{"id":14566,"date":"2021-12-23T11:54:53","date_gmt":"2021-12-23T16:54:53","guid":{"rendered":"https:\/\/library.ryerson.ca\/asianheritage\/?page_id=14566"},"modified":"2025-12-29T19:47:23","modified_gmt":"2025-12-30T00:47:23","slug":"devakanthan","status":"publish","type":"page","link":"https:\/\/library.torontomu.ca\/asianheritage\/authors\/devakanthan\/","title":{"rendered":"Devakanthan"},"content":{"rendered":"\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<p>Devakanthan (Bala Kumarasamy) is a Tamil writer and art critic who &#8220;was exiled by the war in Sri Lanka in the early 1980s&#8221; and settled in Canada via India. He lives in Toronto and writes in Tamil. A quintet of novels received the Tamil Literary Garden&#8217;s Best Novel Award (2014) for the work as a whole. The individual novels are being translated into English and published by Mawenzi House with the series title <em>Prison of Dreams<\/em>. The first of the quintet is <em>His Sacred Army<\/em>. The original version won the Government of Tamil Nadu Novel of the Year Award (1998).<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"210\" height=\"320\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/12\/His-Sacred-Army-book-cover.jpg\" alt=\"\" class=\"wp-image-14569 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/12\/His-Sacred-Army-book-cover.jpg 210w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/12\/His-Sacred-Army-book-cover-197x300.jpg 197w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/12\/His-Sacred-Army-book-cover-98x150.jpg 98w\" data-sizes=\"(max-width: 210px) 100vw, 210px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/320;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">His Sacred Army<\/h2>\n\n\n\n<p>Translated from Tamil by Nedra Rodrigo.<br>Toronto: Mawenzi House, 2021.<br>Prison of Dreams ; bk 1<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p><em>His Sacred Army<\/em> is the first volume of the quintet, <em>Prison of Dreams<\/em>, depicting the growth of the Tamil armed struggle in 1980s Sri Lanka. The five novels together describe the Sinhala-Tamil ethnic conflict, the hard choices faced by the minority communities subject to pogroms and oppressive laws, and the sufferings and exiles of simple villagers as the conflict finally flares up into a full-fledged and bloody civil war.<\/p>\n\n\n\n<p><em>His Sacred Army<\/em> centres around the life of Rajalakshmi, a young woman in the small island community of Nainativu, off the coast of Sri Lanka. Rajalakshmi\u2019s simple ambition of employment to support her widowed mother and struggling family is thwarted by malicious gossip, for which the solution is to marry her childhood friend Suthan. As the ethnic conflict heats up, Suthan faces the dilemma of whether to follow his father\u2019s political path of constitutional reform and nonviolence or to join the growing separatist movement. He goes into exile in India, and Rajalakshmi is faced with the choice whether to follow him.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"218\" height=\"327\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/Liquid-Fire-book-cover.jpg\" alt=\"\" class=\"wp-image-21112 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/Liquid-Fire-book-cover.jpg 218w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/Liquid-Fire-book-cover-200x300.jpg 200w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/Liquid-Fire-book-cover-100x150.jpg 100w\" data-sizes=\"(max-width: 218px) 100vw, 218px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 218px; --smush-placeholder-aspect-ratio: 218\/327;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">Liquid Fire<\/h2>\n\n\n\n<p>Translated from Tamil by Nedra Rodrigo.<br>Toronto: Mawenzi House, 2024.<br>Prison of Dreams ; bk. 3<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>This third novel in Devakanthan\u2019s quintet, <em>Prison of Dreams<\/em>, depicts the lives of the rural Tamil population of Sri Lanka during its tragic civil war (1983-2009). It was a dark time of repression and exile, a time of utter despair, in which innocence turned to ruin, a way of life disappeared. As the author writes,<\/p>\n\n\n\n<p>\u201d . . . stabbings, deaths, and shattered limbs were . . . a part of their story. Death swooped in, randomly snatched people up, old, young, or newborn. The bombs exploded like thunder, stopping many hearts . . . when wood and wheelchairs substituted for legs. Artificial hands were not much use. It was a time of deprivation, and survival was everything. <em>Our earth \/ our days \/ when none of it \/ is for us \/ a time like this \/ could not come again . . . such torment. So Yasothara \/ you \/ live in this moment . . . <\/em>&#8220;<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"218\" height=\"327\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/A-New-Testament-book-cover.jpg\" alt=\"\" class=\"wp-image-21108 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/A-New-Testament-book-cover.jpg 218w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/A-New-Testament-book-cover-200x300.jpg 200w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/A-New-Testament-book-cover-100x150.jpg 100w\" data-sizes=\"(max-width: 218px) 100vw, 218px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 218px; --smush-placeholder-aspect-ratio: 218\/327;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">A New Testament<\/h2>\n\n\n\n<p>Translated from Tamil by Nedra Rodrigo.<br>Toronto: Mawenzi House, 2024.