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Remembrance Day and Toronto Metropolitan University

Remembrance Day from Archives and Special Collections

Veterans marching past Ryerson Hall during Remembrance Day ceremony in 1953.

In 1948, three years after the end of World War II, Ryerson was created as the Ryerson Institute of Technology. During this post war period, memories of the conflict were still vivid for many students and staff members, and Remembrance Day therefore held a marked significance for the community.  The observations included a march past of veterans and a service held in front of Ryerson Hall officiated by Principal Howard Kerr, as seen in the photograph above. Today, what remains of Ryerson Hall is the façade and entry to the RAC (the “facade”).

During the war years, in both the U.S. and Canada, Kodak often incorporated typical scenes from the soldier’s life and the “home front”, to advertise the innovative products Kodak made as part of the war effort. The photographic images below are from Special Collections’ Kodak Canada collection.

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“Home folks – home things – are always uppermost in his mind. Natural, isn’t it, that he should want snapshots…that bring [home] to him as true as life!” Canadian Kodak Co., Limited, Toronto, Ontario.
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Canadian Kodak Co., Limited, Toronto, Ontario. The Monetary Times, January,1944
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U.S. Navy Photographs using Kodacolor Aero Reversal Films. The Monetary Times, August, 1944

The Wilhelm E. Nassau Camera Collection at Toronto Metropolitan University

The Heritage Camera Collection more than doubled in size this past January thanks to the generous donation of approximately 500 cameras and pieces of camera equipment from Wilfrid Laurier University. The collection improves the holdings in European and Japanese manufacturers, and provides a greater selection for research in early camera designs.

1920s studio camera from the Wilhelm E. Nassau Camera Collection
“Mouse trap” camera developed by William Henry Fox Talbot, ca. 1834 (replica made 2006) from the Wilhelm E. Nassau Camera Collection (2005.006.01.01)
Watch Camera from the Wilhelm E. Nassau Camera Collection (2005.006.06.02)
Polaroid Land camera, Automatic 110A from the Wilhelm E. Nassau Camera Collection (2005.003.2.17.03)
Crystar camera (2005.006.08.64) next to Pony 135 for size comparison. The Crystar measures only 3.5 x 5.5 x 3 cm. From the Wilhelm E. Nassau Camera Collection.

Kodak in the News for the last time?

In a shocking but not completely unforeseen announcement last week, the Kodak corporation filed for Chapter 11 bankruptcy in the United States.

Happier were the good ol’ days of film production / 1937 advertisement from the Kodak Canada Corporate Archives & Heritage Collection advertising ledgers

As little as a decade ago, the future for Kodak still seemed bright. Company literature produced in the 1990s confirmed Kodak Canada’s optimism that digital photographers would continue to look to Kodak for leadership and innovation in image-taking technologies. The move to digital would be slow and considered, with Kodak confident that the right product was better than any product.

Kodak Photo CDs were marketed to professionals as well as amateur photographers for digital image storage / 1993 photograph of Digital Imaging showroom from the Kodak Canada Corporate Archives & Heritage Collection

Was this transition too slow? Is Kodak still the master camera-maker it once was? Ryerson Professor Robert Burley and Curatorial Specialist Beth Knazook speculate on the unfortunate circumstances that have left Kodak in its current position.

Matt Galloway speaks with Robert Burley on CBC’s Metro Morning radio show (Thursday, Jan 19 2012): http://www.cbc.ca/metromorning/episodes/2012/01/19/unthinkable/

CBC reporter Havard Gould interviews Robert Burley and Beth Knazook for The National (Thursday, Jan 19 2012): http://www.cbc.ca/video/#/News/TV_Shows/The_National/1233408557/ID=2188640879

Feature from the Collections: Summer Fashions

Special Collections staff recently stumbled upon this gorgeous photograph of a lady relaxing in a hammock during a late 1890s summer and wanted to share. Knowing how warm our Ontario summers can be, we can’t help but feel thankful for our own more comfortable options for summer attire.

This unidentified amateur snapshot showing a woman relaxing outdoors illustrates how helpful it can be to have changes in clothing trends to consider when attributing a date to an image. In this case, the large puffed sleeves are a clue to the date of this photograph. According to the historical fashion online resources provided by the Vintage Fashion Guild:

“[In 1890-1900] with the decline of the bustle, sleeves began to grow and the 1830s hourglass revival was well underway. Sleeves ballooned to proportions never seen before or indeed since – reaching their height in 1895-96.”

The size and shape of the photograph itself can also help narrow down a time period for an image. In this case the somewhat rectangular shape of the print rules out the very early circular images produced by the No. 1 Kodaks, and the popular Brownie models produced in the 1890s tended to make square pictures that were a bit smaller. Our best guess is that the 10.3 x 12.9 cm picture might have been produced by the No. 4 Bullet Special Camera, produced between 1898-1900 and thereby giving us our “circa 1898” attribution.

Woman Reclining in Hammock, ca. 1895 (2008.001.212)

References:

Dressedforthephotographer : ordinary Americans and fashion, 1840-1900 / Joan L. Severa. Kent, Ohio : Kent State University Press, c1995.
https://torontomu.primo.exlibrisgroup.com/discovery/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&docid=alma991001992649708636

Vintage Fashion Guild. (n.d.) Fashion Timeline:1890-1900. Vintage Fashion Guild Resources. Retrieved July 22, 2011 from http://vintagefashionguild.org/fashion-timeline/1890-to-1900/

No. 4 Bullet Special Kodak Camera at Historic Camera’s History Librarium. Retrieved July 22, 2011 from http://www.historiccamera.com/cgi-bin/librarium/pm.cgi?action=display&login=no4bulletspecial

Cameras on display in Special Collections

Taking a vacation this summer or just dreaming of one? Either way you can fantasize about the lovely pictures you’d take with one of the cameras on display in Special Collections. Visit us on the 4th floor of the Ryerson Library this summer to see a rotating display of cameras from the past.

