{"id":300,"date":"2012-06-14T20:16:42","date_gmt":"2012-06-14T20:16:42","guid":{"rendered":"http:\/\/library.ryerson.ca\/asianheritage\/authors\/lien-chao\/"},"modified":"2025-09-25T13:30:19","modified_gmt":"2025-09-25T17:30:19","slug":"chao","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/chao\/","title":{"rendered":"Lien Chao"},"content":{"rendered":"\n
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Poet, anthologist, critic, inter-arts artist, arts educator and promoter, Lien Chao was born in Hangzhou, China in 1950 and came to Canada in 1984 to study Canadian literature. She eventually completed both M.A. and Ph.D. degrees at York University. Her Ph.D. dissertation is an examination of Chinese-Canadian literature and it formed the basis for her book of literary criticism Beyond Silence: Chinese-Canadian Literature in English<\/em>. Chao continued to live in Toronto until her death in 2025.
In a memorial announcement from her publisher Mawenzi House, they note that Lien was a bilingual writer who wrote three collections of poems in English and Chinese, and two short-story collections in English. Her poetry came to her in English, which she translated into Chinese. They also note:<\/p>\n\n\n\n

“Lien recounted her years of growing up during the Cultural Revolution in her memoir Tiger Girl: Hu N\u00fc (2001)<\/em>, offering the reader a glimpse of recent Chinese history. In Toronto, she immersed herself in promoting Chinese Canadian art and culture, working with artists across different disciplines. She was a director of the Canadian Foundation for Asian Culture (Ontario), and Curator of the\u00a0Asian Heritage Month Art Exhibitions from 2008 onwards. During the COVID-19 shutdown, and continuing afterwards, she created, curated, and organized numerous live-streaming virtual presentations with Asian Heritage Month artists. She and Irene Hung taught Chinese Brush Painting online to thousands of secondary school students in the Toronto district school boards. These classes continued in person after COVID, during which she brought Chinese calligraphy and an introduction to Eastern philosophy to thousands of students across Toronto.”<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Maples and the Stream: A Narrative Poem<\/h2>\n\n\n\n

Toronto: TSAR, 1997.<\/p>\n\n\n\n

Publisher’s Synopsis<\/h4>\n\n\n\n

This long narrative poem in English and Chinese follows one woman’s journey from China to Canada over four decades. In these pages the two languages sit side by side, mirroring each other, each telling a tale that alternates between confusion and despair and hopes and dreams. Lien Chao depicts the struggle of a generation in its persistent search for freedom and for free artistic expression.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

More Than Skin Deep<\/h2>\n\n\n\n

Bilingual edition: Chinese and English.
Toronto: TSAR, 2004.<\/p>\n\n\n\n

Publisher’s Synopsis<\/h4>\n\n\n\n

In these poems, created in both English and Chinese, Lien Chao evokes the lives of Asian Canadians in all their diversity and depth, as she reflects on the issues of identity, assimilation and language.
These issues occur in the very act of confronting the two very different languages\u2014Chinese and English\u2014with each other, so that that confrontation itself becomes a metaphor for adaptation and conflict of cultures in Canada.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Poetry<\/h2>\n\n\n\n

Salt in My Life<\/h2>\n\n\n\n

Toronto: Mawenzi House, 2020.<\/p>\n\n\n\n

Publisher’s Synopsis<\/h4>\n\n\n\n

In her latest collection of poetry, Lien Chao covers a wider terrain of forms and styles to include symphonic lyrics, reflective travelogues, and multimedia-poetic stage performance. Sound and vision blend across the collection with a sense of textual fluidity, connecting her physical and emotional journeys as she strives for inner peace.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Fiction (Short stories)<\/h2>\n\n\n\n

The Chinese Knot: And Other Stories<\/h2>\n\n\n\n

Toronto: TSAR, 2008.
PS8555 .H3955 C44 2008<\/a><\/p>\n\n\n\n

Publisher’s Synopsis<\/h4>\n\n\n\n

In Chinatown and mixed neighbourhoods, in condos and tenements, in public parks and in college, the protagonists of these stories find love, face loneliness, confront family crises, and overcome racism as they evolve and grow in this exciting, ever-changing multicultural society.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Fiction (Short stories)<\/h2>\n\n\n\n

Spiritual Pursuits and Other Stories<\/h2>\n\n\n\n

Toronto: Mawenzi House, 2023.
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Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

These five long stories, set in multi-ethnic Toronto, explore contemporary Chinese living in Canada. How can Chinese artists, brought up in the brush-painting traditions of China, find a living in Canada? How do they relate to the current lucrative art market of their native country? Two of the stories look in detail at strategies of survival by recently retired women. Chinese cuisine is integral to the lives described.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Non-fiction (Memoir)<\/h2>\n\n\n\n

Tiger Girl = Hu N\u00fc: A Creative Memoir<\/h1>\n\n\n\n

Toronto: TSAR, 2001.
HQ1767 .C435 2001<\/a><\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

A gripping creative memoir of growing up in Mao’s China in the latter part of the twentieth century.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Non-fiction<\/h2>\n\n\n\n

Beyond Silence: Chinese Canadian Literature in English<\/h2>\n\n\n\n

Toronto: TSAR, 1997.
PS8089.5 .C47 C52 1997<\/a><\/p>\n\n\n\n

Publisher’s Synopsis<\/h4>\n\n\n\n

This study of the literary output in English by Chinese Canadians begins with the 130-year history of the community in Canada to consider first how institutional racism and neglect contributed to its collective silence in mainstream media, history, and mythology; since the 1970s a fully developed Chinese literary consciousness and historical awareness have emerged in the country.<\/p>\n\n\n\n

Awards and Honours<\/h3>\n\n\n\n

1997 Gabrielle Roy Prize for criticism (Winner)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Links<\/h2>\n\n\n\n

Publisher Mawenzi House<\/a> (formerly TSAR publications)<\/p>\n\n\n\n

Chao entry on the Writers’ Union<\/a> of Canada website<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Poet, anthologist, critic, inter-arts artist, arts educator and promoter, Lien Chao was born in Hangzhou, China in 1950 and came to Canada in 1984 to study Canadian literature. She eventually completed both M.A. and Ph.D. degrees at York University. Her … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-300","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/300","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=300"}],"version-history":[{"count":10,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/300\/revisions"}],"predecessor-version":[{"id":20757,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/300\/revisions\/20757"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}