912-1922 front (RG 946.03.05.01.20.01)

The first major change to The Wellesley’s student uniform occurred in 1941 when a short-sleeved option was introduced. The uniform changed again with the amalgamation of The Wellesley with Toronto General Hospital (TGH) in 1948, switching from the traditional blue and white striped cotton to a plain white dress. They also switched to the TGH cap and wore the detachable collar, cuffs, and bib. The uniform was accompanied by white stockings and shoes. Capes at this time also changed – switching from a blue lining to a red lining.

Student uniform worn during training at Wellesley Division – Toronto General Hospital (1948-1959). Cape (1953-1956) from same period (RG 946.03.05.01.06); RG 946.03.05.01.10)

In 1960 after The Wellesley was an independent hospital again the student nurses voted to return to wearing the blue and white striped dresses. A new Wellesley style cap was designed to accompany the uniform. They were still wearing the detachable Eton style collar, cuffs, and bib. The uniform was accompanied by white stockings and shoes. In second year, a Wellesley badge was added to the left sleeve of the uniforms and in third year students would wear year pins on their collars. The students requested permission to wear short sleeved white dresses for their third or intern year. They were granted permission to do so in 1964.

Nursing cap, 1960-1975 front (RG 946.03.05.01.20.09)

Year pin, Class of 1935 (RG 946.03.04.02.03)

Members of the Wellesley Alumnae Association wearing uniforms From 1912, 1938, and 1962 (RG 946.03.01.08.08)

The final student uniform Wellesley students wore was very different from its predecessors. Introduced in 1970 – the uniform was one piece with no detachable collar, cuffs, or bib. It had a mandarin collar and zipper closure. The skirt was also much shorter than previous uniforms. First and Second year students continued to wear the blue and white striped version, with intern year students wearing an all white version. The uniform was accompanied by the Wellesley cap, white stockings and shoes. A male version of the student uniform, white jacket and pants, was introduced the same year along with the introduction of a pants and jacket option for all nurses on staff at the Hospital.

Student and Intern year uniforms, 1972 Photographer: Roy Nicholls (RG 946.03.01.08.25)

Convocation at the Wellesley Hospital School of Nursing (1915-1974)

Class of 1933 graduation ceremony on the hospital grounds (RG 946.03.04.01.17.01)

The first graduation ceremony for the Wellesley Hospital School of Nursing was held in the Fall of 1915. The ceremonies would move back and forth between fall and spring, with one class graduating per year with the exception of 1940, 1941, 1943, 1944, and 1972 when there were 2 graduating classes – one in spring and one in fall. The first ceremony and the following reception were held on the grounds of the hospital. Ceremonies would continue to be held on the grounds until 1947.

Class of 1954 graduation ceremony at Sherbourne Street Methodist Church (Later St. Luke’s United Church). Graduates are wearing red rose corsages that were a tradition of Toronto General Hospital Nursing School (RG 946.03.04.01.36.02)

Starting in 1948, the ceremonies were held at Sherbourne, later St. Luke’s United Church located at 353 Sherbourne Street and in 1962 the ceremonies moved to St. Paul’s Anglican Church at 227 Bloor Street East. The graduates would walk from Wellesley Hospital to the ceremony and in the event of rain the graduates were ferried to the church by TTC bus. The after ceremony receptions remained on the grounds of the hospital. In 1964 the demolition of the old hospital and construction of a new 9 story hospital addition necessitated the move of the reception to Branksome Hall, the all girls school located at 10 Elm Avenue. The reception returned to the hospital grounds in 1968 and would remain there until 1974.

Class of 1972A entering St. Paul’s Anglican Church Photographer: Roy Nicholls (RG 946.03.04.01.54.09)

Graduation involved many different traditions for the nursing students. A mother daughter tea was hosted by the Wellesley Hospital School of Nursing Alumnae Association. The morning of graduation the 2nd year students would serve the graduating nurses breakfast in the cafeteria.

Class of 1925 graduation breakfast (RG 946.03.04.01.09.01)

The nursing graduates would also walk through the halls of the hospital singing. The graduation pin was presented to each nurse at the graduation ceremony. The Wellesley pin remained the same between 1915-1974, each one personalized on the back with the name and graduating class of each person.

