{"id":4464,"date":"2013-07-13T23:10:55","date_gmt":"2013-07-14T03:10:55","guid":{"rendered":"http:\/\/library.ryerson.ca\/asianheritage\/?page_id=4464"},"modified":"2025-08-12T20:15:15","modified_gmt":"2025-08-13T00:15:15","slug":"ayelet-tsabari","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/ayelet-tsabari\/","title":{"rendered":"Ayelet Tsabari"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Ayelet Tsabari was born in Israel of Yemeni descent.&nbsp; She moved to Canada in 1998 and completed an MFA in Creative Writing from the University of Guelph.&nbsp; Tsabari lived in Toronto for a number of years but recently relocated to Tel Aviv, as she explains in a article published in the <em>Globe and Mail<\/em> on April 6, 2019.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"160\" height=\"160\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2013\/07\/Best-Place-on-Earth-book_cover.jpg\" alt=\"\" class=\"wp-image-4465 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2013\/07\/Best-Place-on-Earth-book_cover.jpg 160w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2013\/07\/Best-Place-on-Earth-book_cover-150x150.jpg 150w\" data-sizes=\"(max-width: 160px) 100vw, 160px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/160;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction (Short stories)<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Best Place on Earth: Stories<\/h2>\n\n\n\n<p>Toronto: HarperCollins, 2013.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991009710859708636\">PS8639 .S22 B47 2013<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis<\/h4>\n\n\n\n<p>Poets, soldiers, siblings and dissenters, the protagonists here are mostly Israelis of Mizrahi background (Jews of Middle Eastern and North African descent), whose stories have rarely been told in literature.&nbsp; In illustrating the lives of those whose identities swing from fiercely patriotic to powerfully global, Ayelet Tsabari explores Israeli history even as she reveals the universality of war, love, heartbreak and hope.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Awards and Honours<\/h4>\n\n\n\n<p>2015 Sami Rohr Prize for Jewish Literature&nbsp;(Winner)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"147\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2024\/09\/Songs-for-the-Brokenhearted-book-cover.jpg\" alt=\"\" class=\"wp-image-19035 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2024\/09\/Songs-for-the-Brokenhearted-book-cover.jpg 147w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2024\/09\/Songs-for-the-Brokenhearted-book-cover-101x150.jpg 101w\" data-sizes=\"(max-width: 147px) 100vw, 147px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 147px; --smush-placeholder-aspect-ratio: 147\/218;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Songs for the Brokenhearted<\/h2>\n\n\n\n<p>Toronto: HarperCollins, 2024.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/permalink\/01OCUL_TMU\/1pfebod\/alma991014550268308636\">PS8639.S22 S66 2024<\/a><\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>1950. Thousands of Yemeni Jews have immigrated to the newly founded Israel in search of a better life. In an overcrowded immigrant camp in Rosh Ha\u2019ayin, Yaqub, a shy&nbsp;young man, happens upon Saida, a beautiful girl singing by the river. In the midst of chaos and uncertainty, they fall in love. But they weren\u2019t supposed to; Saida is married&nbsp;and has a child, and a married woman has no place befriending another man.&nbsp;&nbsp;<\/p>\n\n\n\n<p>1995. Thirty-something Zohara, Saida\u2019s daughter,&nbsp;has been living&nbsp;in New York City\u2014a city that feels much less complicated than Israel, where she grew up wishing her skin were lighter, her&nbsp;illiterate&nbsp;mother\u2019s Yemeni music quieter, and&nbsp;that the father who always favored her was alive. She hasn\u2019t looked back since leaving home,&nbsp;rarely in touch with her mother or sister, Lizzie, and missing out on her nephew Yoni\u2019s childhood. But when&nbsp;Lizzie&nbsp;calls to tell her their mother has died, she gets on a plane to Israel with no return ticket.&nbsp;&nbsp;&nbsp;<\/p>\n\n\n\n<p>Soon Zohara finds herself on an unexpected path that leads to shocking truths about her family\u2014including dangers that lurk for impressionable young men and&nbsp;secrets that force her to question everything she thought she knew about her parents, her heritage, and her own future.&nbsp;<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-large\"><img decoding=\"async\" width=\"145\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2020\/04\/The-Art-of-Leaving_A-Memoir-book-cover.jpg\" alt=\"\" class=\"wp-image-12103 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2020\/04\/The-Art-of-Leaving_A-Memoir-book-cover.jpg 145w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2020\/04\/The-Art-of-Leaving_A-Memoir-book-cover-100x150.jpg 100w\" data-sizes=\"(max-width: 145px) 100vw, 145px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 145px; --smush-placeholder-aspect-ratio: 145\/218;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Non-fiction (Memoir)<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">The Art of Leaving: A Memoir<\/h2>\n\n\n\n<p>Toronto: HarperCollins, 2019.