{"id":6735,"date":"2015-11-08T17:14:14","date_gmt":"2015-11-08T22:14:14","guid":{"rendered":"http:\/\/library.ryerson.ca\/asianheritage\/?page_id=6735"},"modified":"2024-08-12T11:21:11","modified_gmt":"2024-08-12T15:21:11","slug":"greg-santos","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/greg-santos\/","title":{"rendered":"Greg Santos"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Greg Santos is a Montreal-based graphic designer, poet, teacher of creative writing and the poetry editor for <a href=\"http:\/\/carte-blanche.org\/\">carte blanche<\/a>, a literary magazine published by the Quebec Writers&#8217; Federation. He holds an M.F.A. in creative writing from The New School in New York city. Santos is of Cambodian, Portuguese, and Spanish descent.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"135\" height=\"135\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2018\/09\/Blackbirds-book-cover.jpg\" alt=\"\" class=\"wp-image-9996 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 135px; --smush-placeholder-aspect-ratio: 135\/135;\" \/><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Blackbirds<\/h2>\n\n\n\n<p>London: Eyewear Publishing, 2018.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&#038;docid=alma991001919039708636\">PS8637 .A584 A6 2018<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>In\u00a0<em>Blackbirds<\/em>,\u00a0Greg Santos\u00a0delves into the raw, private mythologies of parenthood, adoption, ethnicity, and uncertain histories. These lyrical poems bring us from Lisbon\u2019s winding ways, to cramped Paris quarters and sacred spaces, to Cambodian street markets \u2013 all those rooms, wombs, and ruins that make up a complicated and poignant personal history. Building on the wit and charm of his previous full-length collections, here Santos brings us to a space both dark and dear.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"160\" height=\"160\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2015\/11\/Emperors-Sofa-book-cover.jpg\" alt=\"\" class=\"wp-image-6736 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2015\/11\/Emperors-Sofa-book-cover.jpg 160w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2015\/11\/Emperors-Sofa-book-cover-150x150.jpg 150w\" data-sizes=\"(max-width: 160px) 100vw, 160px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/160;\" \/><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Emperor&#8217;s Sofa<\/h2>\n\n\n\n<p>Montreal: DC Books, 2010.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&#038;docid=alma991006574369708636\">PS8637 .A584 E46 2010<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis<\/h4>\n\n\n\n<p>NA<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"136\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/02\/Ghost-Face-book-cover.jpg\" alt=\"\" class=\"wp-image-12923 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/02\/Ghost-Face-book-cover.jpg 136w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/02\/Ghost-Face-book-cover-94x150.jpg 94w\" data-sizes=\"(max-width: 136px) 100vw, 136px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 136px; --smush-placeholder-aspect-ratio: 136\/218;\" \/><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Ghost Face<\/h2>\n\n\n\n<p>Montreal: DC Books, 2020.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>In his third DC Books title, <em>Ghost Face,<\/em> Greg Santos explores what it means to have been a Cambodian infant adopted at birth by a Canadian family.<\/p>\n\n\n\n<p>Through a uniquely playful and self-reflective series of poems that pay moving homage to his adoptive parents, and explore the fantasies of a lost family and life in Cambodia, Santos leads the reader through his visceral process of unlearning and relearning who he is and who he might become.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\">\n<div class=\"wp-block-image\"><figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"160\" height=\"160\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2015\/11\/Rabbit-Punch-book-cover.jpg\" alt=\"\" class=\"wp-image-6738 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2015\/11\/Rabbit-Punch-book-cover.jpg 160w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2015\/11\/Rabbit-Punch-book-cover-150x150.jpg 150w\" data-sizes=\"(max-width: 160px) 100vw, 160px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/160;\" \/><\/figure><\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Rabbit Punch!<\/h2>\n\n\n\n<p>Montreal: DC Books, 2014.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&#038;docid=alma991006574439708636\">PS8637 .A584 R35 2014<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>In <em>Rabbit Punch!<\/em>, Marco Polo reminisces on his friendship with Kublai Khan over deli sandwiches, Wilfred Owen and Ernest Hemingway trade war stories at Hooters, and Senator John McCain remembers that fateful day when his father took him to eat bubble gum ice cream. With punchy poems that are intimate, dark, enigmatic, playful, and surreal, peppered with pop culture figures ranging from Batman, to Canadian Prime Minister Stephen Harper, Paris Hilton to \u00a0\u201cMacho Man\u201d Randy Savage,\u00a0<em>Rabbit Punch!<\/em>\u00a0delivers a poetic KO.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Links<\/h2>\n\n\n\n<p>Greg Santos <a href=\"https:\/\/gregsantos.me\/\">personal website<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"http:\/\/www.dcbooks.ca\/index.html\">DC Books<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"https:\/\/store.eyewearpublishing.com\">Eyewear Publishing<\/a><\/p>\n\n\n\n<p>Greg Santos interview with Nancy Chen Long in <a href=\"http:\/\/readwritepoetry.blogspot.ca\/2015\/01\/an-interview-with-poet-greg-santos.html\">Poetry Matters: Poetry Book Reviews and Interviews<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Greg Santos is a Montreal-based graphic designer, poet, teacher of creative writing and the poetry editor for carte blanche, a literary magazine published by the Quebec Writers&#8217; Federation. He holds an M.F.A. in creative writing from The New School in &hellip; <a href=\"https:\/\/library.torontomu.ca\/asianheritage\/authors\/greg-santos\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-6735","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/6735","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=6735"}],"version-history":[{"count":10,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/6735\/revisions"}],"predecessor-version":[{"id":18599,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/6735\/revisions\/18599"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=6735"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}