{"id":461,"date":"2012-06-15T19:34:58","date_gmt":"2012-06-15T19:34:58","guid":{"rendered":"http:\/\/library.ryerson.ca\/asianheritage\/authors\/lydia-kwa\/"},"modified":"2026-03-01T12:11:25","modified_gmt":"2026-03-01T17:11:25","slug":"kwa","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/kwa\/","title":{"rendered":"Lydia Kwa"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Poet and novelist, Lydia Kwa was born in Singapore and came to Canada in 1980. She received a B.Sc. in psychology from the University of Toronto and a M.A. and Ph.D. in clinical psychology from Queen&#8217;s University in Kingston, Ontario. She now lives in Vancouver where she continues to write and to work as a therapist.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"178\" height=\"266\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/07\/A-Dream-Wants-Waking-book-cover.jpg\" alt=\"\" class=\"wp-image-16621 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/07\/A-Dream-Wants-Waking-book-cover.jpg 178w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/07\/A-Dream-Wants-Waking-book-cover-100x150.jpg 100w\" data-sizes=\"(max-width: 178px) 100vw, 178px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 178px; --smush-placeholder-aspect-ratio: 178\/266;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">A Dream Wants Waking: A Novel<\/h2>\n\n\n\n<p>Hamilton: Buckrider Books, 2023.<br><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>In 2219 CE Luoyang, a city patched together after the great cataclysm, the half-human, half-fox spirit Yinhe moves through their most recent incarnation. The city is watched over by No. 1, an artificial intelligence housed in a giant brain created by the scientists of Central Government, which entertains and monitors all the inhabitants of the city, both human and chimerical. But No. 1 is starting to behave erratically and the power of the Spirit Supreme Assembly, with its demand for pure bloodlines, is growing. Yinhe is summoned to the Dream Zone, where the chimerical creatures formed by the scientists are contained to do the most dangerous jobs of the city. There Yinhe is given information that will give them the chance to create great change in the city, to stave off an ancient enemy and, perhaps, to reunite with their soulmate, lost many lives before.<\/p>\n\n\n\n<p>Weaving a silken web of Chinese myth, speculative fiction and storytelling Lydia Kwa has brilliantly realized a future where questions of sentience, of personhood and of the truth of dreams wrap around a timeless quest for freedom and for love.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"218\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Oracle-Bone-book-cover.jpg\" alt=\"\" class=\"wp-image-8453 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Oracle-Bone-book-cover.jpg 218w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Oracle-Bone-book-cover-150x150.jpg 150w\" data-sizes=\"(max-width: 218px) 100vw, 218px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 218px; --smush-placeholder-aspect-ratio: 218\/218;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Oracle Bone: A Chuanqi Novel<\/h3>\n\n\n\n<p>Vancouver: Arsenal Pulp Press, 2017.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991010244979708636\">PS8571 .W3 O73 2017<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>Life in seventh-century China teems with magic, fox spirits, and demons; there is a fervent belief that the extraordinary resides within the lives of both commoners and royalty. During the years when the empress Wu Zhao gains ascendancy in the Tang court, her evil-minded lover Xie becomes obsessed with finding and possessing the oracle bone, a magical object that will bestow immortal powers on him. Standing in his way is Qilan, an eccentric Daoist nun who rescues an orphaned girl named Ling from being sold into slavery; Qilan takes her under her wing, promising to train her so she may avenge her parents&#8217; murders. In another part of the city, a young monk named Harelip questions his faith and his attraction to other men as he helps the elder monk Xuanzang to complete his translation of the Heart Sutra, the sacred Buddhist scripture. Meanwhile, as the mysteries and powers of the missing oracle bone are revealed, it remains to be seen whether Qilan will be able to stop Xie from gaining possession of the magical bone, and at what cost.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"81\" height=\"125\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/pulse1.jpeg\" alt=\"&quot;&quot;\" class=\"wp-image-1171 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 81px; --smush-placeholder-aspect-ratio: 81\/125;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h3 class=\"wp-block-heading\">Pulse: A Novel<\/h3>\n\n\n\n<p>Toronto: Key Porter Books, 2010.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991001249339708636\">PS8571 .W3 P84 2010<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>The story begins in the summer of 2007 in Toronto\u2019s Chinatown. Natalie is thrown into recollections of her native Singapore when she receives the devastating news that Selim, the son of her childhood friend and lover, has died suddenly. Selim left behind clues that suggest his death may have something to do with Natalie\u2019s own past, and she decides to return to Singapore to uncover the truth. Bound up with this tragedy is the relationship between Natalie and her father, a domineering man whose treatment of his daughter may be the key to understanding Selim\u2019s death.