{"id":526,"date":"2012-06-15T19:35:04","date_gmt":"2012-06-15T19:35:04","guid":{"rendered":"http:\/\/library.ryerson.ca\/asianheritage\/authors\/betty-quan\/"},"modified":"2026-01-15T15:32:34","modified_gmt":"2026-01-15T20:32:34","slug":"quan_betty","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/quan_betty\/","title":{"rendered":"Betty Quan"},"content":{"rendered":"\n
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Playwright Betty Quan writes for the stage, radio and television. She is a graduate of the University of British Columbia.
Two of her plays used to be available in copyscript format from Playwrights Guild of Canada: Nancy Chew Enters the Dragon<\/em>, and, The Dragon’s Pearl<\/em>. Other plays that have been produced include Fault Lines, and Ghost Train, that was adapted from the award winning book by Paul Yee<\/a> and illustrated by Harvey Chan. Quan lives in Toronto.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Drama<\/h2>\n\n\n\n

Mother Tongue<\/h2>\n\n\n\n

Montreal: Scirocco Drama, 1996.
PS8583 .U332 M68 1996<\/a><\/p>\n\n\n\n

Publisher’s Synopsis<\/h4>\n\n\n\n

Mother Tongue<\/em> is a unique and innovative play that weaves together Cantonese, English and American Sign Language. It is about family loyalties, youthful dreams, and generational and cultural differences.
Set in Vancouver, [it] follows the life of a widowed middle-aged mother and her two children, Mimi, an aspiring architecture student, and 16-year-old Steve who lost his hearing at age 11.<\/p>\n\n\n\n

Awards and Honours<\/h4>\n\n\n\n

1996 Governor General’s Literary Award–English Drama (Nominated)<\/p>\n\n\n\n

Other version:
“Mother Tongue.” In Love + Relasianships: A Collection of Contemporary Asian-Canadian Drama. Volume 1<\/em>, ed. Nina Lee Aquino. Toronto: Playwrights Canada Press, 2009, 163-189.
PS8309 .A75 L68 2009<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Drama<\/h2>\n\n\n\n

Wired<\/h2>\n\n\n\n

Toronto: Playwrights Guild of Canada, 2013, c2009.
PS8568 .U34 W57 2013<\/a><\/p>\n\n\n\n

Synopsis<\/h4>\n\n\n\n

A play for a juvenile audience (grades 2 to 7).  This work deals with the topic of cyber bullying.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Anthology (Drama)<\/h2>\n\n\n\n

“One Ocean”<\/h2>\n\n\n\n

In Beyond the Pale: Dramatic Writing From First Nations Writers & Writers of Colour<\/em>, eds. Yvette Nolan, Betty Quan, George Bwanika Seremba. Toronto: Playwrights Canada Press, 1996.
PS8307 .B49 2004<\/a> Rev. ed. selected by Yvette Nolan. 2004.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Anthology (Drama)<\/h2>\n\n\n\n

“Nancy Chew Enters the Dragon” [Excerpt from Scene III]<\/h2>\n\n\n\n

In Taking the Stage: Selections from Plays by Canadian Women<\/em>, ed. by Cyndi Zimmerman. Toronto: Playwrights Canada Press, 1994.
PS8315 .T35 1994<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Fiction (Juvenile, Picture book)<\/h2>\n\n\n\n

Fly Away Home<\/h2>\n\n\n\n

Illustrated by Akin Duzakin.
Toronto: Groundwood Books, 2026.
forthcoming April 2026<\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

Reading like a modern nursery rhyme, Fly Away Home<\/em> begins with a family of birds launched into exile as \u201ca troubling of hummingbirds \/ brings news of beyond\u201d and \u201cthe deceit of lapwings drives its family to roam.\u201d<\/p>\n\n\n\n

Author Betty Quan gives animals thought-provoking collective nouns (a charm of goldfinches, a flamboyance of flamingoes) \u2014 some real, some invented \u2014 while Akin Duzakin\u2019s simple yet suggestive illustrations spark curiosity about the characters Little Bird encounters.<\/p>\n\n\n\n