Class of 1915 graduation pin belonging to Ethel Hogaboom (RG 946.03.04.02.12)

Plastic replica of corsage given to graduates. White gardenia surrounded by blue cornflowers and stephanotis (RG 946.03.05.06)

Graduation cap, 1969 (Front) Black band denoted that the nurse was graduating or had graduated from a Nursing program (RG 946.03.05.01.20.04)

You can continue your journey through this nursing history by continuing on to the 2nd blog (https://library.torontomu.ca/asc/2024/06/from-hospital-hallways-to-campus-classrooms-the-50th-anniversary-of-amalgamation-part-2/) where we look at The Wellesley Hospital School of Nursing Alumnae Association, the Ryerson School of Nursing (1964-2007), Amalgamation and the end of hospital schools of nursing, the last graduation(s), and the Daphne Cockwell School of Nursing (2008-2024).

2024 First Edition Photobook Award

Posted on May 9, 2024 by olivia.wong

Group of four individuals holding books — Award recipients and their books at the opening reception and awards celebration. Image courtesy of Artspace TMU gallery.

We are thrilled to announce the 2024 winners for the First Edition Photobook Award!

The TMU Libraries First Edition Photobook Award was instituted in 2015 by Special Collections Librarian Alison Skyrme and Image Arts Instructor Christopher Manson. As part of MPS507 – The Photographic Book, 3rd year Image Arts students conceive of, and produce photobooks during the course, based on their photography. The course concludes with a group show of the books at TMU Artspace gallery.

Each year, TMU Libraries purchases the First Edition Award winning books from the students, catalogues them, and houses them in Special Collections. The winning books are selected by a jury panel using design, sequencing, and integration of images and text as the main evaluation criteria.

The First Edition Photobook Award is generously sponsored by the Photographic Historical Society of Canada.

First Edition Photobook Award Recipients

Sai Bagni, Frisson! A universe built from my observations of my online youth. It is a coming-of-age that exists in pixels and code. Frisson: a word of French origin that describes a feeling of fear or excitement that precedes the anticipation of something that’s about to happen. It denotes the act of waiting and anticipating for something that stands out amongst the banality of everyday life.

Madison Chow, Works of the Flesh. A collection of Polaroids and long exposure imagery that explores the body, created with the intention to speak to experiences of sexualization in the church. Paired with handwritten text, the images create a biblical narrative, using its symbolism to confront and heal from religious trauma.

Dark red book cover with the title Works of the Flesh

Newsprint with an image of a metal paper airplane and the text HAUTE COUTURE

Max Grueninger, HAUTE COUTURE. By reimagining the purpose of each image and subtly weaving fashion elements into the narrative, the visuals aim to inspire a new generation to see the term haute couture as not merely clothing but as a dynamic, evolving concept that can transform and elevate the ordinary into the extraordinary.

Alejandra Harrison, Murder at Monochrome Manor. Inspired by the classic board game Clue and visual styling of film noir Murder at Monochrome Manor explores the limitations of photography in data collection and the power of individual understanding. Offering minimal context to enhance the interactive element, this work invites viewers to take on the role of investigator by examining the images for clues and piece the mystery together to find a solution they interpret.

Black book cover with the outline of a file folder

Grey marble book cover with stains from cups

Sophia Markelj, Generational Flavours. Explores the intimate connection between food, family traditions, and cultural heritage. Using passed-down dishware, tablecloths and cutlery, I explore a gift my grandmother gave me before she passed. Motivated by the notes she left me, these images become not merely representations of dishes, but visual tributes to the love and stories passed down through generations.

Joon-Young Lee, Nicotine, Glass & Fabrics. A photographic love letter to 3 friends who have been apart of my entire career as a photographer. The book recontextualizes each image to reflect on the memories and relationship built from them, paried with transcripts from my conversations with each friend.

Book cover with hands making the shape of a heart over cigarettes

Book cover with an image taken inside the front of an airplane

Christie Xu, A Place On Earth. In the summer of 2023 my partner and I plotted out our longest cross-country flight after a failed attempt last winter break. “A Place On Earth“ documented our trip from Albany, New York to visit Purdue University in Lafayette, Indiana where he started his flight training, just in time for our friend’s graduation. After that, we head South to Huston, Texas before turning back to New York via Louisiana, Tennessee and Ohio. This book includes polaroids and 35mm film during flying.

2024 Jury Panel

This year we were fortunate to have a judges panel that included Kristen Adlhoch, Holly Forsythe Paul, Jennifer Park and Rahim Perez-Anderson.

Kristen Adlhoch holds a BFA in Photography from Toronto Metropolitan University, and an MLit and PhD in the History of Photography from the University of St Andrews, Scotland. She is currently a Part-Time Lecturer and the Student and Partner Outreach Coordinator for the Film and Photography Preservation and Collections Management MA program at TMU.

