{"id":474,"date":"2012-06-15T19:34:59","date_gmt":"2012-06-15T19:34:59","guid":{"rendered":"http:\/\/library.ryerson.ca\/asianheritage\/authors\/jen-sookfong-lee\/"},"modified":"2025-04-12T16:00:19","modified_gmt":"2025-04-12T20:00:19","slug":"lee_jen","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/lee_jen\/","title":{"rendered":"Jen Sookfong Lee"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Jen Sookfong Lee is a third-generation Chinese Canadian writer from Vancouver who has lived most of her life in the city&#8217;s East Side. Lee is a poet and food writer in addition to being a novelist. She is the co-editor of <em>Whatever Gets You Through: Twelve Survivors on Life After Sexual Assault<\/em> (Greystone Books, 2019). Lee&#8217;s books for children, <em>Chinese New Year: A Celebration for Everyone<\/em> (Orca, 2017) and <em>Finding Home: The Journey of Immigrants and Refugees<\/em> (Orca, 2021) both include some autobiographical content. When interviewed by Steven W. Beattie for a profile in <em>Quill &amp; Quire<\/em> (April 2021), Lee readily acknowledged that her writing is often veiled autobiography. <em>Gentlemen of the Shade: My Own Private Idaho<\/em>, is a non-fiction exploration of the Gus Van Sant&#8217;s popular indie film. Lee was a teacher at The Writers\u2019 Studio Online with Simon Fraser University. She assumed the role of acquiring editor at ECW Press in July 2021. Lee&#8217;s <em><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991000478829708636\">Superfan: How Pop Culture Broke My Heart<\/a><\/em> is her memoir.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"115\" height=\"115\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/better.jpg\" alt=\"&quot;&quot;\" class=\"wp-image-959 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 115px; --smush-placeholder-aspect-ratio: 115\/115;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Better Mother<\/h2>\n\n\n\n<p>Toronto: Knopf Canada, 2011.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991003642909708636\">PS8623 .E442 B48 2011<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis<\/h4>\n\n\n\n<p>Meet Danny Lim. He spends his days working as a wedding photographer and his nights cruising Stanley Park, far from the family home in East Vancouver that he once fled, and where his parents and sister still live. When he rediscovers a green silk belt he had hidden years earlier, he remembers a fleeting but powerful connection he formed with a burlesque dancer named Miss Val, a.k.a. the Siamese Kitten. On that day in 1958, in an alley behind a nightclub in Chinatown, Miss Val offered eight-year-old Danny an understanding kindness and easy acceptance he had never before experienced. As the memory triggered by Miss Val&#8217;s belt washes over him, Danny decides he must find her.<br>Before Miss Val became the Siamese Kitten \u2026 she was Valerie Nealy, a feisty girl growing up in a rundown house on the banks of the Fraser River. But to find the stardom she thought she wanted, she made a series of difficult and seemingly irrevocable decisions that led to her own weighty present.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Awards and Honours<\/h4>\n\n\n\n<p>2012 <a href=\"http:\/\/vancouver.ca\/people-programs\/city-of-vancouver-book-award.aspx\">City of Vancouver Book Award<\/a> (finalist)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"160\" height=\"160\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/The-Conjoined-book-cover.jpg\" alt=\"\" class=\"wp-image-7477 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/The-Conjoined-book-cover.jpg 160w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/The-Conjoined-book-cover-150x150.jpg 150w\" data-sizes=\"(max-width: 160px) 100vw, 160px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/160;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Conjoined<\/h2>\n\n\n\n<p>Toronto: ECW Press, 2016.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991007253009708636\">PS8623 .E442 C66 2016<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis<\/h4>\n\n\n\n<p>On a sunny May morning, social worker Jessica Campbell sorts through her mother\u2019s belongings after her recent funeral. In the basement, she makes a shocking discovery \u2014 two dead girls curled into the bottom of her mother\u2019s chest freezers. She remembers a pair of foster children who lived with the family in 1988: Casey and Jamie Cheng \u2014 troubled, beautiful, and wild teenaged sisters from Vancouver\u2019s Chinatown. After six weeks, they disappeared; social workers, police officers, and Jessica herself assumed they had run away.