{"id":296,"date":"2012-06-14T20:16:41","date_gmt":"2012-06-14T20:16:41","guid":{"rendered":"http:\/\/library.ryerson.ca\/asianheritage\/authors\/marjorie-chan\/"},"modified":"2024-08-12T12:41:16","modified_gmt":"2024-08-12T16:41:16","slug":"chan_marjorie","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/chan_marjorie\/","title":{"rendered":"Marjorie Chan"},"content":{"rendered":"\n
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Marjorie Chan is a Toronto-based actor, playwright and librettist. She was born in Toronto to parents who immigrated to Canada from Hong Kong and she grew up in Scarborough in the eastern reaches of Toronto. Chan is a graduate of the Actor Conservatory at George Brown Theatre School in Toronto. In addition to performing on the stage, Chan has written and voiced radio dramas. From February 2006-2009 Chan was the Associate Artistic Director and Writer-in-residence of Cahoots Theatre Company. Today (January 2022), Chan is the artistic director at Theatre Passe Muraille. Libretti for opera that Chan wrote include Sanctuary Song<\/em>, The Lesson of Da Ji<\/em> (Toronto: Centrediscs, 2015), M\u2019dea Undone<\/em> and The Monkiest King<\/em> (Toronto: Centrediscs, 2020).<\/p>\n<\/div>\n<\/div>\n\n\n\n

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\"Book<\/figure>\n<\/div><\/div>\n\n\n\n
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Drama<\/h2>\n\n\n\n

China Doll<\/h2>\n\n\n\n

Winnipeg, Man.: Scirocco Drama, 2004.
PS8605 .H355 C45 2004<\/a><\/p>\n\n\n\n

Publisher’s Synopsis<\/h4>\n\n\n\n

Su-Ling, an open-minded and intelligent young woman in Shanghai, has her feet bound by her grandmother, Poa-Poa. Despite the pain and the crippling effects, custom decrees that the smaller and daintier the foot, the more marriageable the woman. \u2026 Poa-Poa has high hopes that her granddaughter will marry well and bring prosperity to them both. Then Su-Ling meets the merchant Li, who enlarges her world by teaching her to read. As Su-Ling grows into womanhood, she makes choices that lead her toward independence, and which have consequences for everyone in her world.<\/p>\n\n\n\n

Awards and Honours<\/h4>\n\n\n\n

2005 Governor General’s Literary Award–Drama–English (Nominated)<\/p>\n\n\n\n

Also:<\/p>\n\n\n\n

“China Doll.” In Love + Relasianships: A Collection of Contemporary Asian-Canadian Drama<\/em>. Volume 2, ed. Nina Lee Aquino. Toronto: Playwrights Canada Press, 2009, 129-196.
PS8309 .A75 L68 2009<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Drama<\/h2>\n\n\n\n

Lady Sunrise<\/h2>\n\n\n\n

Toronto: Playwrights Canada Press, 2022.
e-book<\/a> (Access restricted to members of the university community)<\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

From the glittering high-rise condos to the desperate streets of Vancouver, powerful stories told by women reveal the fraying social fabric among the wealthy and hangers-on in the city\u2019s Asian Canadian community.<\/p>\n\n\n\n

Lady Sunrise<\/em> introduces us to six women who are risking everything, all motivated by the need for more money and the freedom it could buy, whether it\u2019s the allure of expensive items and real estate to substitute what\u2019s been lost or the safety of not being in abusive debt to anyone else just to survive. This heartbreaking examination of the effects of today\u2019s hyper-consumerist society will challenge perspectives of strength and power, exposing painfully raw consequences.<\/p>\n\n\n\n

Awards and Honours<\/h4>\n\n\n\n

2022 Governor General’s Literary Award–English drama<\/a> (Finalist)<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Drama<\/h2>\n\n\n\n

A Nanking Winter<\/h2>\n\n\n\n

Toronto: Playwrights Canada Press, 2009.
PS8605 .H355 N36 2009<\/a><\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

Irene Wu has dedicated years of her life to researching the invasion of Nanking, China. Through the winter of 1937, the Japanese Imperial Army led a horrific campaign through the streets of China\u2019s capital, an event that has been left unknown and untold to the world. Irene is on the brink of releasing her research when her publisher voices doubts about the book.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Anthology (Drama)<\/h2>\n\n\n\n

Where is Here? The Drama of Immigration. Volume 2<\/h2>\n\n\n\n

Chan, Marjorie, “Spring Arrival,” In Where is Here? The Drama of Immigration<\/em>. Volume 2, ed. Damiano Pietropaolo. Winnipeg: Scirocco Drama, 2005.
PS8309 .I49 W49 2005<\/a><\/p>\n\n\n\n

Publisher’s Synopsis (From its website)<\/h4>\n\n\n\n

[The play] returns a sick woman to the cultural misunderstandings of her first day in Toronto from Hong Kong to cheer up her daughter and patients in the hospital ward.<\/p>\n<\/div>\n<\/div>\n\n\n\n

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Selected Criticism and Interpretation<\/h2>\n\n\n\n

Scott, Shelley. “Nightwood Theatre, Asian Canadian Women, and China Doll: the Ties That Bind.” In Asian Canadian Theatre<\/em>, ed. Nina Lee Aquino and Ric Knowles. Toronto: Playwrights Canada Press, 2011, 148-157.
PS8089.5 .A8 A835 2011<\/a><\/p>\n<\/div>\n<\/div>\n\n\n\n

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Links<\/h2>\n\n\n\n

Personal website<\/a> of Marjorie Chan<\/p>\n\n\n\n

Cahoots Theatre Projects<\/a> website<\/p>\n\n\n\n

Theatre Passe Muraille<\/a> website<\/p>\n\n\n\n

Publisher J. Gordon Shillingford<\/a>, owner of the Scirocco Drama imprint<\/p>\n\n\n\n

Publisher Playwrights Canada Press<\/a><\/p>\n\n\n\n

CMC Canadian Music Centre<\/a>, retailer of Centrediscs recordings<\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Marjorie Chan is a Toronto-based actor, playwright and librettist. She was born in Toronto to parents who immigrated to Canada from Hong Kong and she grew up in Scarborough in the eastern reaches of Toronto. Chan is a graduate of … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-296","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/296","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=296"}],"version-history":[{"count":10,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/296\/revisions"}],"predecessor-version":[{"id":18755,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/296\/revisions\/18755"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=296"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}