{"id":415,"date":"2012-06-15T19:34:54","date_gmt":"2012-06-15T19:34:54","guid":{"rendered":"http:\/\/library.ryerson.ca\/asianheritage\/authors\/keith-garebian\/"},"modified":"2025-12-30T13:01:21","modified_gmt":"2025-12-30T18:01:21","slug":"garebian","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/garebian\/","title":{"rendered":"Keith Garebian"},"content":{"rendered":"\n
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Keith Garebian was born in Bombay, India to an Anglo-Indian mother and an Armenian father. He immigrated to Canada in 1961. He obtained an M.A. in English from Sir George Williams University (now Concordia University) in 1971 with a thesis entitled The Significance of Extravagance, Mediocrity and Fire in Hamlet<\/em>. His Ph.D. thesis, The Spirit of Place: A Comparative Study of R.K. Narayan and V.S. Naipaul<\/em>, was completed at Queen\u2019s University in 1973. Garebian launched his career as a freelance literary and theatre critic. His work has appeared in numerous newspapers, magazines and anthologies, not to mention a dozen books on theatre or literary criticism. In recent years he has published a memoir, volumes of poetry and one chapbook. Garebian lives in Mississauga, Ontario, where he was appointed Critic-at-large by the Mississauga Public Library. He recently published a collection of short essays: Mini Musings: Miniature Thoughts on Theatre and Poetry<\/a><\/em> (Guernica Press, 2020).<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Against Forgetting<\/h2>\n\n\n\n

Calgary: Frontenac House, 2019.
PS8563 .A645 A72 2019<\/a><\/p>\n\n\n\n

Publisher\u2019s Synopsis (From its website)<\/h4>\n\n\n\n

A delve into the personal history of a man affected by the Armenian genocide and the ways he makes Canada home. The poetic lines and strong emotional tug of the book outline the long lasting effects of trauma and what it means to remake a home.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Blue: The Derek Jarman Poems<\/h2>\n\n\n\n

Winnipeg, Man.: Signature Editions, 2008.
PS8563 .A645 B58 2008<\/a><\/p>\n\n\n\n

Publisher\u2019s Synopsis (From its website)<\/h4>\n\n\n\n

In this life-affirming, cinematic, at turns randy and elegiac verse-biography, Keith Garebian celebrates one of the world\u2019s truly unforgettable and rebellious spirits.<\/p>\n\n\n\n

Awards and Honours<\/h4>\n\n\n\n

2009 MARTY Best Established Literary Arts Award (Winner)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Children of Ararat<\/h2>\n\n\n\n

Calgary: Frontenac House, 2010.
PS8563 .A645 C55 2010<\/a><\/p>\n\n\n\n

Publisher’s Synopsis<\/h4>\n\n\n\n

Keith Garebian\u2019s most personal book to date, Children of Ararat<\/em>, is the poignant recollection of the Armenian Genocide of 1915.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Finger to Finger<\/h2>\n\n\n\n

Calgary: Frontenac House, 2022.
PS8563 .A733 F56 2022<\/a><\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

In his tenth poetry collection, Keith Garebian writes with savage honesty about love and its discontents, art, travel, disease, and aging. The poems have revealing gestures and situations, all drawn from personal experience. Though pared down, they have edge, and their lyrical fluency, with striking turns of feeling and imagery, never obscure the poet\u2019s beating heart and vulnerabilities.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Frida: Paint Me as a Volcano = Frida: Un Volcan de Souffrance<\/h2>\n\n\n\n

Translation by Arlette Franci\u00e8re.
Ottawa: BuschekBooks, 2004.
PS8562 .A645 F75 2004<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Georgia and Alfred<\/h2>\n\n\n\n

Toronto: Quattro Books, 2015.<\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

Combining documentary Found Poems with ekphrastic poems and imaginative lyrics, Georgia and Alfred<\/em>  by Keith Garebian places two imagined voices \u2013 painter Georgia O\u2019Keeffe\u2019s and photographer Alfred Stieglitz\u2019s \u2013 in interaction with the poet\u2019s voice. The work gathers together moments of their complicated relationship as collectible pieces, miniature realities that retouch, doctor, enlarge, or crop fact in order to capture humanness and art before they burn in time.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

In the Bowl of My Eye<\/h2>\n\n\n\n

Toronto: Mawenzi House, 2022.
PS8563 A645 I5 2022<\/a><\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

In his ninth collection of poetry, Keith Garebian pays attention to inner and outer realities of place and psyche, turning conventional landscape poetry inside-out. Focusing on the Lakeshore Road area of Mississauga\/Etobicoke, Garebian explores small and large things, creating a space in which inner and outer landscapes meet, resulting in a striking poetic vessel of cognition, perception, and sensitivity. Meditatively alert, these poems open up perceptions of a sentient world within a specific geography, history, and sociology, while providing insights into suburbia and some of its characters, including the poet and his own personal life. The world of lake, park, and road is conjoined with a suburban world of apartment, shopping mall, immigrants, and fraught lives through language that has a deep-rooted sense of mood, tone, and melody.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Moon on Wild Grasses<\/h2>\n\n\n\n

Toronto: Guernica Editions, 2013.
E-book<\/a> (Access restricted to members of the university community)<\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

Moon on Wild Grasses,<\/em> with illustrations by the author, shows the unsuspected scope of a very concise, precise poetic form. Keith Garebian’s haiku encompass a wide range of themes in a vividly elegant style that combines the pictorial with the passionate, erotic or reflective. Nature, empirical experience, the self, love, death, and grief are captured with a perceptive, sensitive eye.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Poetry is Blood<\/h2>\n\n\n\n