<\/p>\n\n\n\n<p>As Jessica learns more about Casey, Jamie, and their troubled immigrant Chinese parents, she also unearths dark stories about Donna, whom she had always thought of as the perfect mother. The complicated truths she uncovers force her to take stock of own life.<\/p>\n\n\n\n<p>Moving between present and past, this riveting novel unflinchingly examines the myth of social heroism and traces the often-hidden fractures that divide our diverse cities.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"240\" height=\"240\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/end.jpg\" alt=\"&quot;&quot;\" class=\"wp-image-960 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/end.jpg 240w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/end-150x150.jpg 150w\" data-sizes=\"(max-width: 240px) 100vw, 240px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 240px; --smush-placeholder-aspect-ratio: 240\/240;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The End of East: A Novel<\/h2>\n\n\n\n<p>Toronto: Alfred A. Knopf Canada, 2007.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991004801859708636\">PS8623 .E442 E28 2007<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>Sammy Chan was sure she\u2019d escaped her family obligations when she fled Vancouver six years ago, but with her sister\u2019s upcoming marriage, her turn has come to care for their aging mother. Abandoned by all four of her older sisters, jobless and stuck in a city she resents, Sammy finds herself cobbling together a makeshift family history and delving into stories that began in 1913, when her grandfather, Seid Quan, then eighteen years old, first stepped on Canadian soil.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"213\" height=\"320\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/04\/The-Hunger-We-Pass-Down-book-jacket.jpg\" alt=\"\" class=\"wp-image-19950 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/04\/The-Hunger-We-Pass-Down-book-jacket.jpg 213w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/04\/The-Hunger-We-Pass-Down-book-jacket-200x300.jpg 200w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/04\/The-Hunger-We-Pass-Down-book-jacket-100x150.jpg 100w\" data-sizes=\"(max-width: 213px) 100vw, 213px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 213px; --smush-placeholder-aspect-ratio: 213\/320;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Hunger We Pass Down<\/h2>\n\n\n\n<p>Toronto: McClelland &amp; Stewart, 2025<br>Forthcoming Sept. 2025<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>Divorced single mother Alice Chow is drowning. With a booming online business, a resentful teenage daughter, a screen-obsessed son, and a secret boyfriend, she can never get everything done in a day. It\u2019s all she can do to just collapse on the couch with a bottle of wine every night.<br><br>So it\u2019s a relief when Alice wakes up one morning to find the counters are clear, the kids\u2019 rooms are tidy, orders are neatly packed and labelled. But she doesn\u2019t remember staying up late to take care of things. As the strange pattern continues, Alice knows she should feel uneasy, but the extra time lets her connect with her children and with her hard-edged mother, Judy, who begins to open up about the dark chapters in their family history\u2014so she can\u2019t possibly have anything to worry about, could she?\u00a0<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"293\" height=\"216\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/dead_shelter.jpg\" alt=\"&quot;&quot;\" class=\"wp-image-962 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/dead_shelter.jpg 293w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/dead_shelter-150x110.jpg 150w\" data-sizes=\"(max-width: 293px) 100vw, 293px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 293px; --smush-placeholder-aspect-ratio: 293\/216;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Shelter<\/h2>\n\n\n\n<p>A flip book to: Conlin, Christy Ann. <em>Dead Time<\/em>.<br>Toronto: Annick Press, 2011.<br>Series: Single Voice<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"200\" height=\"200\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Tok-Book-4-book-cover.jpg\" alt=\"\" class=\"wp-image-7576 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Tok-Book-4-book-cover.jpg 200w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Tok-Book-4-book-cover-150x150.jpg 150w\" data-sizes=\"(max-width: 200px) 100vw, 200px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 200px; --smush-placeholder-aspect-ratio: 200\/200;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Anthology (Short story)<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Tok. Book 4<\/h2>\n\n\n\n<p><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991010457599708636\">PS8237 .T6 T54 2009<\/a><\/p>\n\n\n\n<p>Lee, Jen Sookfong. &#8220;Chill, Hush.