<br>Prison of Dreams ; bk. 5<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>The final and shortest novel of the quintet is a coda that brings together several of its displaced characters in unexpected ways. The noble monk Sankarananda Thero meets a tragic end, but he remains an inspiration for Thiravi, who finds the direction he has been searching for for years. Suthan reunites with his mother and sister briefly in India, but their relationships remain strained. Thiyagu\u2019s mind begins to clear as he takes on new responsibilities and returns to Nainativu with an orphaned child. As her friends and family disperse, Raji learns of a tragedy that finally forces her to admit the depth of her feelings.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"210\" height=\"320\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/12\/A-Time-of-Questions-book-cover.jpg\" alt=\"\" class=\"wp-image-14570 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/12\/A-Time-of-Questions-book-cover.jpg 210w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/12\/A-Time-of-Questions-book-cover-197x300.jpg 197w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2021\/12\/A-Time-of-Questions-book-cover-98x150.jpg 98w\" data-sizes=\"(max-width: 210px) 100vw, 210px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 210px; --smush-placeholder-aspect-ratio: 210\/320;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">A Time of Questions<\/h2>\n\n\n\n<p>Translated from Tamil by Nedra Rodrigo.<br>Toronto: Mawenzi House, 2021.<br>Prison of Dreams ; bk. 2<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p><em>A Time of Questions<\/em> explores the choices faced by Tamil youth in the face of a growing Sinhala Buddhist nationalism. Rajalakshmi\u2014married in all but sacred ritual to Suthan\u2014faces two options: to remain in her beloved little island, Nainativu, or to seek refuge in India and join Suthan. At the same time, the insurgent movement for Tamil separation begins to fracture through internal differences and Suthan makes a decision that irrevocably alters his and Rajalakshmi\u2019s fates.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><div class=\"wp-block-image\">\n<figure class=\"aligncenter size-full\"><img decoding=\"async\" width=\"218\" height=\"327\" data-src=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/A-World-in-Ruins-book-cover.jpg\" alt=\"\" class=\"wp-image-21110 lazyload\" data-srcset=\"https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/A-World-in-Ruins-book-cover.jpg 218w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/A-World-in-Ruins-book-cover-200x300.jpg 200w, https:\/\/library.torontomu.ca\/asianheritage\/files\/2025\/12\/A-World-in-Ruins-book-cover-100x150.jpg 100w\" data-sizes=\"(max-width: 218px) 100vw, 218px\" src=\"data:image\/svg+xml;base64,PHN2ZyB3aWR0aD0iMSIgaGVpZ2h0PSIxIiB4bWxucz0iaHR0cDovL3d3dy53My5vcmcvMjAwMC9zdmciPjwvc3ZnPg==\" style=\"--smush-placeholder-width: 218px; --smush-placeholder-aspect-ratio: 218\/327;\" \/><\/figure>\n<\/div><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Fiction<\/h2>\n\n\n\n<h2 class=\"wp-block-heading\">A World in Ruins<\/h2>\n\n\n\n<p>Translated from Tamil by Nedra Rodrigo.<br>Toronto: Mawenzi House, 2024.<br>Prison of Dreams ; bk. 4<\/p>\n\n\n\n<h4 class=\"wp-block-heading\">Publisher&#8217;s Synopsis (From its website)<\/h4>\n\n\n\n<p>Set in the years between 1995 and 2000, the fourth novel in the quintet follows the lives of the families scattered from the island of Nainativu across the world. Arasi redoubles her efforts to find the forcibly disappeared poet Rakini, and finds allies in the feminist groups advocating for human rights in Sri Lanka. In France, Suthan contributes to the formation of an international network of Tamils mobilizing for the struggle back home, even as his relationship with Sheila deteriorates and his past threatens to catch up with him. Raji continues her work caring for the refugees in the camp in India and eventually reconciles with her mother, who begins to see her in a new light. Rajendran undergoes a change of heart as he distances himself from Suthan and starts his own family. Yogesh becomes an indispensable boatman for the rebels, navigating his way between India and Sri Lanka on several missions.<\/p>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:33.33%\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:66.66%\">\n<h2 class=\"wp-block-heading\">Links<\/h2>\n\n\n\n<p>Publisher <a href=\"https:\/\/www.mawenzihouse.com\">Mawenzi House<\/a> <\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Devakanthan (Bala Kumarasamy) is a Tamil writer and art critic who &#8220;was exiled by the war in Sri Lanka in the early 1980s&#8221; and settled in Canada via India. He lives in Toronto and writes in Tamil. A quintet of &hellip; <a href=\"https:\/\/library.torontomu.ca\/asianheritage\/authors\/devakanthan\/\">Continue reading <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":11,"featured_media":0,"parent":16,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-14566","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/14566","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/users\/11"}],"replies":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/comments?post=14566"}],"version-history":[{"count":5,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/14566\/revisions"}],"predecessor-version":[{"id":21114,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/14566\/revisions\/21114"}],"up":[{"embeddable":true,"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/pages\/16"}],"wp:attachment":[{"href":"https:\/\/library.torontomu.ca\/asianheritage\/wp-json\/wp\/v2\/media?parent=14566"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}