Holly Forsythe Paul is a rare book librarian who received her M.I. from the University of Toronto in 2021. Prior to her studies in librarianship, Holly taught English literature and writing at University of Toronto for over a decade. She is currently the Special Collections Librarian at TMU Libraries and teaches Conservation & Preservation of Recorded Information at the University of Toronto’s Faculty of Information.

Jennifer Park is the Art Preparator at The Image Centre at Toronto Metropolitan University. She is also a Co-Coordinator of the IMC’s Art Handing Apprenticeship Program which offers training to BIPOC who are in the early stages of their career in museum work.

Rahim Perez-Anderson is a Black visual storyteller, working out of Tkaronto/Toronto. Intrigued by human experience and the observation of life, Rahim specializes in self-portraiture and documentary photography, exploring his lived experiences within and around topics of identity, race, and selfhood.

First Edition Photobook Show (TMU Artspace Gallery)

First Edition Photobook Show highlights TMU image arts students (The Eyeopener)

1890s Little Magazines: Yellow Nineties 2.0

Posted on April 11, 2024 by olivia.wong

Black and white print of three women with ornamental wings — Flower of the Grass Headpiece by John Duncan from the Yellow Nineties 2.0 Database of Ornaments

Do you know the Yellow Nineties 2.0 database? It is an open-access resource dedicated to the study of eight late-Victorian “little magazines” produced between 1889 and 1905. The brief period is known as the “Yellow Nineties” after The Yellow Book, a controversial quarterly publication that embodied the “decadent” culture of the fin de siècle.

Toronto Metropolitan University professor Lorraine Janzen Kooistra spearheaded the Yellow Nineties 2.0 website, a digitization project that has evolved into a world-class online database composed of searchable editions of each publication, a database of textual ornaments found in the issues, peer-reviewed essays on the “little magazine” contributors and much more research on the period and the people who produced these works. The scholarly site is dedicated to the study of The Yellow Book, The Dial, The Pagan Review, The Evergreen, The Savoy, The Pageant, The Green Sheaf and The Venture. Many of the physical publications held at Toronto Metropolitan University Libraries Special Collections were digitized to create online versions for the database.

To celebrate the Yellow Nineties 2.0’s completion, TMU’s Special Collections is hosting an exhibition until the end of April 2024 showcasing the Victorian “little magazines” in our holdings.

Black and white print of the spring almanac with images representing the astrological signs — Spring Almanac by Helen Hay from the Yellow Nineties 2.0 Database of Ornaments

Over the years, the “little magazines” held in Special Collections alongside the Yellow Nineties 2.0 database have facilitated interactive student workshops and research creation through TMU’s English department among other partnerships on campus. Explore the Y90s Classroom website to learn more about the research and exhibitions created using these collections.

Student have shared their initial reactions after being introduced to the Yellow Nineties 2.0 and the physical copies held at TMU Special Collections below:

What a treat to hold a piece of art and literary history in your hands! Interacting with the collection online and in person is like night and day – they complement each other. While the online collection is wonderful for facilitating remote research, these magazines truly are art objects and must be appreciated in their proper, corporeal form. Nothing can compare to the opportunity to interact with the item itself. It’s a tremendous privilege to reach into the past and touch the same pages that were lovingly designed, printed, and bound, by literature lovers of the past. While there are no time-machines at TMU, historical literary collections are the next best thing.
Cameron Wheeler, TMU English Department Student

black and white print of three flowers — Spring in Languedoc by Alice Gray from the Yellow Nineties 2.0 Database of Ornaments

History preserved in time—a glimpse at the lives and creative pursuits of those who lived over a century before us.

It was very interesting to me that quite a large amount of the pages in some of the magazines were white, compared to present-day magazines which cover every single empty space with something. This really allows the reader to focus their attention on the sole thing that the page is presenting to them, whether it be a short story, a poem or a piece of art.
Erik Tahiliani, TMU English Department Student

page from The Evergreen with a poem titled Love Shall Stay — Love Shall Stay by Margaret Armour from The Evergreen, Autumn 1895

To view the current exhibition 1890s Little Magazines: Art for Art’s Sake in Print , visit us on the 4th floor of the TMU Libraries Building. The current exhibition, available until April 30th 2024, features several of the “Little Magazines” held at TMU Special Collections, including The Dial, The Yellow Book, The Evergreen, The Savoy, The Pageant and The Venture.