On the wing, Little Bird witnesses the mass migrations of other animals: monarch butterflies, caribou, sea turtles \u2014 and human, too, including one little girl with a pink backpack. After her family finds asylum, Little Bird meets the little girl on a balcony in a new city \u2014 a safe nest for both at last.<\/p>\n\n\n\n

With the world witnessing an unprecedented level of migration\u2014for greater opportunities or because of conflicts and climate change \u2014 and over forty million international migrants under the age of twenty, Fly Away Home<\/em> offers families and classrooms a hopeful entry to a complex topic.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Fiction (Juvenile, Picture book)<\/h2>\n\n\n\n

Grandmother’s Visit<\/h2>\n\n\n\n

Pictures by Carmen Mok.
Toronto: Groundwood Books, 2018.
PZ7.1.Q24 G73 2018<\/a><\/p>\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n

Ma misses the sun, warmth and colors of their faraway homeland, but her daughter sees magic in everything \u2014 the clouds in the winter sky, the \u201cfirework\u201d display when she throws an armful of snow into the air, making snow angels, tasting snowflakes. And in the end, her joy is contagious. Home is where family is, after all.<\/p>\n\n\n\n

Grandmother lives with Grace\u2019s family. She teaches her how to measure water for rice. She tells her stories about growing up in China and together they savor the flavors of her childhood. Grandmother says goodbye when she drops Grace off at school every morning and hello when she picks her up at the end of the day.<\/p>\n\n\n\n

Then, Grandmother stops walking Grace to and from school, and the door to her room stays closed. Father comes home early to make dinner, but the rice bowls stay full. One day, Grandmother\u2019s room is empty. And one day, Grandmother is buried. After the funeral, Grace\u2019s mom turns on all the outside lights so that Grandmother\u2019s spirit can find its way home for one final goodbye.<\/p>\n\n\n\n

Awards and Honours<\/h4>\n\n\n\n

2018 The Globe 100 (Globe and Mail<\/em>, 1 Dec. 2018)
2019 IODE Jean Throop Book Award<\/a> (Finalist)
2018-2019 Asian\/Pacific American Award for Picture Books<\/a> (Honor title)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Non-fiction (Comic book)<\/h2>\n\n\n\n

Nitro!<\/h2>\n\n\n\n

Art by Michael Dixon.
Toronto: McClelland and Stewart, 1998.<\/p>\n\n\n\n

Synopsis<\/h4>\n\n\n\n

This is a comic book account of the Chinese labourers who helped to build the Canadian Pacific Railroad in the late 19th century. This was one of a series of comics distributed as premiums through McDonald’s Restaurants (Canada).<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Selected Criticism and Interpretation<\/h2>\n\n\n\n

Rodgers, Jenna. “Manipulating Theatrical Space to Create Physical Space: Betty Quan’s Mother Tongue Reclaiming Space for the Indiviual.” In Asian Canadian Theatre<\/em>, ed. Nina Lee Aquino and Ric Knowles. Toronto: Playwrights Canada Press, 2011, 171-182.
PS8089.5 .A8 A835 2011<\/a><\/p>\n\n\n\n

Ty, Eleanor, “”All of Us Are the Same”: Negotiating Loss, Witnessing Disability,” chap. in Unfastened: Globality and Asian North American Narratives<\/em>. Minneapolis: University of Minnesota Press, 2010, 43-62.
PS153 .A84 T9 2010<\/a> (also available as an e-book)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Links<\/h2>\n\n\n\n

Publisher House of Anansi Press<\/a> (publisher of Groundwood Books)<\/p>\n\n\n\n

Publisher Playwrights Canada Press<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Playwright Betty Quan writes for the stage, radio and television. She is a graduate of the University of British Columbia.Two of her plays used to be available in copyscript format from Playwrights Guild of Canada: Nancy Chew Enters the Dragon, … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-526","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/526","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=526"}],"version-history":[{"count":9,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/526\/revisions"}],"predecessor-version":[{"id":21377,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/526\/revisions\/21377"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}