{"id":7438,"date":"2016-06-26T19:11:41","date_gmt":"2016-06-26T23:11:41","guid":{"rendered":"http:\/\/library.ryerson.ca\/asianheritage\/?page_id=7438"},"modified":"2025-12-08T18:17:51","modified_gmt":"2025-12-08T23:17:51","slug":"rahat-kurd","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/rahat-kurd\/","title":{"rendered":"Rahat Kurd"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Rahat Kurd is a Vancouver-based writer, cultural critic and editor who was born and raised in Hamilton, Ontario and also lived in Ottawa. As a Canadian Muslim woman of Kashmiri descent, she draws on a rich cultural heritage to inform her work. She is at work on a memoir.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"145\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/The-Book-of-Z-book-cover.jpg\" alt=\"\" class=\"wp-image-20991 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/The-Book-of-Z-book-cover.jpg 145w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/The-Book-of-Z-book-cover-100x150.jpg 100w\" data-sizes=\"(max-width: 145px) 100vw, 145px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 145px; --smush-placeholder-aspect-ratio: 145\/218;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Book of Z.<\/h2>\n\n\n\n<p>Vancouver: Talonbooks, 2025.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/permalink\/01OCUL_TMU\/1pfebod\/alma991014724556308636\" data-type=\"link\" data-id=\"https:\/\/torontomu.primo.exlibrisgroup.com\/permalink\/01OCUL_TMU\/1pfebod\/alma991014724556308636\">e-book<\/a> (Access restricted to members of the university community)<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>In <em>The Book of Z,<\/em> Rahat Kurd turns to classical Persian and Urdu poets whose work responds passionately to mystical possibilities \u2013 above all, longing for divine union \u2013 found within scriptural language. Zulaykha, the mytho-poetic figure known as \u201cthe wife of the Aziz\u201d in the Qur\u2019an or \u201cthe wife\u2026<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"160\" height=\"160\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2016\/06\/Cosmophilia-book-cover.jpg\" alt=\"\" class=\"wp-image-7439 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2016\/06\/Cosmophilia-book-cover.jpg 160w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2016\/06\/Cosmophilia-book-cover-150x150.jpg 150w\" data-sizes=\"(max-width: 160px) 100vw, 160px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/160;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Cosmophilia: Poems<\/h2>\n\n\n\n<p>Vancouver: Talonbooks, 2015.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991007126309708636\">PS8561 .U73 C68 2015<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>What earthly use is the love of ornament? Slowing down to look closely at an inherited shawl made by hand, the title poem in Rahat Kurd\u2019s <em>Cosmophilia<\/em> traces an object of luxury to the traditionally male art of Kashmiri shawl embroidery. The poet works with images from Kashmir, her maternal family\u2019s place of origin, where the ability to make and appreciate beautiful things is both absolutely essential and taken for granted; where increasingly rare levels of artistic mastery are simultaneously prized and trivialized; where the struggle to carry on traditional art forms is strained by awareness of increasing obsolescence, severe political repression, and environmental degradation; a place both celebrated and dismissed as spectacle, as \u201cparadise on earth.\u201d<\/p>\n\n\n\n<p>&#8230;<\/p>\n\n\n\n<p>The emotionally powerful collection follows the elaborate, unexpected turns of the poet\u2019s imagination, enlisting intricate details of memory and language and the occasional plain truth \u2013 \u201cthe hard solitude of the maker.\u201d They intertwine political conflict and family history; they imagine Hamlet reluctantly confronting the partition of India and Pakistan. <em>Cosmophilia<\/em> translates multiple glittering facets of Muslim culture into, and reflects back from, the immediacy of embodied, urban Canadian experience.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"160\" height=\"240\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/05\/The-City-that-is-Leaving-Forever-book-cover.jpg\" alt=\"\" class=\"wp-image-13629 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/05\/The-City-that-is-Leaving-Forever-book-cover.jpg 160w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/05\/The-City-that-is-Leaving-Forever-book-cover-100x150.jpg 100w\" data-sizes=\"(max-width: 160px) 100vw, 160px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/240;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Non-fiction (Correspondence)<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The City that is Leaving Forever: Kashmiri Letters<\/h2>\n\n\n\n<p>Co-author Sumayya Syed.<br>Vancouver: Talonbooks, 2021.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991007300049708636\">PS8621.U73 Z48 2021<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis<br><\/h4>\n\n\n\n<p><em>The City That Is Leaving Forever<\/em> is a unique twenty-first-century time capsule: an instant-message exchange between Kashmir and British Columbia spanning more than five years in the lives of two Muslim Kashmiri women poets. In 2016, as India\u0092s military carries out extrajudicial killings and imposes a lengthy curfew in Srinagar, Kurd is forced to cancel her family trip to Kashmir. Syed and Kurd confide in each other as the weeks and months pass, working through drafts of new poems, reading each other\u0092s work, discussing multilingual poetics, the challenges of translation, and the contrasts of daily life in their two cities. The result is a rigorously feminist record of thinking through trauma as it unfolds and a document of life under military lockdown, \u0093a book like a cluster of thorns with some few fragrant petals caught in them.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Links<\/h2>\n\n\n\n<p>Publisher <a href=\"http:\/\/talonbooks.com\">Talonbooks<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/muslimlink.ca\/arts\/artist-profiles\/rahat-kurd-cosmophilia\">Interview<\/a> in <em>Muslim Link<\/em>, Ottawa&#8217;s Online Newspaper<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Rahat Kurd is a Vancouver-based writer, cultural critic and editor who was born and raised in Hamilton, Ontario and also lived in Ottawa. As a Canadian Muslim woman of Kashmiri descent, she draws on a rich cultural heritage to inform &hellip; <a href=\"https:\/\/library.torontomu.ca\/asianheritage\/authors\/rahat-kurd\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-7438","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/7438","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=7438"}],"version-history":[{"count":10,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/7438\/revisions"}],"predecessor-version":[{"id":20993,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/7438\/revisions\/20993"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=7438"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}