1890s Little Magazines: Art for Art’s Sake in Print

Posted on March 22, 2024 by olivia.wong

by Holly Forsythe Paul

After the great success of the Kelmscott Press under the direction of William Morris (1834-1896), artists and bookmakers recognized that there was a niche audience willing to buy expensive books with daring or progressive subject matter as long as they were beautiful.

This change in the notion of the reading public, its taste and, particularly, its morality, liberated artists to make increasingly exotic books and periodicals. The ‘little magazines’ of the 1890s sprang up in this context. Beautifully designed and illustrated, they embody a different set of values from those we associate with Victorian orthodoxy: celebrating gendered, sexual, regional, or social alternatives.

Printing changed in the 1890s, starting with the Pre Raphaelite concept of total book design, and the Arts & Crafts return to artisanal craftsmanship. High-quality volumes could be sold for very high prices and no longer needed a mass audience in order to become financially viable productions. First-rate artists were drawn from the canvas to the page as technological developments gave them more control and the development of a niche, connoisseur audience gave them more thematic flexibility. The “Little Magazines” of the 1890s are among the most prized results: an outburst of sophisticated, beautiful publications by the most talented, avant-garde artists of the Aesthetic Movement.

The current exhibition, available until April 30th 2024, features several of the “Little Magazines” held at TMU Special Collections, including The Dial, The Yellow Book, The Evergreen, The Savoy, The Pageant and The Venture.

The Dial: An Occasional Publication (5 issues, 1889-1897)

Produced by joint editors Charles Ricketts (1866-1931) and Charles Shannon, The Dial featured art and literature, much of it produced by a core bohemian circle who congregated at Ricketts and Shannon’s home. Unlike most Art Nouveau magazines, The Dial prominently features wood engraving and lithography, illustrative techniques in which the artist controls the means of production. Although only five issues were produced by a small group of artists for a niche audience. the artisanal integrity and harmonious design of The Dial had a major impact, influencing a revival in wood engraving and leading to Ricketts’s founding of The Vale Press (1896-1904).

The Yellow Book: An Illustrated Quarterly (13 issues, 1894-1897)

The Yellow Book embodies the “decadent” culture of the fin de siècle. Aubrey Beardsley (1872-1898) proposed a quarterly that would focus equally on art and literature to the publisher John Lane (1854-1925) with Beardsley as art editor & principal artist while Henry Harland (1861-1905) acted as literary editor. Taking the colour yellow as a nod to risqué Continental literature and producing grotesque and suggestive images designed to shock the uninitiated, Beardsley courted controversy and found it. Fearful of Beardsley’s association with Oscar Wilde (1854-1900) when the latter was arrested for “gross indecency,” Lane fired Beardsley. The change from daring to conservative content that starts with the fifth issue highlights Beardsley’s impact on the early volumes.

The Evergreen (4 issues, 1895-1896/7)

Reflecting the diverse concerns of its polymath sponsor, Patrick Geddes (1854-1932), The Evergreen blends interests in ecology and urban renewal with a celebration of the Scottish Renascence and the Celtic revival.

These conservationist & post-colonial priorities are manifest in the periodical’s appearance, particularly its type. The Evergreen was printed by Edinburgh’s foremost arts-and-crafts printer, Walter Blaikie (1848-1928), and deliberately revives Celtic art in its ornaments. Copies bearing the coloured leather bindings designed by Charles Mackie (1862-1920), with a stylized tree on the upper cover, are especially prized.

The Savoy (8 volumes, 1896)

When Aubrey Beardsley was fired from his role editing The Yellow Book, Leonard Smithers (1861-1907) seized the opportunity to enlist the talented artist. Like The Yellow Book, The Savoy combined art and literature, and adopted the format of the book, with stiff board covers, high-quality paper, and fine illustrations. In its pages, we can trace Beardsley’s departure from the influence of Japanese woodcuts to the rococo style of 18^th-century France, with much more fine detail and texture. After two quarterly issues, Smithers retooled The Savoy as a monthly magazine, changing its format, streamlining the contents, and lowering the price. Although it ultimately failed to find an audience, it is a remarkable attempt to extend avant-garde art to a wider public.

The Pageant (2 volumes, 1896 & 1897)

Edited by Charles Shannon (1863-1937) and Gleeson White (1851-1898), The Pageant connects the little magazines to the earlier genre of the Christmas Annual. Like the Ladies’ Annuals that had been a dominant genre in the book market in the 1830s, The Pageant offered reproductions of famous works of art in print. Unlike its predecessors, this avant-garde journal had a distinctly sophisticated & intellectual array of content, including art history, ancient myth, modern western culture, and decadent cosmopolitanism. In this respect, The Pageant connected the Aesthetic movement to a long tradition of European art.