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"120\" height=\"185\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/this_place.jpg\" alt=\"&quot;&quot;\" class=\"wp-image-887 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/this_place.jpg 120w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/this_place-97x150.jpg 97w\" data-sizes=\"(max-width: 120px) 100vw, 120px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 120px; --smush-placeholder-aspect-ratio: 120\/185;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">This Place Called Absence<\/h2>\n\n\n\n<p>Winnipeg: Turnstone Press, 2000.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991007948659708636\">PS8571 .W3 T48 2000<\/a><\/p>\n\n\n\n<p>New York: Kensington Books, 2002.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (Turnstone)<\/h4>\n\n\n\n<p>Kwa transports us between the past and present, merging tradition and modern life in a way that is reminiscent of Amy Tan\u2019s <em>The Joy Luck Club<\/em>. This is a heart-breaking tale of despair and hope and the transformational power of the imagination.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Awards and Honors<\/h4>\n\n\n\n<p>2000 Amazon.ca\/Books in Canada First Novel Award (Nominated)<br>2002 <a href=\"http:\/\/www.lambdaliterary.org\/complete-list-of-award-recipients\/\">Lambda Literary Award<\/a> &#8211; Lesbian Fiction (Nominated)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"75\" height=\"119\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/walking.jpg\" alt=\"&quot;&quot;\" class=\"wp-image-889 lazyload\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 75px; --smush-placeholder-aspect-ratio: 75\/119;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Walking Boy: A Novel<\/h2>\n\n\n\n<p>Toronto: Key Porter Books, 2005.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991002413309708636\">PS8571 .W3 W34 2005<\/a><\/p>\n\n\n\n<p>Revised edition, issued as The second novel in the Chuanqi trilogy.<br>Vancouver: Arsenal Pulp Press, 2010<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991001323869708636\">PS8571.W3W34 2019<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From the Key Porter Books website)<\/h4>\n\n\n\n<p>&#8230; Set in 8th century China during the Tang Dynasty, <em>The Walking Boy<\/em> is a vivid and compelling novel inspired by true historical events during the final years of the reign of the country\u2019s only female emperor. &#8230;<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Awards and Honours<\/h4>\n\n\n\n<p>2006 <a href=\"http:\/\/www.bcbookprizes.ca\/winners\/previous\">Ethel Wilson Fiction Prize<\/a> (BC Book Prizes) (Nominated)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"145\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/05\/The-Spirits-Have-Nothing-to-do-with-Us-book-cover.jpg\" alt=\"\" class=\"wp-image-16276 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/05\/The-Spirits-Have-Nothing-to-do-with-Us-book-cover.jpg 145w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/05\/The-Spirits-Have-Nothing-to-do-with-Us-book-cover-100x150.jpg 100w\" data-sizes=\"(max-width: 145px) 100vw, 145px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 145px; --smush-placeholder-aspect-ratio: 145\/218;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Anthology (Short story)<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Spirits Have Nothing to Do with Us  <\/h2>\n\n\n\n<p>Kwa, Lydia. &#8220;Foggy Days, Foggy Ways.&#8221; In <em>The Spirits Have Nothing to Do with Us: New Chinese Canadian Fiction<\/em>, edited by Dan K. Woo. Hamilton: Buckrider Books, 2023, 137-145.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/permalink\/01OCUL_TMU\/1ua10n4\/alma991005314779708636\" data-type=\"link\" data-id=\"https:\/\/torontomu.primo.exlibrisgroup.com\/permalink\/01OCUL_TMU\/1ua10n4\/alma991005314779708636\">PS8323.C5 S65 2023<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"218\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/The-Colours-of-Heroines-book-cover.jpg\" alt=\"\" class=\"wp-image-8456 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/The-Colours-of-Heroines-book-cover.jpg 218w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/The-Colours-of-Heroines-book-cover-150x150.jpg 150w\" data-sizes=\"(max-width: 218px) 100vw, 218px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 218px; --smush-placeholder-aspect-ratio: 218\/218;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Colours of Heroines<\/h2>\n\n\n\n<p>Toronto: Women&#8217;s Press, 1994.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991002413389708636\">PS8571 .W3 C68 1994<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"145\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2024\/10\/From-Time-to-New-book-cover.jpg\" alt=\"\" class=\"wp-image-19172 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2024\/10\/From-Time-to-New-book-cover.jpg 145w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2024\/10\/From-Time-to-New-book-cover-100x150.jpg 100w\" data-sizes=\"(max-width: 145px) 100vw, 145px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 145px; --smush-placeholder-aspect-ratio: 145\/218;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">From Time to New<\/h2>\n\n\n\n<p>Guelph: Gordon Hill Press, 2024.