{"id":348,"date":"2012-06-15T14:44:51","date_gmt":"2012-06-15T14:44:51","guid":{"rendered":"http:\/\/library.ryerson.ca\/asianheritage\/authors\/phinder-dulai\/"},"modified":"2024-08-12T12:43:58","modified_gmt":"2024-08-12T16:43:58","slug":"dulai","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/dulai\/","title":{"rendered":"Phinder Dulai"},"content":{"rendered":"<section class=\"bottomborder\">\n<div class=\"narrow\"><img decoding=\"async\" class=\"aligncenter lazyload\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/dulai.jpg\" alt=\"\" width=\"160\" height=\"212\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/212;\" \/><\/div>\n<div class=\"wide\">\n<p>Phinder Dulai has worked as a freelance writer and was the poetry editor for the South Asian quarterly <em><span class=\"bold\">Ankur<\/span><\/em>. Dulai lives in Burnaby, B.C. and currently works for the British Columbia government. Dulai&#8217;s poetry has been published in many literary journals and several Canadian newspapers.<\/p>\n<\/div>\n<\/section>\n<section class=\"bottomborder\">\n<div class=\"narrow\"><a href=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/basmati.jpg\"><img decoding=\"async\" class=\"aligncenter lazyload\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/basmati.jpg\" alt=\"\" width=\"89\" height=\"140\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 89px; --smush-placeholder-aspect-ratio: 89\/140;\" \/><\/a><\/div>\n<div class=\"wide\">\n<h3>Poetry<\/h3>\n<h3>Basmati Brown<\/h3>\n<p>Roberts Creek, B.C.: Nightwood Editions, 2000.<br \/>\n<a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&#038;docid=alma991000297049708636\">PS8557 .U42 B37 2000<\/a><\/p>\n<h4>Publisher&#8217;s Synopsis (From its website)<\/h4>\n<p>Written mainly during the poet&#8217;s travels through India, <span class=\"bold\">Basmati Brown<\/span> represents a spiritual and social journey through Punjabi cultural roots while retaining a clear connection to a home in British Columbia. Phinder Dulai\u2019s poems have the ability to seduce with liquid words, caressing the reader with Punjabi rhythm and speech pattern in harmony with English voice.<\/p>\n<\/div>\n<\/section>\n<section class=\"bottomborder\">\n<div class=\"narrow\">\u00a0<a href=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Dream-Arteries-book-cover.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-6187 lazyload\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Dream-Arteries-book-cover.jpg\" alt=\"Dream Arteries book cover\" width=\"160\" height=\"160\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Dream-Arteries-book-cover.jpg 160w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Dream-Arteries-book-cover-150x150.jpg 150w\" data-sizes=\"(max-width: 160px) 100vw, 160px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/160;\" \/><\/a><\/div>\n<div class=\"wide\">\n<h3>Poetry<\/h3>\n<h3>Dream\/Arteries<\/h3>\n<p>Vancouver: Talonbooks, 2014.<br \/>\n<a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&#038;docid=alma991001747729708636\">PS8557 .U42 D74 2014<\/a><\/p>\n<h4>Publisher&#8217;s Synopsis (From its website)<\/h4>\n<p>A hundred years ago this year, the Japanese steamship <em>Komagata Maru<\/em> set sail for Canada with 376 Sikh, Muslim, and Hindu migrants travelling from Punjab, India. They were refused entry at Vancouver, even though all passengers were British subjects. The <em>Komagata Maru<\/em> sat moored in Vancouver\u2019s harbour for two months while courts decided the passengers\u2019 right to access \u2013 and while the city\u2019s white citizens lined the pier taunting those onboard. Eventually, Canada\u2019s racist exclusion laws were upheld and the ship was forced to return to India.<\/p>\n<p>In his third poetry collection, <em>dream \/ arteries<\/em>, Phinder Dulai connects these 376 passengers with other New World settler migrants who travelled on the same ship throughout its thirty-six-year history, including to ports of call in Hong Kong, Japan, India, Turkey, Halifax, Montreal, and Ellis Island. By drawing on ship records, nautical maps, passenger manifests, and the rich, detailed record of the <em>Komagata Maru<\/em>, Dulai demonstrates how the 1914 incident encapsulates a broader narrative of migration throughout the New World.<\/p>\n<\/div>\n<\/section>\n<section class=\"bottomborder\">\n<div class=\"narrow\">\u00a0<a href=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Ragas-From-the-Periphery-book-cover.jpg\"><img decoding=\"async\" class=\"aligncenter size-full wp-image-6185 lazyload\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Ragas-From-the-Periphery-book-cover.jpg\" alt=\"Ragas From the Periphery book cover\" width=\"160\" height=\"160\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Ragas-From-the-Periphery-book-cover.jpg 160w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2012\/06\/Ragas-From-the-Periphery-book-cover-150x150.jpg 150w\" data-sizes=\"(max-width: 160px) 100vw, 160px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 160px; --smush-placeholder-aspect-ratio: 160\/160;\" \/><\/a><\/div>\n<div class=\"wide\">\n<h3>Poetry<\/h3>\n<h3>Ragas From the Periphery<\/h3>\n<p>Vancouver: Arsenal Pulp Press, 1995.