The Venture: An Annual of Art and Literature (2 issues, 1903-1905)

The Venture was published by gallery owner John Baillie (1868-1926) and edited by Laurence Housman (1865-1959) and W. Somerset Maugham (1874-1965). Determined to make The Venture into a “book beautiful”, Baillie enlisted James J. Guthrie (1874-1952) to print the letterpress and wood engravings of the first volume and Bernard Newdigate (1869-1944) to print the letterpress for volume two in collaboration with specialists in etchings, line blocks, lithographs, and photogravures.
The Venture is beautiful and notable for its high literary quality, but failed to find a large audience. As its title indicates, producing a high-brow annual was always imagined as a risk.

Cover of The Venture with a person using a bow and arrow

Highlights from the Canadian Community Cookbook Collection

Posted on December 12, 2023 by olivia.wong

The Canadian Community Cookbook Collection contains over 250 community cookbooks, culinary textbooks, and company publications related to food products dating from 1888 to the early 2000s. It was donated to Special Collections in 2021 by Dr. Ian Mosby, a faculty member from TMU’s Department of History.

We are featuring an assortment of cookbooks in this blog, as well as in the display case on the 4th floor of the Libraries, to highlight the wide range of genres within culinary publications. We hope that these windows into Canadian culinary history, and especially the festive recipes, will inspire you to try making a new dish, or watch the Great Canadian Baking Show during the winter break!

A large portion of the collection is made of community cookbooks. These were created by women’s associations, church groups, hospitals, and community groups for fundraising purposes. They compile and publish recipes from community members and include the contributor’s name in the cookbook. These are simple publications, and would often offset printing costs by including advertisements for local businesses.

Specialties from Sugar and Spice (1948)
Recipes from Specialties from Sugar and Spice (1948)
The Kelowna Hospital Women’s Auxiliary Cook Book : a collection of tried and tested recipes (1936)
Local advertisements and recipes from The Kelowna Hospital Women’s Auxiliary Cook Book (1936)
Kid’s Kosher Cookbook
Latke recipe from the Kid’s Kosher Cookbook

Another genre is advertising cookbooks. These were published by food companies, such as gelatin, flour and corn starch producers. They often include detailed photographs or illustrations of dishes that can be made using their products. Since these were used for marketing purposes, they can help us understand trends in culinary styles and kitchen technologies.

Today …. what salad …. what dessert?: Jell-O brings DOZENS of answers…. (1928)
Desert recipes from Jell-O brings DOZENS of answers… (1928)
Salad recipe from Jell-O brings DOZENS of answers… (1928)
Working People’s Cookbook : The Practical Answer to “What’s For dinner” in Less Than an Hour (1976)
Salad recipe from Working People’s Cookbook (1976)

The collection has several educational cookbooks, which provide culinary instructions for people wanting to sharpen their culinary skills. There are also government sponsored cookbooks, which outline recommendations for food preparations, dietary guidelines, and often highlight agricultural products from the region.

Cookbook cover with a person boiling water over the stove

Book cover with a woman in blue holding a bowl of produce

Book cover with yellow illustrations of cheese

Although these cookbooks reflect the time in which they were published (Jell-O salads!), the recipes are still incredibly fun to make, and turns out they can be quite delicious! To celebrate this new collection, the TMU Libraries staff who catalogued and processed the cookbooks recreated a dish from the collection to share with others (pictured below!) To view more cookbooks from this collection, stop by the Libraries’ 4th floor exhibition case by Archives & Special Collections, or explore the titles through our online finding aid.

2022 Alcuin Awards for Book Design

Posted on November 9, 2023 by olivia.wong

Since 1984, the Alcuin Society has recognized excellence in book design with a national awards program. The TMU Libraries are happy to showcase the award winners in nine trade book categories for the 2022 publishing period. The books will be on display in the exhibition window outside of the Archives & Special Collections (ASC), 4th Floor of the Library building, from November 7-29, 2023.

Books are judged in the following categories:

Children’s picture books
Comics (book-length comics with strong visual storytelling and dedication to production values; e.g., graphic novels)
Limited editions
Pictorial, including exhibition catalogues
Poetry
Prose: fiction
Prose: illustrated
Prose: non-fiction
Reference, including how-to, DIY, cooking, travel

See The Alcuin Society’s website for a full list of the 35 winners.