Toronto: Guernica Editions, 2018.
PS8563 .A645 P64 2018<\/a><\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

Combining eloquent lyrics and edgy anti-lyrics, the poems in Poetry is Blood<\/em> both rehearse and flout conventions of lyric poetry to speak with deep-rooted melancholy about family and tribal history, ancient walls, paintings, monuments, martyred poets, and genocidal madness. These pieces have the wide cross-stylistic reach of elegy yet fearlessly resist any redemptive rhetoric.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Reservoir of Ancestors: Poems<\/h2>\n\n\n\n

Oakville, Ont.: Mosaic Press, 2003.
PS8563 .A645 R48 2003<\/a><\/p>\n\n\n\n

Publisher’s Synopsis<\/h4>\n\n\n\n

In Reservoir of Ancestors<\/em>, Keith Garebian explores the theme of manifestations of love \u2013 through ancestors, the roots of history, and the various transfigurations of experience and art, such as romance, marriage, sexuality, theatre, painting and film. His poems demonstrate a strong lyricism.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry (Chapbook)<\/h2>\n\n\n\n

Samson\u2019s Hair and Other Satirical Fantasies<\/h2>\n\n\n\n

Toronto: Micro Prose, 2004.
Edition of 100.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

SCAN: Cancer Poems<\/h2>\n\n\n\n

Victoria, BC: Frog Hollow Press, 2021.
Dis\/ability series ; no. 22.
Edition of 100.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Three-Way Renegade: $amuel $teward Without Apology<\/h2>\n\n\n\n

Calgary: Frontenac Books, 2023.<\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

Raw, tender, raunchy, melancholy, witty, and richly allusive, Three-Way Renegade<\/em> is a satiric portrait in verse of Samuel Steward, a flamboyant, anarchic gay icon who passed from a life as a discontented academic to a sensational career as tattoo artist and notorious writer of erotic and pornographic literature. Composed entirely of octets (shifting in diction, tone, line-lengths and chronology with virtuoso facility), it radiates poetic eloquence and rhythmic verve as it follows the renegade\u2019s life and the various historic figures (Alfred Kinsey, Thornton Wilder, Gertrude Stein to name but three) who came into this life. A tour de force hyper-erotic odyssey.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Non-fiction (Memoir)<\/h2>\n\n\n\n

Pain: Journeys Around my Parents<\/h2>\n\n\n\n

Oakville, Ont.: Mosaic Press, [2000].
PN1708 .G3 A3 2000<\/a><\/p>\n\n\n\n

Publisher’s Synopsis<\/h4>\n\n\n\n

Pain<\/em> is a fascinating memoir which explores Garebian\u2019s origins, his childhood, his memories of India, his encounters with his mixed parentage and heritage, his emigration. In this powerful work, the prose is elusive, literary and historical. The characters are unforgettable. The reminiscences are both painful and vivid.
Pain<\/em> is an important addition to the literature of emigration and multiculturalism and enhances the international reputation of Keith Garebian.<\/p>\n\n\n\n

Awards and Honours<\/h4>\n\n\n\n

2000 Mississauga Arts Award for Writing (Winner)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Non-fiction (Memoir)<\/h2>\n\n\n\n

Pieces of Myself: Fragments of an Autobiography<\/h2>\n\n\n\n

Toronto: Guernica Editions, 2023.
e-book<\/a>, access restricted to members of the university community.<\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

Surveying his own conflicted, multi-cultural life from a Bombay boyhood, immigration to Canada, and his re-invention as a literary and theatre critic, poet, and editor who has learned to understand life\u2019s blessings and wounds, Keith Garebian\u2019s autobiography is an act of memory at the service of a changing self. Using vignettes, letters, historical surveys, meditations, and existential summations, Pieces of My Self<\/em> shows Garebian\u2019s trauma, fury, condemnation, ardour, melancholy, satire, and self-understanding. Figures of Laurence Olivier, Vanessa Redgrave, William Hutt, Irving Layton, Hugh Hood, John Metcalf, Henry Beissel, V.S. Naipaul, and many others pass through this life of a restlessly critical and self-critical author.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Selected Criticism and Interpretation<\/h2>\n\n\n\n

Wolf, Elana, and David Bateman, eds. A Disciplined Passion: Essays on the Works of Keith Garebian<\/em>. Toronto: Guernica Editions, 2025.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Links<\/h2>\n\n\n\n

Publisher Mosaic Press<\/a><\/p>\n\n\n\n

Publisher BuschekBooks<\/a><\/p>\n\n\n\n

Publisher Frontenac House<\/a><\/p>\n\n\n\n

Publisher Quattro Books<\/a><\/p>\n\n\n\n

Publisher Signature Editions<\/a><\/p>\n\n\n\n

Garebian\u2019s personal website<\/p>\n\n\n\n

Directory of members of the League of Canadian Poets<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Keith Garebian was born in Bombay, India to an Anglo-Indian mother and an Armenian father. He immigrated to Canada in 1961. He obtained an M.A. in English from Sir George Williams University (now Concordia University) in 1971 with a thesis … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-415","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/415","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=415"}],"version-history":[{"count":10,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/415\/revisions"}],"predecessor-version":[{"id":21152,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/415\/revisions\/21152"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=415"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}