First up: Kodak through the years, featuring still and motion-picture cameras from the company’s early years right up to the Advantix point and shoot system popular in the 1990s. Film projectors like the Kodascope (see below), are also on display.

The Kodak No.1 Brownie camera, ca. 1900-1916 Kodak Canada Corporate Archives & Heritage Collection (2005.001.7.005)
Kodascope Model B 16mm film projector, 1927-1929 Kodak Canada Corporate Archives & Heritage Collection (2005.001.7.166)
Kodak Retinette 1B, ca. 1959-1963 Kodak Canada Corporate Archives & Heritage Collection (2005.001.7.055)
Kodak Vigilant Junior Six-20 camera, 1940-1949 Kodak Canada Corporate Archives & Heritage Collection (2005.001.7.043)
Instamatic 154, ca. 1965-1968 Kodak Canada Corporate Archives & Heritage Collection (2005.001.7.125)

Feature of the Week: Cameras for the Masses, Kodak & the snapshot

Taking photographs is like second nature to us now; we can snap a quick shot on our computers, laptops, cell phones, and with increasingly small and inexpensive digital cameras.  It’s cheaper and easier than ever before to preserve special moments and with no film or processing to worry about anymore, every moment can be documented and remembered. How many photos did you take on your last holiday?

A No. 2A Brownie point and shoot camera from the Historical Camera Collection in Archives and Special Collections (2005.001.7.005)

It’s difficult for us to imagine a time when most people could only have photos taken at a professional studio. In the 19th century, amateur photography was time consuming, often dangerous, and always very expensive.  Some images were taken directly on metal or glass and only one copy could be had.  Photographic “film” that allowed copies consisted of glass plates or paper soaked in chemicals.

When the Eastman Kodak Company introduced the first personal use camera in 1888, it was the beginning of the amateur snap shot.  The Kodak Camera cost about $25 (that may not sound like much, but that would be about $550 today) and came pre-loaded with 100 shots.  When the film was done, the customer packaged up the camera and sent it back to the Kodak Company in Rochester, NY for developing.  The pictures were mailed back, along with a newly loaded camera for the price of $10 (about $235 now).  Kodak had made photographs easier, but they were still expensive.  To really make money, and make sure the Kodak name was in every home, they had to make it cheaper.

The “Baby Brownie” (1934-1941) from the Historical Camera Collection in Archives and Special Collections (2005.001.7.033)

A brilliant entrepreneur, George Eastman challenged his designers to come up with the cheapest camera possible; something that was economical to make and easy to use.  The Brownie Camera was born.  First sold in 1900, the Brownie cost $1.00 (less than $25 today) and was a simple box design with few moving parts.  Ads claimed “Any school-boy or girl can make good pictures with one of Eastman Kodak Company’s Brownie Cameras!”  With a product cheap and sturdy enough for a child to use, Kodak aimed its marketing campaigns at kids, opening “Brownie Camera Clubs of America” and enticing budding photographers to get snap happy.  Nearly 250,000 of the first Brownies were manufactured.  The Brownie evolved over the years, becoming sturdier, smaller and eventually including flash.

The Brownie Hawkeye camera (c. 1949-1951) from the Historical Camera Collection in Archives and Special Collections (2005.001.7.126)

Ryerson Library Special Collections holds an extensive Heritage Camera Collection, including many popular models Kodak cameras.  Make an appointment (asc@ryerson.ca) or drop by the fourth floor to have a look!

The Brownie Flash camera (1946-1954) from the Historical Camera Collection in Archives and Special Collections (2005.001.7.451)

For more information on the history of the camera, check out these Ryeron Library Resources:

Camera : a history of photography from daguerreotype to digital / Todd Gustavson. Publisher New York : Sterling Pub., 2009. https://torontomu.primo.exlibrisgroup.com/discovery/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&docid=alma991000169809708636

History of Kodak cameras. Publisher Rochester, N.Y. : Photographic Products Group, Eastman Kodak Co., / 1987. https://torontomu.primo.exlibrisgroup.com/discovery/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&docid=alma991006741419708636~S0

The art of the American snapshot, 1888-1978 : from the collection of Robert E. Jackson / Sarah Greenough and Diane Waggoner ; with Sarah Kennel and Matthew S. Witkovsky. Publisher Washington [D.C.] : National Gallery of Art ; Princeton, N.J. : Princeton University Press, 2007. https://torontomu.primo.exlibrisgroup.com/discovery/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&docid=alma991005991429708636

Sources:

Kodak. “The Brownie @ 100 : A Celebration.” Kodak. N.p., n.d.  http://www.kodak.com/US/en/corp/features/brownieCam/ Accessed 16 Feb. 2011.

Kodak. “Building the Foundation, Kodak”Kodak. N.p., n.d. http://www.kodak.com/ek/US/en/Our_Company/History_of_Kodak/Building_the_Foundation.htm Accessed Feb. 16 2011.