Interested in reading these fabulous books? The TMU Libraries have several of the award winners in the collection, including the titles highlighted below:

305 lost buildings of Canada NA740.5.L67 B54 2022

All of the books are on loan from the Alcuin Society and the Toronto Metropolitan University Libraries are pleased to be one of the Toronto stops for this national touring exhibition. Later, the books will be touring Germany. For a full list of venues, see the Alcuin Society website.

LGBT History Month

Posted on October 18, 2023 by olivia.wong

Explore the vibrant 2SLGBTQ+ history at TMU! For LGBT History Month we are highlighting key moments and achievements of the 2SLGBTQ+ communities at TMU and more broadly in Toronto.

The Wilde ’82 History Conference was one of the first North American gatherings dedicated to the recovery of LGBT histories. It was held on TMU campus on June 30-July 3 1982. The name of the conference was in commemoration of the 100th anniversary of Oscar Wilde’s famous North American Tour.

In 1986, TMU started offering the first LGBT course called “New Perspectives on Gay and Lesbian Realities.” The course was aimed at members of the LGBT community, allies and families.

Colourful cover of a 1986-87 Continuing Education course calendar

New Perspectives on Gay and Lesbian Realities course description

During the 1980s and 1990s, the TMU theatre hosted the Lesbian and Gay Community Appeal’s annual fundraiser called Fruit Cocktail. The show included vaudeville-style acts with cast members dressed in fruit costumes!

light green program for the 1989 Fruit Cocktail

Black and white images of the Fruit Cocktail performances

Pink and turquoise program for the 1991 Fruit Cocktail

In 1992, TMU’s campus community radio station CLKN recorded a program at the Pride parade. Listen CKLN’s Queer Radio pride report.

Did you know the TMU Libraries has copies of the Body Politic, a Canadian monthly queer magazine published from 1971 to 1987? It was one of Canada’s first significant gay publications, and played a prominent role in the development of the LGBT community in Canada. In 1973, the newspaper also spurred the creation of the ArQuives in Toronto in 1973, one of the largest independent 2SLGBTQ+ archives in the world and the only archive in Canada with a mandate to collect at a national level.

cover of Body Politic: A magazine for gay liberation — The Body Politic – issues available online and in Special Collections

Throughout the month of October, visit our LGBT History Month display on the 4th floor of the Library building to view more material from Archives & Special Collections related to TMU queer history, or join us for the Pink Libraries Tour on October 24th and 26th.

A View of Old Toronto – using archival objects as a focus for your research

Posted on August 10, 2023 by Rosalynn

The idea for this blog started in the summer of 2022 when I was brainstorming ideas for interesting ways to showcase our collections. I started looking through the Bass Stereographic Photography Collection and was intrigued by these three cards because I wasn’t familiar with them or where they might be located. Originally intending the blog to be a simple show and tell of interesting images around Toronto, it quickly evolved into a more in-depth project using the stereographs as the starting point for my search – a kind of showcase of how archival and special collections materials can be used to spark new ideas or enhance existing research projects.

Utilizing both online resources, and books from the TMU library collections – I was able to not only pinpoint the locations of the subjects in the photographs, but the history of the sites as well. There is a full bibliography available at the end of the blog.

Munro Park

Group of people wading in water on a Munro Beach — Children enjoying the waterfront in Munro Park, Toronto. 2018.09.04.01.03

In 1847 former Toronto Mayor and business man George Monro (1797-1878) purchased 60.5 acres of Lot 1 Concession 1 in Toronto. In present day terms the property, called Painted Post Farm, was bordered by the lake in the south, Scarborough Road in the west, Kingston Road in the north and Victoria Park in the East.

Section of map from York County Atlas showing George Monro property — Historical Atlas of York County, 1878

The properties to the east and west of Painted Post Farm were slowly being developed into summer resort and recreation areas and in 1896 Monro’s family granted a 10 year lease to the Toronto Railway Company (TRC) for a portion of their property. The section, which consisted of the bottom portion south of Queen Street East down to the lake, was leased by the TRC for the purpose building an amusement park which would be serviced by their electric trolley cars. At the time of the lease their tracks, which ran along Queen Street East, stopped at Balsam Avenue (3 streets east of the Monro property). In 1896 Munro Park (it is unclear when the spelling changed from Monro to Munro) was initially opened as a picnic area, with 50 benches and 100 seats, A large 1300 square metre dance hall, a bandstand, and some rides – carousel, swings – were added in the first season and in 1897 a mineral well was opened. By 1898 the street car tracks were run in a loop to the park and a ferris wheel was constructed. In 1899 a water carousel, Lundy’s Ostrich Farm, and two 90 metre boardwalks leading to the entrance of the dance hall were added. More sidewalks were created and the size of the performance stage was increased, with seating for 5000. The TRC began booking performers including acrobats, animal acts, comedians, magicians, musical performers, vaudeville and minstrel shows. They also added a motion picture venue in 1900.