&#8221; In <em>Tok. Book 4<\/em>, edited by Helen Walsh. Toronto: Zephyr Press, 2009, 57-69.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"144\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/01\/The-Shadow-List-book-cover.jpg\" alt=\"\" class=\"wp-image-12824 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/01\/The-Shadow-List-book-cover.jpg 144w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/01\/The-Shadow-List-book-cover-99x150.jpg 99w\" data-sizes=\"(max-width: 144px) 100vw, 144px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 144px; --smush-placeholder-aspect-ratio: 144\/218;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Shadow List<\/h2>\n\n\n\n<p>Hamilton: Buckrider Books\/Wolsak &amp; Wynn, 2021.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991001544779708636\">PS8623.E442 S53 2021<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>In these devastating lyric poems Jen Sookfong Lee<strong>&nbsp;<\/strong>unfolds the experience of her narrator, following her through frost-chilled nights and salt-scented days, as she pulls at the knot of accumulated expectations around her trying to create space to want and to be. <em>The Shadow List<\/em>&nbsp;is a book filled with desire, where we question the politics of who gets to choose and who doesn&#8217;t and where the narrator creates hidden lists of what she really wants. With a novelist&#8217;s way with character, Lee builds a deep connection with the narrator of the poems, yet each individual poem creates a vivid snapshot of moments many will recognize. The slick of black ice, the killing light of day, the cheap, plastic diamonds \u2013 they are all pieces of a life we gather and put in our pockets to remember with.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Selected Criticism and Interpretation<\/h2>\n\n\n\n<p>Darias-Beautell, Eva. &#8220;Haunted\/Wanted in Jen Sookfong Lee&#8217;s <em>The End of East<\/em>.&#8221; Chap. in <em>Canadian Literature and Cultural Memory<\/em>, eds. Cynthia Sugars and Eleanor Ty. Don Mills, Ont.: Oxford University Press, 2014, 402-414.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991001484219708636\">PS8101 .H58 C35 2014<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Links<\/h2>\n\n\n\n<p>Jen Sookfong Lee <a href=\"http:\/\/www.sookfong.com\">personal website<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"http:\/\/www.annickpress.com\/\">Annick Press<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"http:\/\/ecwpress.com\/\">ECW Press<\/a><\/p>\n\n\n\n<p><a href=\"http:\/\/www.swayzeagency.com\/authors.html\">Carolyn Swayze Literary Agency<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"http:\/\/penguinrandomhouse.ca\/imprints\/knopf-canada\">Knopf Canada<\/a>, imprint of Penguin Random House Canada<\/p>\n\n\n\n<p>Publisher <a href=\"https:\/\/www.wolsakandwynn.ca\">Wolsak &amp; Wynn<\/a> publisher of Buckrider Books<\/p>\n\n\n\n<p><a href=\"https:\/\/www.penguinrandomhouse.ca\/books\/99304\/the-end-of-east-by-jen-sookfong-lee\/9780676978391\/reading-guide\">Reading guide<\/a> to The End of East<\/p>\n\n\n\n<p>Jen Sookfong Lee on <em>The Better Mother<\/em>, part of CBC Radio One&#8217;s <a href=\"http:\/\/www.cbc.ca\/thenextchapter\/episode\/2011\/09\/05\/michael-ondaatje\/\">The Next Chapter with Shelagh Rogers<\/a>,&nbsp; episode &#8220;Michael Ondaatje&#8221; first broadcast September 5, 2011<\/p>\n\n\n\n<p>Author Profile by Steven W. Beattie in <a href=\"https:\/\/quillandquire.com\/authors\/jen-sookfong-lee-shifts-genres-%e2%80%a8and-gets-personal-for-her-debut-poetry-collection\/\">Quill &amp; Quire<\/a> website, posted 1 April 2021<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\"><\/div>\n","protected":false},"excerpt":{"rendered":"<p>Jen Sookfong Lee is a third-generation Chinese Canadian writer from Vancouver who has lived most of her life in the city&#8217;s East Side. Lee is a poet and food writer in addition to being a novelist. She is the co-editor &hellip; <a href=\"https:\/\/library.torontomu.ca\/asianheritage\/authors\/lee_jen\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-474","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/474","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=474"}],"version-history":[{"count":10,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/474\/revisions"}],"predecessor-version":[{"id":19951,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/474\/revisions\/19951"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=474"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}