<br \/>\n<a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&#038;docid=alma991000344939708636\">PS8557 .U42 R33 1995<\/a><\/p>\n<h4>Publisher&#8217;s Synopsis<\/h4>\n<p>A raga is a melodic composition in Indian classical music that imparts certain emotions. <span class=\"bold\">Ragas From the Periphery<\/span> is a poetry collection that uses language as its emotional instrument. Phinder Dulai&#8217;s work represents what he calls a &#8220;submerged poetic&#8221;: that of a Punjabi writer who creates forms in the English language that have impetuses in a South Asian context. His poems are intimate landscapes which cross cultures linguistically and metaphorically, rich with the music of the written word.<\/p>\n<\/div>\n<\/section>\n<section class=\"bottomborder\">\n<div class=\"narrow\"><\/div>\n<div class=\"wide\">\n<h3>Anthology (Poetry)<\/h3>\n<p>Dulai, Phinder. &#8220;Three Poems.&#8221; In <em>Open Text: Canadian Poetry and Poetics in the 21st Century. Volume 2<\/em>, edited by Roger Farr. (North Vancouver, BC: CUE Books, 2009), 38-43.<br \/>\n<a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&#038;docid=alma991008391409708636\">PS8293.1 .O64 2008 v.2<\/a><\/p>\n<\/div>\n<\/section>\n<section class=\"bottomborder\">\n<div class=\"narrow\"><img decoding=\"async\" class=\"aligncenter size-medium wp-image-8805 lazyload\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2018\/02\/Open-Text-volume-3-book-cover-222x300.gif\" alt=\"\" width=\"222\" height=\"300\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2018\/02\/Open-Text-volume-3-book-cover-222x300.gif 222w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2018\/02\/Open-Text-volume-3-book-cover-111x150.gif 111w\" data-sizes=\"(max-width: 222px) 100vw, 222px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 222px; --smush-placeholder-aspect-ratio: 222\/300;\" \/><\/div>\n<div class=\"wide\">\n<h3>Anthology (Prose)<\/h3>\n<p>Dulai, Phinder. &#8220;Field Note Conversations with Oneself While Exploring Virtual Archives.&#8221; In <em>Open Text: Canadian Poetry and Poetics in the 21st Century. Volume 3<\/em>, edited by Roger Farr. (North Vancouver, BC: CUE Books, 2013), 63-71.<br \/>\n<a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&#038;docid=alma991008391409708636\">PS8293.1 .O64 2008 v.3<\/a><\/p>\n<\/div>\n<\/section>\n<section class=\"bottomborder\">\n<div class=\"narrow\"><\/div>\n<div class=\"wide\">\n<h3>Selected Criticism and Interpretation<\/h3>\n<p>Chilana, Rajwant Singh. &#8220;Phinder Dulai.&#8221; In <em>South Asian Writers in Canada: A Bio-Bibliographical Study<\/em>. Surrey, BC: Asian Publications, 2017, 241.<br \/>\n<a href=\"https:\/\/torontomu.primo.exlibrisgroup.com\/discovery\/fulldisplay?vid=01OCUL_TMU:01OCUL_TMU&#038;docid=alma991008386229708636\">Z1376 .S68 C45 2017<\/a><\/p>\n<\/div>\n<\/section>\n<section>\n<div class=\"narrow\"><\/div>\n<div class=\"wide\">\n<h3>Links<\/h3>\n<p>Phinder Dulai <a href=\"https:\/\/phinderdulai.wordpress.com\/\">personal website<\/a><\/p>\n<p>Publisher <a href=\"http:\/\/www.arsenalpulp.com\">Arsenal Pulp Press<\/a><\/p>\n<p>Publisher <a href=\"https:\/\/nightwoodeditions.com\/\">Nightwood Editions<\/a><\/p>\n<p>Publisher <a href=\"http:\/\/talonbooks.com\/\">Talonbooks<\/a><\/p>\n<p><a href=\"http:\/\/www.poetryfoundation.org\/harriet\/2008\/08\/an-interview-with-phinder-dulai\/\">Interview<\/a> with Mark Nowak<\/p>\n<\/div>\n<\/section>\n","protected":false},"excerpt":{"rendered":"<p>Phinder Dulai has worked as a freelance writer and was the poetry editor for the South Asian quarterly Ankur. Dulai lives in Burnaby, B.C. and currently works for the British Columbia government. Dulai&#8217;s poetry has been published in many literary &hellip; <a href=\"https:\/\/library.torontomu.ca\/asianheritage\/authors\/dulai\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-348","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/348","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=348"}],"version-history":[{"count":10,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/348\/revisions"}],"predecessor-version":[{"id":18767,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/348\/revisions\/18767"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=348"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}