Photograph of people standing around a grassy park with a ferris wheel in the background. — Munro Park, 1900
Courtesy of the Baldwin Collection of Canadiana, Toronto Public Library

In 1906 the lease with the TRC was not renewed and all the buildings were removed from the property. The following year Scarboro Beach Park, just a few blocks from Munro Park, opened and it was purchased by the TRC in 1912. In the 1920’s the TRC became one of the two companies, along with Toronto Civic Railway, that became the Toronto Transit Commission (TTC). The Monro property and Munro park were later subdivided for residential development and nothing of the old park exists. A street, Munro Park Avenue, runs through the centre of the old park property and the shoreline is now part of Silver Birch Beach.

Rosehill Reservoir

Reservoir Park, located in Toronto’s Deer Park neighbourhood, opened in 1874. The land it sits on is one of the city’s oldest public recreational spaces. But the area has a much older pre-colonial history. The area, called “Mishkodae” or prairie/meadow in Anishinaabemowin, was used for hunting by the Indigenous peoples. The lands open savannah like environment attracted the deer to feed. The area was also rich in plants that were harvested for use in medicines.

Two story home surrounded by trees — Rose Hill, built by Walter Rose in 1836. Photograph courtesy of the Toronto Public Library – Baldwin Collection of Canadiana

The reservoir and surrounding lands were part of two 200 acre lots that fronted on to Yonge Street between Summerhill and St. Clair Avenues. Lot 16 was purchased by Walter Rose who constructed a house, called Rose Hill, in 1836. The neighbouring property, lot 17, was purchased by Charles Thompson and a house “Summerhill” was constructed on the property in 1842. In 1853 Thompson developed some of his property into an amusement park with swings, landscaped gardens, and paths leading down into the Ravine. The park was referred to as Thompson’s Park, but he changed the name to Summer Hill Spring Park and Pleasure Grounds.

Section of larger map showing water reservoir. — Atlas of the City of Toronto and Vicinity, March 1890, revised September 1903. Library and Archives Canada.

In 1865 Walter Rose died and his property was subdivided and sold. Some of the property was purchased by Joseph Jackes and Richard Dunbar. Thompsons property was sold to Larratt Smith in 1866. In the early 1870’s the city hired consultants E. S. Chesborough and T. C. Keefer to design a waterworks system. They recommended a site north of the city for the construction of a reservoir. In 1872 the city purchased sections of property from Jackes, Dunbar, and Smith for the reservoir. Smith’s sale was contingent upon the city’s maintaining his section of property as the parkland it already was. The reservoir itself would be constructed on the Rose Hill property. In October of 1873 the construction contract was awarded to R. Mitchell and Co. and construction was completed in December of 1874 – named the Rose Hill Reservoir for the property it sat upon. The reservoir could hold 126 million litres of water and was connected to the John Street pumping station 8 kilometres away.

Chain link fence with barbed wire along top. Trees and a roadway on the other side. — Rosehill Reservoir cleaning and war protection
4 November 1942. Item 2014, Subseries 72, Series 372. Fonds 200 Former City of Toronto fonds. City of Toronto Archives.

After its construction Reservoir park was a popular attraction with its access to the Vale of Avoca/Yellow Creek Ravine. The reservoir, considered the community’s lake, was closed to the public during World War I to protect the water supply. This was done again for World War II – with a fence being erected in 1940. After the war was over the fence was left in place to help protect against water contamination. In 1949 the city began considering covering the site because of the pollution from birds, dogs, and people. Fish were found to be swimming in the reservoir at one point. In 1960 the Municipality of Metropolitan Toronto commissioned consulting engineers Gore & Storrie Ltd to plan for an expansion and covering of the reservoir to much protest of the local community who didn’t want to lose their lake. The renovation project (1964-1966) cost $3.4 million dollars and increased the reservoir to 270 million litres. A water fountain, reflecting pools, waterfall and other water features were added to the new landscape to make up for the loss of the lake.

Reservoir Park became part of the larger present day David Balfour Park whose entrance is located at 75 Rosehill avenue and is now a 20.5 hectare park. A major renovation was completed in 2022 with work on both the reservoir and its surrounding park. Accessible, multiple use trails, new lighting, and an expanded community garden were added.