<br><a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991001388699708636\">PS8639.S22 Z46 2019<\/a><\/p>\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n<p>Ma misses the sun, warmth and colors of their faraway homeland, but her daughter sees magic in everything \u2014 the clouds in the winter sky, the \u201cfirework\u201d display when she throws an armful of snow into the air, making snow angels, tasting snowflakes. And in the end, her joy is contagious. Home is where family is, after all.<\/p>\n\n\n\n<p>Ayelet Tsabari was 21 years old the first time she left Tel Aviv with no plans to return. Restless after two turbulent mandatory years in the Israel Defense Forces, Tsabari longed to get away. It was not the never-ending conflict that drove her, but the grief that had shaken the foundations of her home. The loss of Tsabari\u2019s beloved father in years past had left her alienated and exiled within her own large Yemeni family and at odds with her Mizrahi identity. By leaving, she would be free to reinvent herself and to rewrite her own story.<\/p>\n\n\n\n<p>For nearly a decade, Tsabari travelled, through India, Europe, the US and Canada, as though her life might go stagnant without perpetual motion. She moved fast and often because\u2014as in the Intifada\u2014it was safer to keep going than to stand still. Soon the act of leaving\u2014jobs, friends and relationships\u2014came to feel most like home.<\/p>\n\n\n\n<p>But a series of dramatic events forced Tsabari to examine her choices and her feelings of longing and displacement. By periodically returning to Israel, Tsabari began to examine her Jewish-Yemeni background and the Mizrahi identity she had once rejected, as well as unearthing a family history that had been untold for years. What she found resonated deeply with her own immigrant experience and struggles with new motherhood.<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Awards and Honours<\/h4>\n\n\n\n<p>2019 Hilary Weston Writers&#8217; Trust Prize for Non-fiction (Finalist)<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"145\" height=\"218\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/12\/Changing-the-Face-of-Canadian-Literature-book-cover.jpg\" alt=\"\" class=\"wp-image-17074 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/12\/Changing-the-Face-of-Canadian-Literature-book-cover.jpg 145w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2023\/12\/Changing-the-Face-of-Canadian-Literature-book-cover-100x150.jpg 100w\" data-sizes=\"(max-width: 145px) 100vw, 145px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 145px; --smush-placeholder-aspect-ratio: 145\/218;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Anthology<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Changing the Face of Canadian Literature<\/h2>\n\n\n\n<p>Tsabari, Ayelet. &#8220;Green.&#8221; In <em>Changing the Face of Canadian Literature<\/em>, edited by Dane Swan. Toronto: Guernica Editions, 2020.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Selected Criticism and Interpretation<\/h2>\n\n\n\n<p>Kreuter, Aaron. &#8220;Arab Jews, Polycentric Diasporas, Porous Borders: Israel\/Palestine in the Short Fiction of Ayelet Tsabari.&#8221; Chap. in his <em>Leaving Other People Alone: Diaspora, Zionism, and Palestine in Contemporary Jewish Fiction<\/em>, University of Alberta Press, 2023, pp. 131-187. <a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&amp;docid=alma991000664639708636\">PS153.J4 K74 2023<\/a><\/p>\n\n\n\n<p>Tsabari, Ayelet, &#8220;Ayelet Tsabari, January 16, 2019,&#8221; interview by Kim Davids Mandar, <em>In Appropriate: Interviews with Canadian Authors on the Writing of Difference<\/em> (Guelph: Gordon Hill Press, 2020), pp. 1-14.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Links<\/h2>\n\n\n\n<p>Ayelet Tsabari <a href=\"http:\/\/www.ayelettsabari.com\/\">personal website<\/a><\/p>\n\n\n\n<p>Publisher <a href=\"http:\/\/www.harpercollins.ca\">HarperCollins<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\"><\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Ayelet Tsabari was born in Israel of Yemeni descent.&nbsp; She moved to Canada in 1998 and completed an MFA in Creative Writing from the University of Guelph.&nbsp; Tsabari lived in Toronto for a number of years but recently relocated to &hellip; <a href=\"https:\/\/library.torontomu.ca\/asianheritage\/authors\/ayelet-tsabari\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-4464","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/4464","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=4464"}],"version-history":[{"count":10,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/4464\/revisions"}],"predecessor-version":[{"id":20426,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/4464\/revisions\/20426"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=4464"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}