{"id":9261,"date":"2018-06-23T17:22:38","date_gmt":"2018-06-23T21:22:38","guid":{"rendered":"https:\/\/library.ryerson.ca\/asianheritage\/?page_id=9261"},"modified":"2025-12-08T18:42:00","modified_gmt":"2025-12-08T23:42:00","slug":"khashayar-mohammadi","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/khashayar-mohammadi\/","title":{"rendered":"Khashayar Mohammadi"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Khashayar (&#8220;Kess&#8221;) Mohammadi is a non-binary Iranian-born writer, editor, translator and photographer currently living in Toronto and working with the independent publisher Inspiritus Press.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"167\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/The-Book-of-Interruptions-book-cover.jpg\" alt=\"\" class=\"wp-image-20997 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/The-Book-of-Interruptions-book-cover.jpg 167w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/The-Book-of-Interruptions-book-cover-115x150.jpg 115w\" data-sizes=\"(max-width: 167px) 100vw, 167px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 167px; --smush-placeholder-aspect-ratio: 167\/218;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Book of Interruptions<\/h2>\n\n\n\n<p>Hamilton: Buckrider Books, 2025.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>Infused with \u201cpre-emptive violence\u201d these poems mark the intersection of war, immigration, sexuality and history, with lines often placed at the crossroads of Perso-Islamic and Western thought. Moving between an Iran that is marked with \u201ctulips from the martyr\u2019s blood\u201d and Toronto, a city that is always screaming but where the author is a \u201cghost, anecdotal,\u201d Mohammadi writes unflinchingly of the reality that faces them and others like them who straddle two worlds. But within this fierce collection there is also room for art, and for pleasure, and for words that invite us all with \u201cgentle patterns of light against light against light.\u201d<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" width=\"464\" height=\"538\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2019\/07\/Dear-Kestrel-book-cover.jpeg\" alt=\"\" class=\"wp-image-11074 lazyload\" style=\"--smush-placeholder-width: 464px; --smush-placeholder-aspect-ratio: 464\/538;width:234px;height:271px\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2019\/07\/Dear-Kestrel-book-cover.jpeg 464w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2019\/07\/Dear-Kestrel-book-cover-129x150.jpeg 129w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2019\/07\/Dear-Kestrel-book-cover-259x300.jpeg 259w\" data-sizes=\"(max-width: 464px) 100vw, 464px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry (Chapbook)<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Dear Kestrel<\/h2>\n\n\n\n<p>Toronto: Knife Fork Book, 2019.<\/p>\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n<p>Ma misses the sun, warmth and colors of their faraway homeland, but her daughter sees magic in everything \u2014 the clouds in the winter sky, the \u201cfirework\u201d display when she throws an armful of snow into the air, making snow angels, tasting snowflakes. And in the end, her joy is contagious. Home is where family is, after all.<\/p>\n\n\n\n<p>NA<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full is-resized\"><img decoding=\"async\" width=\"323\" height=\"499\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/09\/G-book-cover.jpg\" alt=\"\" class=\"wp-image-16752 lazyload\" style=\"--smush-placeholder-width: 323px; --smush-placeholder-aspect-ratio: 323\/499;width:184px;height:284px\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/09\/G-book-cover.jpg 323w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/09\/G-book-cover-194x300.jpg 194w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/09\/G-book-cover-97x150.jpg 97w\" data-sizes=\"(max-width: 323px) 100vw, 323px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">G<\/h2>\n\n\n\n<p>Co-author: Klara du Plessis.<br>Windsor: Palimpsest Press, 2023.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p><em>G <\/em>is a sound. Phonetically, it is represented as <em>[\u03c7]\u2014<\/em>and corresponds to \u062e in the Arabic alphabet\u2014a guttural resonance shared between Afrikaans and Persian. Hinging on this mutual fricative sonically prominent in their respective languages, and a playful inclusion of homonyms across English, Afrikaans, and Persian, Klara du Plessis and Khashayar \u201cKess\u201d Mohammadi composed <em>G<\/em> collaboratively in a shared Google document, an act of hospitality into their languages. Amplifying common etymologies, but centering communication beyond the delimitation of verbal systems, this work stages a conceptual project of human interconnection through the metaphors of tongue, speech, and poetry as sound. <em>G<\/em> builds on both poets\u2019 earlier translingual and translation work, including du Plessis\u2019 award-winning <em>Ekke <\/em>and Mohammadi\u2019s <em>Me, You, Then Snow.