Government House

Government House was the name for the official residence of the Lieutenant-Governor of Upper Canada and Ontario – a tradition which ended in 1937 with the closing of the final residence Chorley Park. Between 1792-1937 there were 9 homes used by the Lieutenant-Governor, none of which are still in existence today.

The Government House featured in these stereocards was the 7^th home – is known as Old Government House. Located on property at King and Simcoe Sts (where Roy Thompson Hall and Metro Hall currently stand) the house was designed by architect Henry Langley of Gundry and Langley and constructed by Grant & York of Peterborough. The three storey red brick and ohio cut stone home featured galvanized iron cornices and a mansard roof. The main entrance faced Simcoe Street and featured a covered carriage entrance featuring a 100 foot tower. The main building was three storeys above a basement level, with the kitchen wing only 2 storeys. It also had a large glassed conservatory which opened off of the dining room. The house completed construction in 1870, with the John Beverley Robinson, the 5^th Lieutenant-Governor for Ontario, being the first to reside there.

View of Government House looking west with King Street and Simcoe Street visible. — Looking west along King Street with Government House in the foreground, 1912. Baldwin Collection of Canadiana – Toronto Public Library.

The house cost $102,000 dollars to build and was paid for with government money. Its construction was not without critics – many not seeing the need for a whole residence for the Lieutenant-Governor to live in, when offices and sitting rooms in the legislature could be provided at a much lower cost. An article in the January 6 1869 Globe newspaper pointed out “Very little is said in any quarter in defence of the lavish expenditure being made upon the residence of the Lieutenant-Governor of Ontario…the prospect is that the Governor’s residence in Toronto will be, all circumstances considered, more expensive than Rideau Hall at Ottawa.” The article continues on to discuss the considerably less amount of funds being spent on hospitals.

Interior view of Government House showing staircases to ground floor and up to second story. — Government House (1868-1912), interior staircase looking down to ground floor, 1912. Baldwin Collection of Canadiana – Toronto Public Library.

Interior view of Government House looking down hallway to staircase at end. — Government House (1868-1912), interior staircase looking down to ground floor, 1912. Baldwin Collection of Canadiana – Toronto Public Library.

In 1910 the area where Old Government House was located was becoming increasingly commercial and industrial. The Canadian Pacific Railway (C. P. R.) began purchasing lands adjacent to the house. It was felt that a new residence was needed and property in north Rosedale was purchased. In the April 18, 1910 edition of the Toronto Star the Ontario Government put a legal notice: “Tenders for Government House property…up the first day of June 1910 for the purchase of property known as Government House property situate at south-west corner of King and Simcoe Sts…containing 6.19 acres…the buildings on the said property consist of a three storey residence, coach house, stables, gardener’s house, gate lodge, conservatories and greenhouses.”

The property was purchased for $800,000 by the C. P. R in June with the Lieutenant-Governor staying in residence while the new house was constructed. Unfortunately in March of 1912 the C. P. R. requested that the residence be vacated so they could begin developing parts of the property. A temporary residence was located for the Lieutenant Governor – Pendarves House (now Cumberland House) at College and St. George Sts. was rented until Chorley Park was completed in 1915. Lurie and Company wreckers purchased Government House, demolishing the building and selling off materials for use in other construction projects. Demolition began in June of 1912 and was completed in August of that same year. The C. P. R. used the space for a railway yard.

spliced 1884-1924 Goad's Fire Insurance Plans — Goad’s Map showing the intersection of King and Simcoe in 1884 on the left and 1924 on the right. https://www.toronto.ca/ext/archives/goads_atlases/1884/g1884_pl0005.jpg
https://www.toronto.ca/ext/archives/goads_atlases/1910_1923_v1/g1910_1923_pl0005.jpg

The Bass Stereographic Photography Collection was donated to the University Archives and Special Collection by Gail Bass in 2018. The items were collected by the late Dr. Martin J. Bass and Gail Silverman Bass and included approximately 8000 stereograph cards – including 800 cards showing scenery, buildings, and landmarks from across Canada.

Bibliography

City of Toronto Archives “What’s Online” https://www.toronto.ca/city-government/accountability-operations-customer-service/access-city-information-or-records/city-of-toronto-archives/whats-online/

Toronto Public Library Digital Archive https://digitalarchive.tpl.ca/

Toronto Public Library Local History & Genealogy https://www.torontopubliclibrary.ca/history-genealogy/