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/permalink\/01OCUL_TMU\/1ua10n4\/alma991014616563108636\" data-type=\"link\" data-id=\"https:\/\/torontomu.primo.exlibrisgroup.com\/permalink\/01OCUL_TMU\/1ua10n4\/alma991014616563108636\">PS8571.W3 F76 2024<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p><em>from time to new<\/em> by Lydia Kwa is a collection of poems that weaves themes of alienation and reconciliation between the past and the present. It is work that explores themes of grieving and recovery from illness, touching on the unseen aspects of surviving intergenerational trauma, on the challenges of being part of the Asian diaspora in North America in a time of rising violence against BIPOC people, and on the isolation that accompanies living through a global pandemic. Through all these elements, the collection asserts the love of self as inseparable from the care of others.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"160\" height=\"160\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Sinuous-book-cover.jpg\" alt=\"\" class=\"wp-image-5035 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Sinuous-book-cover.jpg 160w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Sinuous-book-cover-150x150.jpg 150w\" data-sizes=\"(max-width: 160px) 100vw, 160px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/160;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Poetry<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Sinuous<\/h2>\n\n\n\n<p>Winnipeg: Turnstone Press, 2013.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991010746949708636\">PS8571 .W3 S56 2013<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis<\/h4>\n\n\n\n<p>Through the mind\u2019s eye Lydia Kwa charts the path of the stranger in a new land, the immigrant seeking escape, and transformation from the suffering of the past.&nbsp; <em>Sinuous<\/em> is a journey toward self-realization and acknowledges that through the fiery trials of life it is possible to find renewed strength and purpose for the future.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Selected Criticism and Interpretation<\/h2>\n\n\n\n<p>Fu, Bennett Yu-Hsiang. &#8220;Differing Bodies, Defying Subjects, Deferring Texts: Gender, Sexuality, and Transgression in Chinese Canadian Women&#8217;s Writing.&#8221; Ph.D. diss., Universit\u00e9 de Montr\u00e9al, 2004.<br>Available from <a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991004583869708636\">Proquest Dissertations and Theses<\/a> <\/p>\n\n\n\n<p>Goellnicht, Donald C. &#8220;&#8221;Forays into Acts of Transformation&#8221;: Queering Chinese-Canadian Diasporic Fictions.&#8221; In <em>Culture, Identity, Commodity: Diasporic Chinese Literatures in English<\/em>, ed. by Tseen Khoo and Kam Louie. Montreal: McGill-Queen&#8217;s University Press, 2005, [153]-182.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991005289989708636\">PS153 .C45 C85 2005<\/a><\/p>\n\n\n\n<p>Khoo, Gaik Cheng. &#8220;Lydia Kwa.&#8221; In Asian American Poets: A Bio-Bibliographical Critical Sourcebook, ed. Guiyou Huang, [179]-183. Westport, Conn.: Greenwood Press, 2002.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991004991269708636\">PS153 .A84 A826 2002<\/a><\/p>\n\n\n\n<p>Ty, Eleanor, &#8220;Recuperating Wretched Lives: Asian Sex Workers and the Underside of Nation Building,&#8221; chap. in Unfastened: Globality and Asian North American Narratives. Minneapolis: University of Minnesota Press, 2010, 20-40.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991003171639708636\">PS153 .A84 T9 2010<\/a> (also available as an e-book)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Links<\/h2>\n\n\n\n<p>Lydia Kwa&#8217;s <a href=\"http:\/\/www.lydiakwa.com\/\">personal website<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"http:\/\/www.arsenalpulp.com\">Arsenal Pulp Press<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"https:\/\/www.gordonhillpress.com\/\">Gordon Hill Press<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"http:\/\/www.turnstonepress.com\/turnstone-press-authors\/lydia-kwa.html\">Turnstone Press<\/a> has information about Kwa.<\/p>\n\n\n\n<p>Publisher <a href=\"http:\/\/www.kensingtonbooks.com\">Kensington Books<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"http:\/\/www.keyporter.com\/\">Key Porter Books<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Poet and novelist, Lydia Kwa was born in Singapore and came to Canada in 1980. She received a B.Sc. in psychology from the University of Toronto and a M.A. and Ph.D. in clinical psychology from Queen&#8217;s University in Kingston, Ontario. &hellip; <a href=\"https:\/\/library.torontomu.ca\/asianheritage\/authors\/kwa\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-461","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/461","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=461"}],"version-history":[{"count":10,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/461\/revisions"}],"predecessor-version":[{"id":21676,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/461\/revisions\/21676"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=461"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}