<\/em><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large is-resized\"><img decoding=\"async\" width=\"300\" height=\"400\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/04\/Me-You-Then-Snow-book-cover-rotated.jpg\" alt=\"\" class=\"wp-image-13142 lazyload\" style=\"--smush-placeholder-width: 300px; --smush-placeholder-aspect-ratio: 300\/400;width:221px;height:294px\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/04\/Me-You-Then-Snow-book-cover-rotated.jpg 300w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/04\/Me-You-Then-Snow-book-cover-225x300.jpg 225w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/04\/Me-You-Then-Snow-book-cover-113x150.jpg 113w\" data-sizes=\"(max-width: 300px) 100vw, 300px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Me, You, Then Snow<\/h2>\n\n\n\n<p>Guelph: Gordon Hill Press, 2021.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p><em>Me, You, Then Snow<\/em> by Khashayar Mohammadi is a collection of poetry woven from dreams, memories and deep-seeded longing, a collection of poetry that ranges from ambiguously addressed love-letters, to ekphrastic poems for arthouse cinema, to pieces written near midnight when the day\u2019s experiences rush back into view. Though working in diverse forms and styles, the poetry manifests as a profoundly unified desire to experience and communicate the world.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"172\" height=\"256\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2018\/06\/Moes-Skin-chapbook-cover.jpg\" alt=\"\" class=\"wp-image-9262 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2018\/06\/Moes-Skin-chapbook-cover.jpg 172w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2018\/06\/Moes-Skin-chapbook-cover-101x150.jpg 101w\" data-sizes=\"(max-width: 172px) 100vw, 172px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 172px; --smush-placeholder-aspect-ratio: 172\/256;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry (Chapbook)<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Moe&#8217;s Skin<\/h2>\n\n\n\n<p>Windsor: Zed Press, 2018.<br>Limited edition of 100 copies.<\/p>\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n<p>Ma misses the sun, warmth and colors of their faraway homeland, but her daughter sees magic in everything \u2014 the clouds in the winter sky, the \u201cfirework\u201d display when she throws an armful of snow into the air, making snow angels, tasting snowflakes. And in the end, her joy is contagious. Home is where family is, after all.<\/p>\n\n\n\n<p>Khashayar Mohammadi\u2019s vivid and rhythmic poetry sequence paints a doomed affair between two young Iranian men through a haze of jazz, liquor, and an oncoming flood. Mohammadi weaves together images of self-discovery, immigration, and tradition to create an exploration of emotion which is cigarette scented and blue stained in its beauty. Teeming with life and motion, Mohammadi\u2019s verse beats with the visceral pulse of having loved and the faith that you will love again.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">WJD<\/h2>\n\n\n\n<p>Guelph: Gordon Hill Press, 2022.<br>on order<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p><em>WJD<\/em> is an irreverent phenomenology of West-Asia, where Islamicate consciousness is driven in and out of a plethora of conflicting ideologies and has left an impression deep enough to be read across the centuries. It also includes <em>The OceanDweller<\/em>, a translation of&nbsp;Saeed Tavanaee Marvi&#8217;s experimental tale of the power of poetry dipped in marine biology and shades of astronomy.<\/p>\n\n\n\n<p>The two volumes are printed together, one beginning from each side, with its own cover, making a unique and beautiful book.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Links<\/h2>\n\n\n\n<p>Khashayar Mohammadi&#8217;s <a href=\"https:\/\/www.khashayarmohammadi.com\/\">personal website<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"https:\/\/www.gordonhillpress.com\/\">Gordon Hill Press<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"https:\/\/shopkfb.weebly.com\/\">Knife Fork Book<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"https:\/\/palimpsestpress.ca\/\">Palimpsest Press<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"https:\/\/zedpresswindsor.wordpress.com\/\">Zed Press<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Khashayar (&#8220;Kess&#8221;) Mohammadi is a non-binary Iranian-born writer, editor, translator and photographer currently living in Toronto and working with the independent publisher Inspiritus Press. Poetry The Book of Interruptions Hamilton: Buckrider Books, 2025. Publisher&#8217;s Synopsis (From its website) Infused with &hellip; <a href=\"https:\/\/library.torontomu.ca\/asianheritage\/authors\/khashayar-mohammadi\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-9261","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/9261","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=9261"}],"version-history":[{"count":10,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/9261\/revisions"}],"predecessor-version":[{"id":20998,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/9261\/revisions\/20998"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=9261"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}